Pixeum:The Digital Gallery

Artists We Love Gallery Show - December 27 & 28, 2024

Sarah Paper and her father, Tom Paper, are delighted to host our second Artists We Love Gallery Show on December 27th and 28th. To register, click here.

Moeko Machida Artwork

I love the artwork of Moeko Machida! Her pieces take me to other worlds that are both foreign and familiar. When Moeko told me that her parents were both biologists, I loved her story and her work even more. I am curious to think about Butoh dance, which is another influence upon her work. https://www.moekomachida.com/gallerySee @moeko_machida on InstagramBIOMoeko MACHIDA is an Aichi (Japan)-born artist who creates paintings under the prominent theme: the nature of life. Placing herself amid all phenomena surrounding lives, she carefully observes and perceives phenomena, thus meticulously putting them into images. Raised by biologist parents, she has been familiar with matters surrounding vitality and has had a strong perception of emotions since an early age. Consequently, she had gotten overwhelmedby the spirits of the dead and the invisible existences surrounding her. It was her expressionist self that found a way to face those presences that she could not detach herself from. The ideas she nurtured in studying Japanese painting and Butoh dance also have influences on her artistry. While studying at the Kyoto City University of Arts, she learned the Japanese painting method that places emphasis on sketching, through which she acquired an attitude of taking time to face the subject matter with serenity. She also started learning dance in her childhood and studied Butoh eagerly during college, which led her to apply the Butoh-derived idea of the body as being amid phenomena surrounding lives to her work. Her portfolio includes fusuma (sliding door) paintings for traditional Japanese houses, hotel room exhibitions, solo shows in Japan and Italy and she has participated in residencies across Japan and Europe. In 2023, moved to California, where she now showcases her work in the San Francisco Bay Area.StatementI explore the hidden beauty of living beings through paintings created with traditional Japanese pigments. Engaging in mindful observation, I use my entire body to carefully sense the unseen forces within life. My creations are tangible results of this exploration and observation.The round shapes in my work, inspired by rocks and stones, symbolize life’s essence. When I paint, I’m inspired not only by living organisms but also by the spirit of the dead. Recognizing that life includes death is essential to my creative vision. This understanding shapes my work asan expression of admiration for the beauty and strength of all existence, as well as deep respect for all living beings.https://www.moekomachida.com/ Keyword: featuredartists

Paula Pietranera Artwork

Paula Pietranera is an artist we love. Born in Argentina, she studied to be an architect, but shifted gears after being immersed in Asian arts. She mentored with a famous Origami artist in Kyoto and has now created amazing artworks based on the confluence of her background as an architect, her knowledge of Renzuru origami (replicating cranes) and Sami-E ink painting, and her overall creativity and brilliance. Paula lives in San Francisco. https://paulapietranera.com/ See @paulapietranera on InstagramARTIST STATEMENTThink the fold. Be the fold. Forget the fold.My work is rooted in two traditional Japanese art techniques.Renzuru, which is roughly translated as “consecutive cranes”, is an advanced origami technique that uses a single sheet of paper to fold a series of multiple cranes, all connected to each other through their wings, beak or tails.And Sumié, the art of ink painting. Through the fluidity and spontaneity of the brush strokes and the precision and detail care of the paper folds, my art invites you to get closer, to connect, and explore. Paper cranes and sumi ink come together in a subtle way that can only be discovered within the stillness of intimate, mindful attention.Many connected cranes come alive out of a single sheet of paper, where each one is unique and at the same time part of the whole. The simplicity, skilled execution, and the deep connection with the creative act of the present moment is what gives life to my expression as an artist, on a journey beyond mere decoration or aesthetic appreciation.“Paula Pietranera has reinvented Renzuru into a highly sophisticated contemporary art form that goes beyond folk art in both style and content.”Dr. Mark LevyProfessor Emeritus of Art History, California State UniversityBIO - PAULA PIETRANERABorn in 1979 in Buenos Aires, Argentina, Paula Pietranera graduated as an architect and later specialized in historical building conservation and restoration. During her studies, she felt a deep spiritual connection to Asian arts which led her to study sumi-e, origami and calligraphy in Argentina, Japan, and the United States. While living in Japan in 2015, she discovered the renzuru origami technique for which she trained with the master Mizuho Tomita in Kyoto. During the last few years she has been exploring ways in which this traditional paper folding technique can be an expressive medium of fine artwork. Her creations have been exhibited in Argentina, Japan and in the USAkeyword: featuredartists

Miriam Sweeney Artwork

We love Miriam Sweeney and her art. She loved art as a young woman, but then started a family and so art took a backseat. Re-engaged with art in the past five years or so. Her city map pieces are about her love of place and all the memories she has of places she has been with the people she loves. Her egg shells and bees work is about the fragility of life. Her map and memorabilia pieces are about the lives we lead and all the history packed inside. If I recall correctly, the three lines on some pieces are about her three sons.https://www.mbsweeneyart.com/See @mir_sweeney on Instagram.“Drawing inspiration from city aerial views, my work explores the urban landscape that sit somewhere between order and chaos, structure and collapse, expression and control. Seen from above, its pieces emerge like a puzzle, each with its own personality. I paint playful, textured curvilinear shapes to capture the city streets, its landmarks, the droning sounds of traffic, the chitter chatter of its cast of characters. I hope to evoke the feeling one gets when flying into a new place for the first time, when we try to take everything in, or reflect on the lasting impressions of authentic connections, special places and their unique stories.”Photoshoot at Baker Street on June 23rd, 2024.Transcript of Recordingkeyword: featuredartistsTranscript of Recording from June 23, 2024 at 1911 Baker StreetMiriam Sweeney, Tom Paper, Mina de Almeida, Victoria Nguyen00:00Um, okay. So can you marry him? Thank you for joining us.00:04I turned on our little recorder here. Um, and I'm here with Victoria while Mina is out for the moment.00:12Um, so tell us about this piece. Is part of a series.00:16Yes, so, um, this is the smallest one out of the three.00:20I have the 48 by 48, or 50 by 50 that I sent you.00:24This one is um, 36. And that one's 24 by 24.00:29And, um, I made the, I made these after our trip to Ireland last year.00:38We spent, that is 25 days, um, just gallivanting and, and, and, um, you know, visiting and really learning all about, like, the archaeological Well, I should say, the theme of the, the trip was more archaeological, because Bill, my husband, likes to, um, he likes to do research, how we go anywhere.01:06And it's always, they're always historical researches, you know. And, and so, um, what I got out of it were just these, everyone talks about Ireland being green, all of that.01:19But what was most, um, was most, um, really fascinating to me, where these huge, just just gigantic boulders, of, of of slate and bastled, you know, all over and, and they've got these um stones that they put one on top of the other.01:43And for a long time we would see pictures of them.01:45And I thought that they were, you know, to divide, um, divide the the farms, but they're actually there to cut the wind and keep the topsoil.01:56Um, and, and so I thought that these represented how I feel about Ireland and the Irish people.02:08You know, just the grit, the toughness, the solidness of them, and just the no nonsense, but also, there's a lot of grace in just how they do things.02:19You know, they're very resilient and they're very practical, and they're very, um, and I almost think that it's because, well, the question is, is it them, or did the environment kind of just shape or shape them that way?02:35You know, have you seen The Man of Aaron? No, um, it's, it's, um, it's a movie from the 1930s.02:42It's actually a docky movie from the 1930s. So it was filmed by this man named Clarity.02:47And I think, actually think that he comes from the long line of the um, ferocious, ferocious flarities of Venemara in Ireland.02:54Anyway, um, you watch that film, and then you understand why the Irish are the way they are, their resilience, their toughness, the way they had to to live like this.03:07The, it's a film is filmed in the, the, the movie is the, it's filmed in this UM island called Inish.03:13More it's, it's one of the air and islands, the biggest ones at it, UM, in the air and, and it's called the most uninhabitable place on Earth.03:24But people live there, and you go there, and it's like, time has kind of, you know, stood still from a moment, like, like, 50 years didn't go by for them it.03:39And, but it's just a greediness and, you know, I-I don't know how to explain it what's the movie called again man of aaron man of aaron E-R-A-R-A-N-A-R-A-N okay okay a man of aaron and um we just um I-I didn't take my MY husband thought that i would come home and paint pastures of green and and FIELDS of green it's not how you removed no and and it's it's because it's what I would I-I took in from that just these landscapes of slate and and rockiness and and and greediness and and probably because you know my dad was.04:23A geologist, and so I'm just more, um, I don't know.04:31I-I look at rocks I-I do like I-I-I like them so I-I think it's just left over From what i remember memories i think so a lot of what i brought.04:44Are um.04:47The THEME is memory nice, all right let's shoot this this we, gotta shoot this in two pieces so we're gonna go ahead and shoot this half.04:58And now we're gonna do you got it? Or do you okay?05:03So we're gonna turn it around and then, and then go that way, if that makes sense.05:14So, miriam, after the fact, these these, this will get stitched together into one image.05:19So we have, I have a team who who post, processes all the images that we shoot here.05:26Um, which is great. Can you make prints? We can make prints.05:32We won't do you like you can. If you wanna use this to make prints of this, you can, and we'll figure out something else.05:37Say, I have a couple of pieces. I I've been looking for a photographer to shoot them because I wanted to make Prince out of them.05:45And I-I just you know they have, a hard time because of the glare aha well you'll see i mean we'll see, that's we're we're certainly concerned about that or the exposure, but I don't mean, look, we can go look at this right now.06:01And, and it looks, this is pretty good, and it looks a little more warm and pinkish here, but when we actually upload it, it's pretty true.06:12Oh, absolutely.06:16Um, okay. So let's shoot this guy.06:21All right. So we're done with that, so we're gonna trade out.06:33I can't believe you've just been doing this for a few years.06:37Is this the next? Oh, sure. Any, any, which one we'll do it size wise.06:41Ultimately, got a.06:46This one is called, um, dear Mary.06:51And I went to, I love flea markets cause, you know, there's always speaking of abstract I mean, you just never know what you're gonna find.07:09Can we, can you come back your way a little bit?07:13Oops, my person.07:15So the work keeps moving.07:27I wonder, what, because of this lift, do you think it's even like Is, is it kind of tilted up like this?07:39Um, well, we, we can, we can check.07:47Close. Yes, I mean, it's a little.07:58I think we should, we should leave it. I think it's gonna be, we're gonna monkey around with it, and it's gonna be not worth it.08:13Um.08:45There you go. That looks good. You know what? I didn't do when we just, when we just shot, I didn't focus.08:54Oh, I in in my head. I thought they would be pretty similar, because it looks like the same.09:01Well, let's just double check.09:06It looks pretty darn good.09:20Now I think we're fine.09:23Okay, all right, we'll get this one.09:28So tell us, tell us about this.09:31So this is, um, about, this is dear Mary. Aha M-M-A-R-I it stands for mary bell um and then in the back actually there's A-A little or should we shoot the back if you like there's a little story, behind that no so i Found, a yearbook from the forties um in a bin.09:56The flea market and i want. You know i, love collage because it reminds me of being five years old again, you know, paper, scissors, glue, and, um, I'm gonna focus on this thing.10:07I started ripping up the yearbook because I wanted to create.10:10It was, um, a yearbook for It was Mary bell's, your book basically, did you, you didn't know Mary Bell?10:16No, no, it just, um, it had dear Mary Bell everywhere.10:19So, dear or dear Marie, they called her M-A-R-I marie sides anyway um And, in the middle, of.10:29Um you know ripping, it, apart and putting it together i started to feel SAD because this was this woman's you know, full, like four years, you know, which were the four, the formative years, right?10:42The most, the years that we the figure. Can you do it?10:46Turning around? We'll do the the other.10:53Sorry, oh no, that's okay. Like the years that shape your, you know, the first half of your personality.11:01In any case, I felt sad about it, but then, at the same time, I felt happy knowing that I, you know, gave life back to it.11:10And then I kind of, um, we told her story because throughout the yearbook I found out that she was part of the garden club, aha, um, and she wanted to be a stewardess, um, and all of these things.11:28So the back there, there's, um, a picture of Rita, and it's, um, oh, that's not Mary on the that's not Mary.11:37Actually, mary is in the front here. It's her picture up there on the upper right.11:42Yes, that's Mary. There's, those are letters, actually, that were from the yearbook, you know, um.11:49And then I found the one, the one African American girl in the whole class.11:55So I made a heart out of her. But I just thought, you know, if you look at the faces, see like, where are these people?12:02Now, you know what I mean, have I run? I have, I do.12:06I know some of their families, you know, I mean, I'm sure we've come across, right?12:12So it's a whole life is a whole ecosystem of people.12:17And so I put the picture of Rita in the back, because my mother in law's name is Marie, and her sister's name is Rita.12:27Aha. So I call this piece Dear Mary for all the Marys that we all know.12:32Aha.12:43Right. So so I-I missed it so the Woman on the back is reader the Woman.12:48In the back is rita and what is she to any of this?12:50Was she in the year book. She was in every, every everybody there, every face there was in, it was in the yearbook.12:56And I put Rita in the back, because Rita, and, and Rita is my mother, in, law sister, and, um, and her, my mother, in, law's name is Mary Marie.13:10Okay, so I just thought, because we know sweet all have mary's in our lives.13:15I call it Dear Mary, for all the mary's in our lives.13:19But then I found a what a girl named Rita addressed Mary Bell in the yearbook, and I cut her face out and put it in the back for fun.13:29And, and, and so did you get the yearbook because of Rita?13:32Like it just happened that Rita was in the yearbook, and we said, you had a connection to her, not a connection to Rita, just, it's just a name.13:40Reader Oh, oh, okay. Oh, oh. That's another Reader Yes, I don't know any of that.13:45That is a yearbook from the Forties.13:49It's amazing. I just, I just thought it was so it was, it was kind of sad that I tore it apart.13:59But then at the same time, I felt happy that I gave it new life.14:03Then I actually invented a whole life. Her whole, like her whole teenagers.14:08I invented, reinvented for her.14:12This looks like National Geographic Maps. Yes, love it. Love it.14:20This one also, um, I found a National Geographics.14:27Did you wanna refocus? I did. Okay, I won't put it.14:32Find this interesting, actually.14:39Here it is. Just a second.14:51You found this. I found this in, in the same flea market.14:58Um, see, I opened it up. It was big, right?15:04And.15:07Just really cool stuff. And I kind of said that I tore it apart now.15:12But anyway, um, I this one is called, this is a series.15:20There are six of them. I sold the first two. So this is three and four.15:25Um. It's called road trip nostalgia. A little bit closer to you.15:31The closer, then, then then we get less of the outer edges.15:36That's fine.15:43That's good.15:45It's called road trip road trip nostalgia. Um.15:49And it reminded me, do you remember, oh, there's something in the the back to when you get it down.15:57You remember when, um, you we were kids and parents would take us.16:09I suppose.16:13I'm sorry. Our conversation is disjointed here. Now.16:20All right, let's focus on this.16:29This is one of the more satisfying parts of our process.16:32Is this right here, where we get to make it focus.16:42Okay, ready.16:45Hold on just a second. I wanna go look at this.16:48Okay. So who are these people? So, um, in the maps, I found these pictures San Francisco family, but look at them.16:59They're interracial, and I don't know, does it look like sixties, maybe or sixties?17:06And I just imagined that they went on road trips across the country, um, and the kids probably sat in the back of a station wagon without seat belts, you know, right?17:20And, and you just, the mom just sat there and watched the world, and I could hear the music like, I remember when we first came to this country, my dad would take us, you know, again, geology.17:34See, he took us to the Hoover Dam, which wasn't fun at all, because, you know what?17:40Kid wants to go to Hoover, to the Hoover Dam.17:43He took this to, um, I write the Dead Sea, the salt, salt, sultan, sultan, sultan, sea.17:51I mean, all these random places that then we did like, for a series of years, we went to all the national um, yosemite.18:00And he used to make us sing, um, patriotic music, your dad, yes, so that we would learn to be Americans.18:10So I used, we used to sing Purple Mountain, just in America.18:17Well, was us in the, in the backseat of our station wagon, and we would sing, I mean, I mean, aha, like all these patriotic music, john Denver Country Road.18:34So anyway, I put, I just imagine that they had did the same thing.18:40And when I found those pictures, I had to put them in the back to just just for fun.18:47And you said, you sold some of these already? Yes, I sold two of them.18:52Did they have mementos in the back of that?18:55Love that. So I made six because I-I found SIX pictures and i would return them but i don't know who they are and it's just um but i wanted TO keep them together you know with the maps I'm think.19:10I'm, again imagining there. I'm reinventing their memories.19:17I mean, it really, it sounds like you, you, I mean, you are a story teller.19:23You're, you're, you're telling us stories. You're, you're right. You've found these things about people.19:30And that, I mean, even the high school yearbook, it's a, it's a tale of all sorts of stories, right, mary.19:35And, I mean, there's so so many things you can, you can read from just a simple note to marry.19:42You know, she, there's that letter over there above. She's talking about wanting to be a stewardess.19:50Aha. And, and, um, when she's talking about the poppy garden that she's tending, go ahead, you know.19:59And if you can, just, I just, sometimes I wanna be a warrior.20:03And, and, and, and go in time and, and, like, just just take a peek.20:10You know, what's her day? Like a life in the day of Mary is the, um, I don't mean to be literal, but is the gold piece there is that?20:22Is that what? What is, is that meaning anything?20:26Is that the sun? Or, oh, yes, just the sun in the sky.20:29And that's, I mean, in all the landscapes, I-I just have three three lines and A-A-A circle for sun and sky and i always do three small UM things in threes because i have, three boys and so it's Always everything is, always in threes.20:52Are any of your. Boys um are they Grown, are they yes i Have a 28 Year, old in LA.21:00He is, um.21:02He's in software sales. I told you about Marcus in New York City.21:07Aha. And, um. But remind me, what's he doing the New York City?21:11He is, um, um, he's trying to be in finance. He's an analyst, right?21:17He's I-I you know he's got to work his way aha so That's.21:24Easy he's booking um for J-L-L, oh right the Real, estate and then um my third one, was in chicago so now he's at usf and i would i mean none of them are artists yet my third one actually, um, he's UM, he's an architect, architecture major.21:48UM, but he is also an animator. So he is currently doing a music video for UM Have you ever heard of?21:59I'm I'm not well versed on these UM News musical talents.22:05Artist But, um, he's called Um June. Larry, june.22:11I'm not sure. I'm also not hip to anything that's happening.22:15Oh, I don't know about that. Come on. I don't know about that.22:18His name is Larry. June. Anyway, he's supposed to be, like, very, um, health oriented, although I listen to his music, and, you know what is health oriented music?22:33Like? It's rap, but he tells people to drink smoothie, except that it's like, gonna make a joke about that, but it's real.22:42And then he but it's, this is a different, this is a different couple, isn't it?22:48This one. This is the same couple. Same couple.22:53But look at them, right? I mean, just look at them.22:57What, what were their names? Where do they live? I know they're from the city because some of the, um, the postcards in the box, but the postcards didn't have, like, a name or anything.23:11No, it's an address. Um, no, no, no. It's just like, you know, like, like, postcards you you you pick up, um, during your travels.23:19They weren't sent anywhere, but, um, you know, it's like back in S-F you know just all right so i think, we're done with this smaller that's now we're ready for the largers.23:39Actually, I can have your help.23:53And, and let's not bring it up, um, what's that? Would it be easier this route?24:02Or I think that, I think that way. But I think if we're gonna need to take a we're gonna need to take a thing out.24:08Um.24:11Do you wanna lift? Or do you wanna, do you wanna up?24:16You want to pull out? Okay.24:31Just a second.24:34Is that it? Okay, great. Awesome.24:38I'll take it out.24:42What?24:44Sorry. One moment. Do you think? Do we need adjust anything on the screen before we bring it over?24:50No, we can bring up. Let's, let's, we can bring it.24:52Um, thankfully, there's nothing on the back of this one.24:58Oh, how do I Okay.25:04You, OK. Yes, much better. OK. Help me out.25:10I didn't know coffee with the things I can help migraine.25:16It's better than aspirin. Really open that opens up your um, just let it down for for the minute blood flow, you can hold on.25:26I think we're gonna do this in four pieces and trying to get UM.25:33One, right? We'll have the background on, on two sides, whatever it is.25:40We're shooting.25:49Exactly, exactly. Okay, maybe even a little more.25:59I mean, I can take this thing off too if you cause, I think I'll give enough.26:06So does that work? So, okay, um.26:14I need focus.26:19Just checking my exposure always.26:26Now we did several smaller pieces. And now moving onto the this little hair, or something that I see here.26:34Oh, you can just check that out. Oh, no, it's part of it.26:37Oh, it looks white. No, it's part of it, but it just looks light white.26:42Oh, okay. Oh, with a light.26:49What medium is acrylic Credit. Are you holding it? I am holding it.26:56I know it's kind of wobbling right now. Um, I don't think we have much choice.27:00Um, I hold on to.27:15All right, I think that's good.27:21Okay. So we'll shoot this in four So here we go.27:25There's.28:05Okay. Looking at one thing real quick. So that was.28:12That line. This line wasn't completely straight. It was a little like this.28:17Do you think I'll be? Okay. Okay, I rotating it again.28:42Okay.28:46Really great.28:48Is that? All right. Me. Um, victoria. Okay, with this.28:53I want to care. So.30:10Right.30:12Okay, that's it.30:32You need get a long ways to go here.30:36That is true.30:38Ha, ha, ha, ha. Let me what, okay, what? Thank you.30:43Hey, is this smaller? Is this the same?30:48This is, um, okay. This is a little. It's, it's, it's more rectangular.30:58Yes, that it's 2 " bigger than this might be able to move when there.31:06If you just, let's try this.31:15No.31:19I got a teeny tiny bit to give up above. We'll see if it does anything doesn't.31:26Well, the perfect.31:30Now, okay, now I gotta adjust the I need to bring it this way.31:37Forget. It's okay.32:02I think we need to use up. We need to come, come my way, right?32:09Let's come as.32:17Okay.32:22Even a little bit more of this on your side.32:27Sorry, you bring it a closer to you showing. Okay.32:37The problem is now, but the top is showing.32:41It's But you know what they can do with that? I they've gotten good at that, like the fact that we don't have a background up at the top of the, the page here, um, I mean, they'll, they'll, they know how, they know how to deal with that.32:57So if we're here, yes, more than halfway.33:04All right. So now we definitely have to focus.33:10I like this. Like, the lessons, beautiful.33:15Thank you.33:18So the areas that are higher does that correspond to, like, the actual topography?33:25Oh, no, the play. Okay, I noticed it. I would like that to be, but it's like, so hard to forget that part.33:34No, I just, um, it's A-A lot of when I-I do these maps the one like the ones upstairs it's more meditative and I-I just pour paint over and over again so it's not necessarily maybe how it gets so even um Oh even, as, in, like, the top of it um flat it's.34:02It's. Like, sculpting it sculpting it you know as you're, pouring you're sculpting of the shape of of the tile, acrylic, acrylic.34:15Oh, amazing.34:16You must use a lot of paint then, huh?34:20Ha, ha, ha, um.34:25So here you should be good. Do you want to move it a little closer to you to use up the little extra sliver there?34:35I Um, why not just to be safe?34:43That's good.34:48Okay.34:51You know, it feels like I grew up in the Twin Cities, so I kind of know Chicago.34:56It feels like winter, like snow covered all over it. It feels cold.35:04I don't know if that's what you were going for or not, you know?35:07I mean, I, when I think of Chicago, I think of steel and denim, aha, you know, like the people that, again, that hardiness, those people that worked up in skyscrapers.35:19She had brought their lunch and had lunch hair. That's, and that's kind of what I was going for.35:24Is just the, the denim and the steel and, and I've gotta show these guys the, um, picture of the San Francisco more recent the, the, the one that, that you didn't bring.35:40Oh, I'll send you a video also, actually, I don't know if I send that video to you.35:47Is there anything on the back of this that we wanna capture?35:52Okay.36:02You guys have to see this one.36:06This, this one feels like a Pride San Francisco is that was at the intent of it.36:14(415) 699-5330.36:23Um, here's, wow.36:29That's the Pride one. The, oh, it's really fun. Rainbow.36:36It should be. Was that one commissioned? Or did you So this one?36:41UM, this one is not exactly. No, this. This was supposed to go to UM and and and exhibit in UM at the very building, UM.36:53And I couldn't finish it in time, so I gave them something else.36:58But this was supposed to be for the June Pride Month, but I didn't get it done.37:03Oh, gosh, next year. No, it's, I'm, I'm just gonna call, I'm doing a series of them.37:11I'm gonna do like, um, um, just neighborhoods to go with the big, the big canvas.37:20I'll have smaller canvases, and I'll just, um, divide them into neighborhoods.37:25And I'm gonna call them painted ladies, as in, I did like the painted ladies.37:30And all the color of the ring. Nice. I love it.37:35Where did you go to school?37:38I went to cow and to Bell. So we're done. We started doing art and stuff the last few years.37:45Really believe it. No, I don't believe it, actually. Okay, wow.37:51Oh, like, I thought that one was the heaviest one, actually.37:57So we've done all of those pieces. I'm gonna before we do that, I wanna consider, I'm, um, shooting the one that's upstairs.38:13I don't know. Um, do you want to wait? I can bring you another one when I come back on the 20 third I-I have is it like, my like mine, is it not that one but i have, different i mean IT'S a san, francisco but it's not the same color.38:32Not the same color scheme, um, of this one. This, let me show you the color skin.38:40And it's the same. It's kind of like yours, but it's, um, it's got one less color there is.38:50Aha.38:52I don't know if we're gonna be shooting again on the on 16 august.38:57Um. But, um, I just thought, because since I wasn't sure if, now, I'm just hesitant to take it off the wall now that it's resting.39:09I can also take, I know yours is specific pictures, but I can, I can take one.39:18No, no, it's all right. I look, we'll, we'll shoot again so I can get it if I want to.39:22I already did take a picture of it. Um. So I'll have one to put in the exhibit of ours, so it just won't be as high resolution as all the others.39:32But that's okay.39:33Um, okay, let's Um. Now we're gonna shoot those, but I need to, this is gonna take a few minutes, because I've got to, um, do light box out.39:44Shoot that. Do you want me to to take the acrylic?39:47Um.39:50Let's, um, actually, let's, let's, or before I forget, this is for you.39:58I have an extra copy of this, and I think you might appreciate that.40:01What do you know who Jim Shine is? No, he had a map shop in North Beach, and, and then somehow he got this treasure trove of pictures from this photographer named He, he's on the cover.40:18And then Jim did this whole book in honor of this guy in his photographs.40:24And he made, and, and he even made a map, ken Cath Cart and, and I, and I'm, I'm, can't remember the origins of the map, which is on the cover, but he goes through this whole thing to explain all the iconography on this map.40:38Oh my God, it's beautiful. And I, I'm actually look, so you're welcome.40:46You're welcome. I-I-I-I saw the way to go through this wasn't it san francisco mark?40:52Hopkins.40:57Here's my here here's My other copy.41:02Oh, see, can cat, cat card? Can cat card?41:06Um, all right, let's, um, let's put the other, um. When you can look at that for a second, I'm gonna get the other play box.41:28Okay.41:31Let's put the other thing back on.41:36By the way, that um piece you have upstairs.41:40It's gonna be in, um, a little cop like it's not a coffee table book, but it's gonna be in a book, um.41:47And I'll, I'll give you a copy of it as well.41:49That's, I'm supposed to get it in November.41:54Okay, um.41:57And they did shoot a picture of it, so maybe I'll give, you know, I'll email you that one.42:05Maybe that'll work too. Okay, so you don't have to take it down.42:09Okay, awesome. Um, all right, let's bring one. Let's just, let's just bring it over.42:16And let's just look at it right now, under the through the lens, and see what happens.42:19You measure just, I don't think this is gonna be good, but I think it's gonna be much better to shoot it on the side.42:29Actually, we're not doing like a three D thing, right? Okay?42:43But as we know, it's wider than, it's narrower than 9 ".42:48So, so we, we're not gonna get it full frame because of, because our lens and, and we don't need to do the macro, I don't think not worth it.42:56It's not worth that.42:58You want to I-I let's just let's see, what this looks like.43:12Well we also need to need to adjust um the f Stop, HERE to get more depth of field um hold on.43:25Stretch my brain when i and now i got.44:00God she's, even got just a map of Chinatown, chinese. You quick, white, sure.44:18And seeing it looks like smitches on the inside, in this angle, the camera might not pick it up.44:29You sleep here. Do you see that? I think that looks like it's on the inside.44:37That's fine.44:40I just put those on yesterday, and it came from the box.44:45I used.44:58Sorry, sorry. I, I'm sorry. I just realized what I did.45:03Oh my gosh. No, no, we're, we're all just trying to figure it out.45:09It's all good. We're figuring out, um, I don't think this is, I mean, we can take this picture, but I don't think it, it's, it's gets, what, what, what the, what it is as well as it's going to if you get it from the Do you want me to.45:26I can take, take them off with the Willops. Well, we may, but then, even still, we're gonna, I think we need to shoot this way to, in some way to see, oh, you know, to see the, although you you said it's intended to be hung on the wall, um.45:43Or you could, you know, like, these are things that just kind of you could sit on a bookshelf.45:48Aha. So I-I what i what I'd like for people to do is to look at it and go oh what is, that and look Some more right they're they're bees aha and they're important to our biodiverse it is right so important one of my employees for my consulting room was a beekeeper.46:10He's been for 20 years. You've written several books. Oh, really.46:14So I and I was a big save bees.46:20Um, okay, well, um.46:26We can shoot. Let's, let's shoot this. We might as well, since we're here, but I think we're gonna, I think we're gonna get out the light box and shoot that as well.46:36Um, I probably should white balance on this.47:32So he mainly lived in the Bay Area then, since he moved.47:36Um, we live in Davis.48:16It's effectively the same thing.48:25Okay. Um, yep. What's going to shoot this?48:35Okay? And then we'll shoot, let's, we'll shoot the other one, and then we're gonna get out the light box.48:42After that, I was gonna say, tom, did you wanna take a picture everyone's hearing?48:48Oh, thank you. Yes, thank you, thank you. All right. You met all our visitors.48:53Yes, we have visitors.48:57We love having meals. All right. So, um, you know, you're not gonna get out of this.49:04Sorry.49:08Um, let's see here.49:13Um, mean, can you come over there? Sure.49:17Let's see here.49:20There you go.49:23I'm gonna come over here. How about? Oh, I'm in the way.49:26Let's see here.49:28Okay, ready.49:30One, two, three.49:32Okay. Great. All right.49:35That was a squeeze.49:39Oh, that's sweet. Alright, Nice.49:44Um, all right.49:53Okay. Okay.49:56So did you want to take these out? Then, as she was saying for for the light box photos, I think so.50:03I-I-I think so what do you think Um we don't have we don't have to it'll it will we'll put them, up on their sides and then we might put them at an angle well i can kind of guess my question is then, like, is this, I know it's like.50:21For practical reasons, but is it also kind of like a bit heat part of your artwork that it is in this display, um, but it's, you know, feel free to remove them, because I also have pieces like that without the frame, and I just, um, resin them.50:39So they're just free standing egg shells.50:42Campus I see, I see.50:49May be easier to prop with the with the frame on.50:58That's a good point. A lot easier.51:03Okay.51:09Okay.51:14All right. So now we're gonna do the light box. This will take, this will take a couple minutes.51:21Um.51:25Thinking, how are you doing for time? Oh, good. You good.51:30You sure.51:32Okay. I'm thinking, babe, calculating, basing, but you don't know what I'm thinking about.51:39Guess what I'm thinking about? Do we have enough time to set everything up?51:43Well, I'm kind of, I'm, I'm feeling, I'm feeling regret about not photo shop, not taking a picture of the one upstairs, because, cause like, we're all set up and you're here, I feel like I should do it.51:53Um, what do you think up to you? Absolutely. Let's do it.51:59All right. I know Eleanor was having reservations because of the weight area.52:02Can we carry it down?52:05It's gonna be heavier than any of these, right? A lot heavier.52:11No, that's, that's discretion is the better part of valor. So we'll, I don't want to do that.52:17All right. So we'll do the light box house. Fine, but I don't.52:20Thank you. That's what I that's, I don't why I had it I-I really I-I really don't wanna carry that upstairs so what have you Doing that you all right so we can leave that.52:36Or or we gonna go up one, if you have one i don't know if we have an extra.52:41I mean, we can use one of these. Why don't we just leave it for the moment and, and we'll, let's gonna take a couple minutes turn this off, UM, we can turn off the lights for the offer.52:57It's kind of a different UM tripod setup now to get the light box out.53:03So.53:06Um, tell, tell me about the UM egg shells. What was the inspiration behind that, those pieces?53:12So, um, these, this, um, was actually a set. Um, I had a bigger piece like this, a 24 by 24 with, with the egg shells at the eggs, oh, cool.53:25Ease in it. Um. And, and then I had those little ones surrounding it, you know, like, oh, that was supposed to be the interesting the, um, what I was supposed to exhibit at the JCC, you know, within the theme of Martia Roots, which was, um, um, you know, about the environment.53:48And, but I sold the big piece. Oh, you did I turn those in?53:56I love the idea of bookshelf.54:00Those on right, like the bookshelf or on their own.54:06Beautiful. It's just, it's just kind of fun. And, you know, um, I-I was thinking of the fragility of our ecosystem and bees how they play into that or the role in it or the role that they play, I should say.54:24And, you know, the egg shells, um, cause I had a lot of eggs shells, and it represents the fragility, fragility, yes.54:41This is always a more venture to remember how I do this.54:48Okay.55:23Okay.55:33I had a tutor, um, when I was sort of relearning photography at sammy's camera, and, um, this was right before the pandemic, and he used to like, like, he would go so slowly, and I was like.55:52Just move things where they're supposed to go. And he was like, he just very slow and, and, and like, it only took me a few times when I was, like, hurrying.56:02And then all of a sudden, you know, I've, I've, I've hit something, or broken something, or whatever.56:08That's happened. Enough as it is.56:17Okay.56:51Um, can I take this? Wanna take this always up.58:27That's great.58:33Can you turn that back on, please? The light box a little on the that that thing all the way, you know.58:44That's great. I'll buy.59:20I'm sorry. It's just absolutely it's sort of more for sure.59:27Oh, where are you? I think that's be perfect.59:30It's very on game too. It's very good on game. Oh.01:00:27I think this thing is just too big.01:00:30You do. Well, it's, it's, I mean, it's kind of unwieldy, but I don't know exactly how this is all gonna gonna shake out.01:00:38Oh, oh, this looks narrow, okay, but that won't it was there.01:00:44So I just like, I just.01:01:09I suppose there's some chance that we might have have time.01:01:14After all.01:02:49I'm not gonna do that. Okay, great.01:02:59Are you all packed up?01:03:03You get great.01:03:05Okay.01:03:12Okay, Let's do, um. So let's grab one of them.01:03:35Is there kind of a right side up? Or, um, not necessarily.01:03:41This is either top or bottom. Okay, just so the screws are either top or bottom.01:03:46I think if we do it like this, we might be able to feel a little bit more inside.01:04:20Okay.01:04:26Okay, I suppose I can just, we can just shoot straight on.01:04:59Are those ducks?01:05:01I don't know. I was just wondering about them.01:05:05It sounds like just, or duck. Ha, ha.01:05:11It's cute.01:05:13All right. Um, do you wanna, um, victoria, do you wanna stand by the Um.01:05:41You know, are you feeling okay? Better? Better, much better.01:05:47Always scary.01:05:50Like, no, I'm gonna have to go home.01:05:55Um, thank you.01:06:40All right, let's think about, um.01:06:46Okay.01:07:06Well, I don't know. I'm not, I'm not as worried about the white pals quite yet.01:07:10Just gonna, let's see this.01:07:54When we think about that.01:08:14Three. Bring the box a little closer, so it fills up more of a screen.01:08:18Bring the camera closer to the box. I'm sorry. I bring the art piece inside the box closer.01:08:24Um.01:08:27We can. Um, although we're, I'm just like, I don't know if that.01:08:36Do we like that view? Should we be sort of closer?01:08:40Like, dead on. Um, like looking more, instead of looking out, looking down on it as much, I guess.01:08:49How many.01:08:53How many shots are we gonna take in picture?01:08:58It's, it's totally it's all to us.01:09:02Gosh, those other ones look dark.01:09:07This is the, this is the hard part about this, the beautiful it photograph.01:09:18Well.01:09:27I think for sure we need one head on, and then the other angles are kind of up to us.01:09:34Aha, head on, meaning, meaning, but, but more at the same level, at the same level.01:09:43I agree with that.01:09:45So show, do you wanna put another, do you wanna put another milk crate underneath it and raise it up?01:09:52So then we'll be I wonder, what about your little film?01:09:55I have those. I have those. They're in a little the right, the right over there up here, although I think we're gonna see them.01:10:06You you can.01:10:07I try it. I think we're gonna, I think they're gonna become visible.01:10:11But, right, because the thing is clear itself.01:10:16Let's see too tough.01:10:32You crank it down, or do you have to move? Oh, no, I can go down.01:10:37I can go down that. Oh, not too far.01:10:44But.01:10:50Well, I guess we can decide, do we, is it okay to have the little cause?01:10:57What? What would the other solution be?01:11:02We could bring this lower, but then we couldn't use this, where we were just, we couldn't use this, which means there would be less light dancing back.01:11:22They can also be, theoretically, just kind of edited out. If it's the pro, huh?01:11:38Give us a challenge more. I think if we do really do it head on, we wouldn't get so much of the death.01:11:48Aha, great. Well, I-I really wanna see like i think that's a lot that's more interesting the shape of I'm thinking do all about now like traditionally head on first, we can do explore the different angles after.01:12:12But why not I-I-I think we should put a crate underneath it because then we're Not to not have to worry we're not dealing with anything else, um.01:12:27But it's still, well, that's that we're still gonna have the lip.01:12:31We're still gonna have the lip to deal with.01:12:34Um.01:12:38Let's try this. Let's try it. We're gonna just take the we're gonna take this thing.01:12:45Okay.01:12:50Let's take this off.01:13:19Um, can you employ that for me? This, this thing. Employ this.01:13:25And I need to, because I, I'm just okay, move a little bit.01:13:29Okay, I'll write it back on.01:13:31Do you want this one as well? Maybe I think so.01:13:36We've been here before. We didn't think you're gonna get here today.01:13:40Problem solving. As we go, each piece of it's different. Um.01:13:51Now we're gonna have to turn these down, huh? So I'm turning the intensity knob, right?01:13:58So I'm doing, I'm, I'm not down. I'm I-I it's pointing up okay talk.01:14:05About.01:14:13All right let's see, here.01:14:32Wow you i Mean. See, how you know you were just, were just missing all the, um, like, when I look at it here, I when you look at it there, it all this gets washed out, right?01:14:50You can't really see it anymore.01:15:19Well, let me shoot it. Let's just shoot it and see what it looks like.01:15:29If I change the eyes of that.01:15:39Do you wanna do the white balance?01:15:55You can lean it.01:16:01Okay. Good. Balance.01:16:05Very good. Really, very good.01:16:12Okay.01:16:26Well, that is better. Look at that. All of a sudden, on the right side, you can like, you can see through in a much better way than we could before.01:16:37So now let's go see if we can get that exposure out of here.01:16:42-.4 that's a lot better.01:16:48That's a lot lot better.01:16:50That's like.01:16:54That's like, really good.01:16:56I think. I mean, it's like, I can now see the outline of the, of the, of the acrylic.01:17:05I, I'm, I'm happy with that.01:17:10Shall I remove?01:17:25Gosh. And I don't like it here at all. But I but I like the finish result, which right?01:17:34Photographers have said this like, you know what matters is what, what you get, not, not right here.01:17:40So I guess we'll just shoot it.01:17:42Let's take it out.01:17:46Let me remove these.01:17:53And of course, everything else gets taken out. But even this, I felt like this was so why are we not like I-I thought I oh you know what's happening i think THE black in the card is bouncing off oh my gosh.01:18:11Oh my gosh. That you're right i think it. Looks ok like THAT.01:18:25Miriam what do you think that was great all right. So now We'll try different vert, couple versions of this.01:18:37And do more straight on, like you.01:18:40No, sorry. Hold on.01:18:46It's not level, huh?01:18:49Something seems off.01:18:55Well, they can fix that though. Um, I just.01:19:05Is that about? Very good.01:19:12Um.01:19:26Oh, it's on straight and see what they're stringing this thing.01:19:32Oh, that's the wrong way.01:19:45You let me see.01:19:48It doesn't work straight on to me, cause I'm seeing more of the critic on this side.01:19:54Aha, so much.01:20:00Well, hey, we got this straight on one from, from, um, when we were looking down at it.01:20:06But all right, so now you wanna turn it the other way.01:20:15Did you focus? Aha, I'll do it again. But they're so.01:21:00Okay.01:21:02Um, for me, I would just like to see it in call.01:21:10The first one that we shot was a little more like this.01:21:13Okay, so this, I think we see a little. I see.01:21:16Got it great.01:21:19Okay.01:21:22Hi, I'm going here. Feeling good, better. Thank you. Good. Thank you.01:21:29How's the shooting going?01:21:32Good. Good. You use the TV.01:21:36It's getting very stiff. Hahaha. Exactly. We don't have to cover around the girl ipad.01:21:44That's good.01:21:46That's only good. Yes, tom can see was happening. But really, where manning the computer, who made those eggs?01:21:56Are there yours?01:21:58That's cool. Do you wanna go any, any other I-I mean I-I we wanna do the other two so.01:22:08Because then i think it will get TO fidgety if we have more time to make it that it's really amazing.01:22:20Hey, I'm mini mean, can you get the other.01:22:25Um, I think I go for a walk time. Okay. You don't have to know my earphones.01:22:32I thought I-I-I did but they in your purse or the person you took yesterday look i was looking good i don't know i see you thank.01:22:44You bye bye Bye i have a good walk. Thank you.01:22:48OK. So Tom.01:22:56Is there a topper, bottom mirror? Um, yes, but, but she's got it.01:23:01Okay, either.01:23:03The screws are top, I think this way, right? We'll see more of this story here.01:23:13So head on first.01:23:18Now do we need to white balance if the coloration of the item is different?01:23:22Or do you think we're we do with books, right?01:23:29I think so.01:23:32Well, you wanna take it and see what it looks like like without.01:24:05Shall we? Good with that.01:24:11Okay.01:24:18May I get the life. Oh, sorry.01:24:40So, victoria, I guess we're happy having the, having the light panels here.01:24:49I think we read it, um, because this is down, um, there, but that angle.01:24:57I actually don't know more. It bothers me that.01:25:01I don't know if, I mean, they'll cut it. I know they'll cut it out.01:25:06Is there?01:25:07Okay? I feel like lights getting stuck underneath there. But all right, oh, will that go to see?01:25:17This is all obsessive compulsive behavior that, that is that is constantly corralled.01:25:27Okay.01:25:37Well, I just think this is like a hundred miles better than what it was when we started.01:25:43Do you marry him? What do you think I-I thought it was all good you thought it was good at the beginning when it was a polaroid i I'm I'm I'M just IN awe of what you're doing i think THE only thing that's nothing because this is kind of still looking down on it And if we were.01:26:06Can I get back to the live view?01:26:09I think if we were straight on, we could see a little bit more of the the middle.01:26:15You should also turn it around. Turn it, um, you mean, like that.01:26:19I on. If you want, well, I can bring the camera down, or you can prop it up.01:26:24You, you want prop it up, I, or you just like put, um, do, um, the strip the whole So then we would miss this.01:26:31Oh, I see here. Um, I think it might be easier.01:26:35If we just adjusted this guy, you'll bring it down, cause then if we get crops going, okay, right?01:26:43It works. Full.01:26:44Can warm, although this is where, like this is about my a little higher, you mean, chilter, a little um, height up.01:26:54I think.01:27:07I think that looks good.01:27:11That's okay. I'm not.01:27:17If one of us is happy each time, it's really good.01:27:28All right, focus.01:27:44Wool.01:27:47Okay, we go.01:27:58Okay.01:28:13I wanna try one. Where you turn it even more moral, bleak.01:28:19Yes, yes.01:28:27Sorry. I just wanna make sure they have enough room to have something.01:28:32Push it back.01:28:33Okay, okay, yep. All we focus.01:28:49Of course, you know, the distance from here to here is, so it'll be interesting to see if the higher F stop gives us our depth of field.01:29:03So now we'll go, let's go look. It'll be in focus.01:29:07When you squint, it's when you squint. You can see both near and far in focus.01:29:12That's why you squint. And squinting is the same thing as turning the F stop into So we should, this should be, and it's not see.01:29:23So what's going on.01:29:29Huh?01:29:31Oh, I know why. Because I'm in live you.01:29:37That's pretty good, right? And now we should go over here and get the same kind of thing.01:29:42And we did, yes.01:29:45And I also we celebrate around ha, ha, ha, ha ha.01:29:51It's a little things that make up the big picture, really.01:29:53Hey, real, across the board.01:29:57Okay, do you wanna do what I say?01:30:01I mean, I-I-I like this view this view um so, let's.01:30:09Take A, liking please how sorry.01:30:18Oh Sorry?01:30:22So do You, wanna. Do one here? And then, exactly. Yes, exactly.01:30:37Miriam, we we, um, for Pixium, I've been interested in the possibility of taking images of things that, like, like a globe, um, or a three dimensional object, and, and having it be available on Pixium.01:31:01Like to see it, um, in, in, in a, in a version that you could spin around, like, like, like a truth, a true three D-A true three d yes yes exactly um and for.01:31:17And and a month ago we were going down the rabbit hole of that so the this is um, in the, in the vein of that, um, but go ahead.01:31:28Sorry.01:31:31Um.01:31:34But I've kind of decided to not not keep going on that, because I've got a lot of other things that, that I'd like to do with Pixium that are two D That would be nice.01:31:46And this is just three years. It's hard. It, it it.01:31:51You know, you gotta take 250 images of something from all angles in order to build a three D model of it.01:32:00Do you hear? Thank you. Like, it's your head on above, below.01:32:07It's like animation.01:32:09It is. Yes. Then they put it all. I mean, the end result is really cool, but it is just like, very time consuming as well.01:32:18And we haven't perfected the process yet. But the process, I feel like, okay, I got them one more.01:32:39Actually. Can you give us the first one?01:32:42The, the first one we did. I want to do the really oblique angles on this one.01:32:53So can I see?01:33:10Well, let's all we need to do is the, the, the, the, the, the harder angles on this one.01:33:17Yep.01:33:19Is this, or here, you can feel a little bit of a butterfly, or the be, or, like, more extreme, like that.01:34:11Okay, all right, you know, let's do the last guy.01:34:29What are these called?01:34:33I don't have, they don't have names for them.01:34:37You have a better name. Let me know. Fragility, delicate, something.01:34:46I can't I, I'm thinking of the killer bees on the Saturday Live.01:34:51Do you remember that? No, this you were, you were, you weren't even born.01:34:57John Belushi Dan Echoy.01:35:06This is a little little boy. Um I-I looked at this and so oh They always say which comes first and she get the egg but i always ask what about The bees there you?01:35:22Go I-I thought that was So cute you know he was like mom what about the bees oh there could be some bird in the bees thing happening too because of the egg shells oh birds bees fragile burden is.01:35:52You seem to be very popular. So I think I'm gonna be making more, really, the these, the be, things are, yes, they, they the, um.01:36:00The bigger sizes are more popular, like, bigger than these, but you do, oh, I um, as big as the, the smaller one.01:36:11City. Wow.01:36:12Wow.01:36:14I guess you guys are eating a lot of eggs.01:36:18We were because, um, it was on PETO for a while.01:36:23It's not available, by the way, you cannot sustain that diet.01:36:27I mean, bread is a main and, and the sugar and big group.01:36:34All right, these are nice, big eggs too. I know when you talk some really, um, nice.01:36:43I get these eggs from this woman at the farmers market.01:36:47And she also has duck eggs, which I haven't been. Um, I, I'm not that um, adventurous to try yet.01:36:56But, um, she's got, um, duck.01:37:00I'm looking for something heavy. Careful with um, how you cook duck eggs?01:37:06Because you can't have the Victoria here. Anything.01:37:08Put that, put that, just lay that on top of that song.01:37:13You're like, no, is that?01:37:18I mean, they're gonna grab that. That's fine.01:37:44Let me just look at this.01:37:59It's nice.01:38:05Wonder.01:38:07At certain angles, you can see the ridges of the box reflect in.01:38:12I wonder if they can, um, add that out, like the last one there.01:38:15This one. You see that line, which, um, on the left side, all the way through you we're seeing, like the bottom of this, reflect off the bottom of the Oh, you see, it's right here, that line.01:38:33Oh, oh, oh, that, that's, that's my little device there. Or, I think that's just like the, the edge, oh, this thing, or what?01:38:48One of the edges of the box?01:38:51Oh, interesting. It's the So it's the sides, isn't it? The.01:39:02The back.01:39:04But is the goal to eliminate the.01:39:10The box, the clear box entirely? Or it's not the clear box that were that we're seeing?01:39:19It's, it's, I think it's shadow. It's a shadow.01:39:26It's the other side.01:39:31I don't think we're gonna get rid of that.01:39:34Not today.01:39:38All right, shall we keep going?01:39:58How do you usually, um, sell your art or find new audiences?01:40:05Um, you know, it's odd, but Instagram, oh, oh, yes, that's a huge And, um, I have a couple of friends who, um, good friends.01:40:18Oh, word of mouth is already huge. Oh, it's awesome.01:41:03Okay, I got that.01:41:10I'm sorry. They, they had a dinner party and, and so she had a dinner party for her collectors, and they purchase them.01:41:20Oh, they're amazing. Oh my gosh, that's great. Oh, cool. So you brought it all, you brought everything to.01:41:29Well, I was, she was gonna have, she was gonna have, um, an an exhibit.01:41:35But, um, that evening, when I dropped them off, she had a dinner party, and one of the collectors bought off four pieces.01:41:41Oh, wow.01:41:42So they never even got up on the walls, which I'm kind of sad a doctors.01:41:48I wanted to be curious.01:41:51I think that's a good problem to have. Ha, ha, ha.01:41:56That's a good problem. Um, okay. I think we're done. I think we're done.01:42:01Thank you.01:42:04We're grateful. Beautiful on the side is amazing.01:42:09How, how do I tell people? What do I tell them?01:42:12Just tell them.01:42:14Just tell them like, now, it's just, sure, okay, great. Sure, so much.01:42:20Well, we won't be up on that. Your stuff won't be up, and you gotta give me two weeks, um.01:42:26But, but actually, I think you do is you do, is there an exhibit of yours up with, like, one thing in it, or something like that?01:42:32I think, anyway, I-I-I think THERE'S something once um i said um Sarah, yes but it's not as, good as it's gonna be when we have all this stuff so so much.01:42:47We're grateful this is this fun For us. This is your Tom.01:42:52I wanted to know, um, she asked a victor to ask, how many pieces I should bring to your, your party?01:43:01I was, what's, what's reasonable for you? I-I was well looking at the size of the room i think i can BRING a large pieces that okay and i, have.01:43:12Easels um they all prop up um and the two London pieces I have are, um, not as large, but they're about the size of those two.01:43:24And then, um, smaller pieces. Um, you know, said, have like, radiation.01:43:29And, um, will you bring those? Oh, yes, I'll bring, I'll bring lots of these.01:43:35I have lots of, okay, um, because these are really inexpensive.01:43:40So they just, you know, it's great.01:43:43We'll open up the room. I mean, the night before, like, if you wanna come the day before, after 04:00 or so, we'll probably open, and then we'll be open all day on the sixteenth.01:43:54If you show, whichever it's convenient the night before, that's easy.01:43:58Yes, okay, um, because that's when you will all be like, setting up, right?01:44:02Well, I think so we're trying to make, we're making this up.01:44:05But you go, so seems like you shouldn't do it, like, the absolute day of, oh, but, no, that's great.01:44:12And then, so I would, I thought I'd bring mostly maps and these, um, unless you have A-A-A different theme that you'd like or that that you are thinking of um it's it's It's, really you All right, I'll just, I'll just bring A-A radiation of of different um size and um and.01:44:39Then um that's, it, i mean is there anything that you like them i don't need anything more.01:44:44I don't think, um, no, we, we just need to put it all up on the site.01:44:49And then, um, as far as the, the, your exhibit goes.01:44:54So, no, I think we're shut. Thank you so much. Thank you, thank you.01:44:59It'll be helpful if we write down the names of her pieces.01:45:02So when it goes up on the site, you'll have information.01:45:07We can give that to Miriam, and she can your You can also, you'll be able to access the site if you want to, but if you email it to us, you can write it in there.

Izzy Shilakes Artwork

Visit @itiz.art on Instagram to see more of Izzy's work!

Ava Koblik Artwork

Visit @avakoblikphotos on Instagram to see more of Ava's work!

Ian Baime Artwork

https://www.ianbaime.com/

Artists We Love Gallery Show - August 16 & 17, 2024

Tom Paper and his daughter Sarah Paper, on behalf of Pixeum, are pleased to be hosting Artists We Love Gallery Show on August 16 & 17.We have known each of the featured artists for a number of years and have recently digitized and created an exhibit for each of the artist’s work. Links to each of the exhibits are shown below.On the 16th, from 5 to 7pm, and on the 17th, from 11am to 1pm, each of the artists will be displaying and offering their art for sale.If you are interested in attending, please email Sarah Paper at sarah@pixeum.org to receive the address in Pacific Heights for this show.Hope to see you there!Sarah & TomAlp Ozberker artwork exhibit on PixeumLily Shanahan artwork exhibit on PixeumMiriam Sweeney artwork exhibit on PixeumMegan Bigelow artwork exhibit on Pixeumkeyword: featuredartists

Lily Shanahan Artwork Shot 2024-03-09

The artist Lily Shanahan stopped by our studio on March 9, 2024. We shot some of her art and had a chat. You can listen to our interview in the voice note below.Art from the collection of Lily Shanahan, who came by the Pixeum garage studio on March 9, 2024, to share three groups of art: the strong women series, the wood block series and the large poster series.The inspiration for the strong women series was Lily growing up with Madame Alexander dolls and then somehow, much later in life, seeing a friend’s copy of Arnold Schwarzenegger’s body building book. For her, mixing these images together seemed natural, an expression of the strength of women. I must say that for me, the first time I saw these images they were jarring. I have grown to like and appreciate them, especially after hearing Lily explain her inspiration. One of my favorite pieces by Lily in our house, between our kids’ bedrooms. keyword: featuredartists

Alp Ozberker artwork

Alp Ozberker stopped by the studio March 9, 2024, while we were shooting his art. We talked about his inspiration, the titles of his exhibit and much more. You can hear our interview in the voice note below.keyword: featuredartists

187

Megan Bigelow ~ Artwork & Photography

July 2024 ~ As an SF Bay Area artist specializing in painting, drawing, and photography, I'm excited that "Pixeum, The Digital Gallery" has published a collective of my art online. For me, inspiration is instinctive. I am not bound by a single style or subject. I paint, sketch, shoot what stirs me. Graduating from UCLA with a BA in Design, my elective studies focused on fine arts, including B/W photography and oil painting under William Brice, son of "Funny Girl" Fannie Brice, a prominent UCLA professor, artist known for classic modernism and a beloved mentor.Following UCLA, I furthered my studies in illustration and typography at the California College of Arts & Crafts, now CCA, studying under Michael Patrick Cronan and Lucille Tenazas. I also pursued photography at the Harvey Milk Photo Center in San Francisco.My artistic ability and love of art/architecture are innate and deeply rooted in my family lineage. My maternal grandfather, Harry J. Devine, Sr, was one of Sacramento's most prominent architects during the 20th century. HJD's architectural work ran the gamut and included notable commercial buildings, churches, schools, plus renowned residential "Fabulous 40's" homes in East Sacramento.My paternal great-grandfather's family originated from Normandy, France, emigrating to Quebec in the 1600s. My grandfather, Leo Gagnon (later Leo Bigelow), passed his French bloodline onto my father and our family, which I attribute my inborn love of France, its language, culture and all things French.Heartfelt thanks to my brother-in-law, Tom Paper, and his daughter, Sarah Rose, my niece, for asking to shoot my work and for their love, efforts, support in doing so.Keyword: featuredartists

236

Carta Marina for the "Nuits de la lecture"

Le célèbre cartographe Martin Waldseemüller, décédé en 1520, a réalisé une grande carte du monde en 1507, la première à appliquer le nom "Amérique" au Nouveau Monde, et une autre neuf ans plus tard en 1516, sa Carta marina. Au cours de ces neuf années, il a complètement changé ses idées sur ce que devait être une carte du monde : en réalisant sa Carta marina, il a mis de côté presque tout le travail qu'il avait fait pour sa carte de 1507, et a basé sa nouvelle carte sur une projection différente et des sources différentes, la rendant beaucoup plus riche en textes descriptifs et en images. De plus, alors qu'en 1507 il représentait les 360 degrés de la circonférence de la Terre, dans sa Carta marina, il ne montre que les parties qui étaient raisonnablement bien connues. En résumé, la carte était révolutionnaire.https://www.nuitsdelalecture.fr/a-propos Mon livre sur la Carta marina est disponible en accès libre. Voici les détails et le lien :Van Duzer, Chet, Martin Waldseemüller’s Carta marina of 1516: Study and Transcription of the Long Legends (New York: Springer, 2020)https://link.springer.com/book/10.1007/978-3-030-22703-6

The Paper Bigelow Art Collection

Welcome to the Paper-Bigelow art collection. This is an example of how Pixeum can help a collector to share the stories of their collection. And in this sequence, I’m going to share just a few of the items in our collection. Eleanor and I love art and maps, but, more than that, we love the artists who created these works. We love their stories and their inspiration. And we especially love the story of how we came to purchase each piece and how each piece inspires us.Tom Papertom@pixeum.orgLink to Item Listing PDF

A.K. Lobeck Geography Pamphlets

https://en.wikipedia.org/wiki/Armin_K._Lobeck

Islamo-Christian Cartographic Frontiers: Views from Medieval Islamic Maps of the Mediterranean

Professor Karen Pinto has spent three decades at the forefront of the study of Islamic cartographic history. Her first book, Medieval Islamic Maps: An Exploration, came out in 2016, and she is currently working on a second, focusing on Islamic maps of the Mediterranean. Today, she is an Associate Scholar in the Religious Studies Department at the University of Colorado, Boulder."When I was a graduate student at Columbia in 1991, my professor, the late but incredibly great Olivia Remie Constable (1961-2014), suggested that I write a seminar paper on the medieval Muslim geographers. That sent me to the dark recessed of the Islamic history and geography collection on the 11th floor of the Butler Library. There I, literally, tripped over Konrad Miller’s late 1920’s extensive 6 volume: Mappae Arabicae: Arabische Welt und Länderkarten des 9–13. Jahrunderts. (6 vols. Stuttgart, 1926–1931) black and white reprints of hundreds of medieval Islamic maps hidden in Oriental manuscripts hitherto little known in the western history of cartography world.Miller’s dusty, crumbling black-and-white reprints of medieval Islamic maps of the Mediterranean, formed the basis of my first major work on the subject: “Ṣūrat Baḥr al-Rūm: The Mediterranean in the Medieval Muslim Cartographical Imagination,” my MA Essay at Columbia U that went on to win SSRC’s 1992 Ibn Khaldun Prize. That experience led, in turn, to a life-long obsession and hunt for maps scattered in Arabic, Persian, and Turkish manuscript libraries worldwide that resulted in her first book on Islamic maps of the world in “Medieval Islamic Maps: An Introduction” (Chicago, 2016) and a collection of some three thousand images of maps, many not reprinted.

Islamic Maps from the Collection of Karen Pinto

Raised in Karachi, Pakistan, of Indian, Russian, French, and 16th century Goan-Portuguese stock, educated at Dartmouth and Columbia, Karen Pinto specializes in the history of Islamic cartography and its intersections between Ottoman, European, and other worldly cartographic traditions. She has spent three decades hunting down maps in Oriental manuscript collections around the world. She has a 3000-strong image repository of Islamic maps—many that have never been published before. Her book Medieval Islamic Maps: An Exploration was published by The University of Chicago Press in November 2016 and won a 2017 OAT (Outstanding Academic Title) award from Choice. She has won numerous grants for her work on Islamic maps, including a 2013-14 NEH fellowship. She has published articles on medieval Islamic, medieval European and Ottoman maps and has on-going book projects on “What is 'Islamic' about Islamicate Maps” and “The Mediterranean in the Islamic Cartographic Imagination.” Along with her work on Middle Eastern and Islamic Studies, she is interested in Digital Humanities, Spatial Studies, and in developing 3D spatial modules of places on Islamic Maps. Presently she is an Associate Scholar in the Religious Studies Department at the University of Colorado, Boulder. (The picture of her with Ottoman Turkish Janissary actors was taken on the grounds of Topkapi Saray Palace where she was conducting research on the maps in the library’s primary manuscript collection.)Copies of her publications are available through: https://independentscholar.academia.edu/KarenPintoSeveral important links to her work are included below:Aramco World Calendar 2020article about calendarPDF of calendarKaren's Interactive360 tour of Sülemaniye mosque complex in IstanbulKaren’s talk on 3 Decades+ work on Islamic maps: How did cartographers imagine the “Muslim” world? What is Islamic about Islamic cartography? Why did the cartographers not strive for mimesis and employ a visual language of stylized forms? What are the Late Antique, Ancient, and Prehistoric roots of Islamic cartography? How does it connect to other cartographical imaginations of the time—Christian, Chinese, Indic and otherwise? Was there a conception of dār al-Islam vs. a dār al-ḥarb in “Muslim Cartography? Who was considered us and who was the other in this cartographical rendition of the world? How can absences, presences, and anomalies be investigated to reveal unknown historiographical nuggets? Recording: https://youtu.be/IxOruMB-rUs*Longer Bio of how Karen came America and started working on Islamic maps in 1990:Growing up in Karachi, Pakistan, I somehow became map crazed. Was it the countless jigsaw puzzles (like Daniel Crouch 😉), many with missing pieces, that I broke and remade again and again during childhood, all too often holed up in a hospital bed? Or perhaps it was the wonderful family field trips into the heart of the Sindh desert? During my Convent of Jesus and Mary (CJM) O’Level school days, I excelled in geography for which my own hand drawn maps were well known among my classmates. My teacher loved them and my friends liked to take a peek at them in order to improve their own. ;-)American educational good fortune first smiled on me when Dartmouth decided to take in their first student from Pakistan :) At the Big D I got down to the ground and did some 'real' mapping and even fell into the Connecticut river while trying to map one of its banks! Off the Green, I merged the interests in geography and history that sustain me today.From there I headed to Columbia ostensibly to study International affairs but I took an accidental elective detour into a spell-binding Bulliet class on medieval Islamic history and was hooked thereafter—like a number of other unsuspecting SIPA grads :) Through the accident of stumbling upon a crumbling copy of Konrad Miller's early 20th century Mappae Arabicae in Baker Library in Spring 1990, while hunting for my MA topic I began a medieval odyssey that made me an expert in the world of medieval Islamicate carto-geography. And so was kindled a quest to see as many medieval Islamicate maps in situ as possible. Now, having collected 3,000 plus images from manuscript libraries around the world, I am deeply immersed in the study of medieval Islamic maps. One book is out ("Medieval Islamic Maps"), three others are on the way ("The Mediterranean in the Medieval Islamicate Imagination" (based on my like-named MA essay of 1991), "What is Islamic about 'Islamicate' Maps," and "Islamo-Christian Cartographic Connections." Plus I am working on a digital site MIME (Medieval Islamicate Maps Encyclopedia) to preserve and make the maps available online. Many of the maps are from hard-to-access manuscript libraries in the Middle East and Europe. Starting in 1992 at Topkapi Saray and Sülemaniye libraries in Istanbul, I have devoted 3 decades to examining, dating/redating, and identifying the maps and the manuscripts that house them. I love to travel and am especially fond of finding unknown and lost places and ofc I am always on the lookout for unknown maps—especially those that are not easily identifiable as maps. My special interest is seeing maps where no one saw a map before and explaining how and why that unknown image is a map ;-)In Idaho my favorite “hard-to-figure-out-it’s-a-map” map is "Map Rock" outside Celebration Park :) It is one of the earliest extant maps in the world yet little known in the map world. I will briefly mention it at the outset of my talk. Here’s link to an brief article about it if you want to check it out: https://www.atlasobscura.com/places/map-rocksee also from 9/19/24 LOC presentation:https://sims2.digitalmappa.org/36

Eight Interesting Aspects: Narragansett Bay and the Invention of Rhode Island - Andrew Middleton

Enter Andrew's first DOT story here. Enter Andrew's second DOT story here.Hidden in this British invasion map is the history of a state's founding identity.As of August 2024, Andrew Middleton has owned the Map Center, the oldest map store on the East Coast, for nine months, on his quest to introduce cartography enthusiasts to a new generation of maps. You can visit Andrew at the Map Center at 545 Pawtucket Ave, Pawtucket, Rhode Island and at https://www.mapcenter.com/. Andrew Middleton - DOT story - Eight Interesting Aspects - Narragansett Bay and the Invention of Rhode Island - 8/8/24Andrew Middleton - DOT story - Eight Interesting Aspects - The Myths of Rhode Island - 8/8/24

French Posters / Jules Cheret - Rich Breiman Collection - Curated by Gabrielle Ly

April 2024 - Born in 1836 to a family of artisans, Jules Cheret is known today as the father of modern lithography. His artistic influence began at an early age: his father was a typographer. Due to his family’s poverty, Cheret was apprenticed to a lithographer at the age of 13. He eventually invented color lithography as it exists today, transforming dull prints into veritable rainbows of color.Surprisingly, Cheret’s only formal art training was a single course at the Ecole Nationale de Dessin in Paris. He eventually moved to London, England to study photography and design from 1859 to 1866. His experience and exposure to further lithography techniques inspired him to establish his lithography firm in Paris in 1866. Eugene Rimmel, a perfume manufacturer, funded Cheret’s firm after hiring him to create packaging. Cheret imported the lithography machines from London as they did not exist in France yet.Cheret created his first poster in 1858, commissioned for the operetta Orpheus in the Underworld in London. At first, his posters only used three colors, made from three overlapping prints in the lithographic process. (He also influenced artists such as Henri de Toulous-Lautrec who used the same process of color lithography.)The artist was awarded the Legion of Honor by the French government in 1890 for his contributions to the arts. He designed over a thousand posters for different venues and performances. Cheret passed away at the age of 96 in 1932, having retired to the French Riviera in Nice, France.The term “Cherettes” was coined to describe how Cheret portrayed women in his posters. In contradiction to his time, he depicted women not as puritans or prostitutes but as lively and elegant, free and bold individuals. They appeared as individuals with their own lives and desires, making some call Cheret a pioneer in female liberation.Over time, his style evolved. With “Cherettes” taking the center focus, his compositions became more dynamic and typography-heavy. His posters, influenced by Rococo painters and Japanese woodblock prints, featured simplified backgrounds, flanked by glowing colors and textures. His work elevated lithography to an art form and became popular as it portrayed the gaiety of the time.VOICE NOTE TRANSCRIPT:Jules Cheret, 1836 to 1932, was the pioneer of color lithography and invented a new way of printing color.He started his artistic journey at 13 as an apprentice to a lithographer. Surprisingly, he barely had any formal art training, having taken only one formal course at the Ecole Nationale de Dessin in Paris. He moved to London to study photography and design from 1859 to 1866, later moving back to Paris to open his own firm. His firm was originally funded by a perfume manufacturer who loved Cheret’s design. Cheret imported his lithography machines from London as they did not exist in France at the time. He was known for his poster designs and prints, often printing his and other artists’ works at his print shop Imprimere Chaix in Paris during the Belle Epoque era. This generation of artists ushered in a more colorful period in printed works. He released a collection of 250 prints called the Les Maitres de l'Affiche. https://en.wikipedia.org/wiki/Jules_Ch%C3%A9retkeyword: richbreiman

Report of the Cruise of the Steamer Corwin in the Arctic Ocean - 1885

I became aware of this book after reading Hampton Side's amazing book, In the Kingdom of Ice, which tells the story of the 1880's De Long expedition of the Jeanette to the North Pole. As a part of the Jeanette story, Sides tells the story of the Corwin, which had a famous crew member, John Muir, who later wrote a book called The Cruise of the Corwin. This exhibit is an official report of one of the cruises of the Corwin, in 1885, led by Michael A. Healy, although it was not the same cruise during which Muir was a crew member, in 1881. However, in that 1881 cruise, whose purpose was to find the De Long expedition, Healy was in command and Muir was one of the crew. keyword: 19thCentury

Eight Interesting Aspects: The Sea Returns to Mission Bay - Fred DeJarlais

Enter the DOT story here.Fred DeJarlais is a retired urban planner with interests in both tech and the arts. He is the past president of the Osher Lifelong Learning Institute at UC Santa Cruz, on the Board of the Santa Cruz Opera Society, past president of the and current treasurer of Espressivo Chamber Orchestra, past president of the California Map Society, and the current publisher of their cartographic journal, Calafia. As a planner, he worked on the Mission Bay Project in San Francisco from 1982 to 2000. He was his firm’s infrastructure and entitlement manager on the project.

Eight Interesting Aspects: Orienting Yourself in a Lost Landscape - Jim Schein

Enter the DOT story here.Jim and Marti Schein have owned and operated Schein & Schein Antique Maps and Prints since 2003. Recently, Jim wrote the book Gold Mountain, Big City: Ken Cathcart's 1947 Illustrated Map of San Francisco's Chinatown, which is available on the Schein & Schein website and other places where you can buy books online. Today, Jim presents one of his favorite maps: the 1853 U.S.C.S map of San Francisco and its vicinity.

Eight Interesting Aspects: Mapping the Solar System - Nick Kanas

Dr. Nick Kanas is an Emeritus Professor of Psychiatry at the University of California, San Francisco (UCSF). He trained at Stanford University (B.A. Psychology); UCLA Medical School (M.D. 1971); University of Texas Medical Branch, Galveston (Internship); and UCSF (Psychiatry Residency 1975). After training and serving in the United States Air Force as a psychiatrist, he joined the faculty at UCSF and the affiliated San Francisco Veterans Affairs Medical Center, where he conducted clinical and research work on people suffering from stressful conditions. He has over 230 professional publications and is the recipient of the Dr. J. Elliott Royer Award for academic psychiatry. He directed the Group Therapy Training Program for the UCSF Department of Psychiatry; supervised and led patient therapy groups; conducted training workshops; wrote a book entitled Group Therapy for Schizophrenic Patients, and for over 20 years edited the Research Reviews section of the International Journal of Group Psychotherapy. In 2021, he published a book entitled: Integrative Group Therapy for Psychosis: An Evidence-based Approach. Since 1969, Prof. Kanas has studied and written about psychological and interpersonal issues affecting people living and working in space. He has done space-related research since the late 1980s, and for over 15 years he was a NASA-funded principal investigator, doing psychological research with astronauts and cosmonauts. He is a member and former trustee of the International Academy of Astronautics, and he has been a consultant to SpaceX. In 2017, he gave the Psi Chi Keynote Speech on space psychology at the Eastern Psychological Association Convention in Boston; he was invited by the Buzz Aldrin Space Institute to participate in a Mars mission workshop at the Kennedy Space Center in Florida; and he was invited to give a series of lectures on space psychology to students at Beihang University, Beijing, China. For over 20 years, he has chaired the paper session on Behavior, Performance and Psychosocial Issues in Space for the yearly International Astronautical Congress, and he has presented papers and plenaries at Humans in Space Symposia (most recently in 2017 and 2021), and at NASA Human Research Program Investigators’ Workshops (most recently in 2021, 2022, and 2023). In 1999, Prof. Kanas received the Aerospace Medical Association Raymond F. Longacre Award for Outstanding Accomplishment in the Psychological and Psychiatric Aspects of Aerospace Medicine. In 2008, he received the International Academy of Astronautics Life Science Award. He has written three book on space psychology. Together with Dietrich Manzey, he is the senior author of the book Space Psychology and Psychiatry (now in its 2nd edition), which was given the 2004 International Academy of Astronautics (IAA) Life Science Book Award. His book Humans in Space: The Psychological Hurdles was given the 2016 IAA Life Science Book Award. In 2023, he published a textbook entitled Behavioral Health and Human Interactions in Space, which won the IAA Life Sciences Book Award for that year. He continues to write and consult on the psychosocial aspects of human space travel. Prof. Kanas has collected antiquarian celestial maps for over 40 years and has given a number of talks on celestial cartography at public venues, such as the Adler Planetarium, the Lick Observatory, and the California Academy of Sciences (as a Benjamin Dean lecturer). He also has presented at the International Conference on the History of Cartography at Harvard; International Map Collectors Society Conferences in Wellington (New Zealand) and Vienna; the Society for the History of Astronomy Conference in Birmingham (England); and the Flamsteed Astronomical Society meeting in Greenwich (England). He has published articles on celestial cartography in magazines and journals, such as Sky and Telescope, Imago Mundi, and the Journal of the International Map Collectors Society. He is a Fellow of the Royal Astronomical Society (London). He has written two celestial map books: Star Maps: History, Artistry, and Cartography (now in its 3rd edition), and Solar System Maps: From Antiquity to the Space Age. He has been an amateur astronomer for over 60 years and is an avid reader of science fiction. He has presented talks on space psychology and on celestial mapping at several regional and World Con science fiction conventions; published three factual articles on space psychology in Analog Science Fiction and Fact magazine (one of which won the annual readers’ poll award for 2015 Best Fact Article); and has published three science fiction novels: The New Martians, The Protos Mandate, and The Caloris Network. He has written a screenplay for The New Martians, which currently is being reviewed by various producers. Prof. Kanas is a docent (human evolution track) at the California Academy of Sciences in San Francisco. He enjoys interacting with the public (both adults and children) and helping them learn about the marvels of science. Website: nickkanas.com. E-mail: nick.kanas@ucsf.edu.

Eleven Interesting Aspects: The (True) Center of the World - Leonard Rothman

Pictured: Dr. Rothman, surrounded by his books and globes.Dr. Leonard Rothman, M.D. is an obstetrician gynecologist, map collector, and former president of the California Map Society. He has made almost a thousand images of his collection available to the public at Stanford Searchworks and will be taking you through one of his favorite maps: Braun and Hogenberg's 1575 map of Jerusalem.Enjoy!To go to Dr. Rothman's tour, click here or on the pin icon on the left.

Eight Interesting Aspects: The Biggest Little Battle in American History - Ron Gibbs

In this exhibit's DOT story, Dr. Ron Gibbs takes us through a 1777 British map of the "biggest little battle in American history." The battle involved fewer than 4,000 soldiers, but it saved the cause of American independence at one of its lowest ebbs.Ronald S. Gibbs, M.D. is a physician, map collector, medical researcher, and author at Stanford University now serving as the president of the California Map Society. He has written several articles on 18th-century military medicine, as well as two novels about the American Revolution: The Long Shot: The Secret History of 1776 and The Rogue's Plot: The Untold Story of 1777.You can see more of his work at https://ronaldsgibbs.com/about-american-revolution.

Audubon Birds - Rich Breiman Collection - Curated by Katharine Griswold

April 2024 - From the collection of Rich Breiman. (shot 2023-07-29)John James "JJ" Audubon was a French-American artist and naturalist, most known for his work in ornithology, published in various editions of “Birds of America.” Born in Haiti, raised in France, Audubon spent his childhood fascinated with birds, and once he headed to the states at 18, his interests only grew. His father had given him an estate in Pennsylvania, where he began a series of drawings of American birds: he would observe the birds’ habitat and behavior, then would shoot and hang it and draw it as close to life as possible. He was never too concerned with making money, remarking in his diary: “birds were birds then as now, and my thoughts were ever and anon thinking toward them as the objects of my greatest delight. I shot, I drew, I looked on nature only; my days were happy beyond human conception, and beyond this I really cared not.” He abandoned or failed at most business ventures; he and his wife spent their young adulthood in poverty, and Audubon even spent some time in debtor prison. He began to spend months at a time in the woods, hunting, drawing, and writing biographies. With a large collection, but just a fraction of what he would come to produce, Audubon sailed to England in search of a friendlier market for his work. His American bird series sold well, and he was able to find a printer for his work in London, as well as a collaborator in William MacGillivray, an ornithologist who assisted him in the descriptions of each bird. Audubon’s work was becoming pretty popular, but the huge folios he was producing were not accessible to everyone. The octavo edition, which is a smaller edition that was meant to be more accessible, was produced in Philadelphia beginning in 1840. Most of the prints in this collection are from the first two editions of the octavo “Birds of America.” In his work, Audubon made use of his extensive research, and of his from-life models. The majority of his images are exactly true to life, with every feather and limb being placed meticulously. To recount his process, he would use wire to pose the birds in positions that would have been the most natural in the wild, while also considering what parts of the bird should be visible to the viewer. There is an obvious compositional effort in the pieces, as well: no bird is alone on the canvas, and while some are more intricate than others, Audubon does his best to place each bird within a fitting habitat. Whether these scenes are real or imagined is indeterminate―it’s probably a bit of both.Audubon’s legacy is fairly complicated for a number of reasons. While he was not the first to do what he did, not even in America, he was the most influential by far. Often praised in his life for his artistic ability, Audubon’s works were beautiful and lifelike. He was respected enough as an ornithologist and natural historian that the Audubon Society, a non-profit that works towards the conservation and habitat preservation of endangered birds, was named after him. But there are also rumors of fraud and theft, for example, that he drew imaginary birds. It's true that there are some birds that he drew that are unidentified, some think that he drew hybrids or was forced to draw in some cases from memory, and some think this was more intentional. There is a controversy regarding his plate of the Bird of Washington, for example, which Audubon claimed to be a new species closely related to the bald eagle, but seems to be just a youngling of that species. This is a fascinating read, and it is linked below. He also in his field notes describes the taste of many of the species he records. In his hunting, it seems, he also killed many more birds than were necessary just for survival and for drawing. Most important to mention was his lifetime of opposition to the abolition movement. He produced writings against emancipation, and he himself bought enslaved people for his estate when he still owned it, and for his expeditions before setting off to England. Despite the importance of his art, and the good that has come from his legacy, it is important to recognize that the man behind them was imperfect, to say the least. For more information:The Myth of John James AudubonJohn James Audubon(Audubon Society)John James Audubon(Britannica)Five Mystery Birds Among Audubon's PaintingsAudubon's Bird of Washington: unravelling the fraud that launched the Birds of AmericaAudubon and his JournalsAll About BirdsBirds of AmericaAudubon Society: Guide to North American BirdsAuthored by Katharine GriswoldKeyword: richbreiman

Larmessin Whimsical Costumes of Professions - Rich Breiman Collection - Curated by Gabrielle Ly

April 2024 - To view voice note transcript, scroll to the bottom. Gabrielle's text:Nicolas de Larmessin I (1632-1694) was a printmaker, known for his portraiture. Apprenticed to Jean Mathieu in 1647, de Larmessin later married the daughter of publisher Pierre Bertrand in 1654 and took over his stock in 1678. Bertrand published many of Larmessin’s works.His collection “Grotesque Costumes,” also known as Habits des meters et professions or Les costumes grotesques et les metiers, features tradesmen and tradeswomen with the wardrobe and tools of their craft. Portraying each tradesperson in the standard costume stance of the time, Larmessin’s portrait combines the influence of ballet costumes, portraying them in a fanciful documentary style. Though the costumes were first created by de Larmessin, his brother or son Nicholas de Larmessin II expanded on this idea of portraying the trades and added thirty-two plates to the collection. To have the full collection of roughly one hundred designs in one place is quite rare.These prints are “productively positioned between the fantastic and lived experience” (Pullins). Created by a tradesman like Larmessin, the portraits ought to be seen in reference to his time (representing trades, fashions, and culture of the time) and referring to the art world. The portraits walk a fine line, in tension between two opposing worlds. To the viewer, this collection deals with familiar materials of French life, though framed like an ethnography print. It lends a fantastical lens to the domestic, changing one’s preexisting perspective.Sources: https://www.britishmuseum.org/collection/term/BIOG34865https://www.martayanlan.com/pages/books/5488/nicolas-de-larmessin/les-costumes-grotesques-et-les-metiers-habits-des-metiers-et-professions?soldItem=truePrint of Louis XIV from https://blog.nationalmuseum.ch/en/2023/01/the-dancing-sun-king/ David Pullins, Techniques of the Body: Viewing the Arts and Métiers of France from the Workshop of Nicolas I and Nicolas II de Larmessin, Oxford Art Journal, Volume 37, Issue 2, June 2014, Pages 135–155, https://doi-org.stmarys-ca.idm.oclc.org/10.1093/oxartj/kcu005_____________________________________________________Katharine's TextNicolas I de Larmissin was a French engraver. Born in 1632, he produced a vast portfolio of work in his lifetime. Most of his work was portraiture, and was often in series: this exhibit features his costumes of professions. Absurdly impractical and opulent, these costumes draw attention to features of various professions in a playful and mocking way. Intricate details give insights into the professions depicted, yet there is an obviously exaggerated aspect of the pieces. Sources: British Museum, Fashion History_____________________________________________________Nicolas de Larmessin was a French engraver born in Paris in 1632. He came from a family of famous generational engravers and printers who worked in the 17th and 18th centuries. Nicolas de Larmessin is known for creating etched pictures of various artisans and skilled laborers. His work, characterized by attention to detail, is part of a series of satires and grotesques of the professions from the 1700s. Little is known about his life, but he is recognized for engraving a number of portraits. He was the elder brother of Nicolas de Larmessin II, who was also a French artist. The goal of Nicolas de Larmessin's artwork depicting artisans and skilled laborers is not fully documented.Source: Perplexity.aiVOICE NOTE TRANSCRIPT:Nicolas de Larmessin I (1632-1694) was a printmaker, known for his portraiture and his works on the different trades. He began learning the trade while apprenticing to the engraver Jean Mathieu in 1647. In 1654, de Larmessin later married the daughter of print-publisher and print-seller Pierre Bertrand, and worked for his father-in-law, taking over his stock in 1678 at Bertrand’s death. His collection “Grotesque Costumes,” also known as Habits des meters et professions or Les costumes grotesques et les metiers, features tradesmen and tradeswomen with the wardrobe and tools of their craft. Though the costumes were first created by de Larmessin, his brother or son Nicholas de Larmessin II expanded on this idea of portraying the trades and added thirty-two plates to the collection. To have a complete collection of roughly one hundred designs in one place is quite rare. Keyword: richbreiman

250th Anniversary of the American Revolution - by Ron Gibbs

Images for presentation by Ron Gibbs at The California Map Society's Spring Conference, June 29, 2024, at the David Rumsey Map Center. Images from the collection of Jane and Ronald Gibbs.Source: SearchWorks at Stanford University keyword: rongibbs

Atlas to Marshall's Life of Washington - from the Jane and Ronald Gibbs Collection

5/11/24 - This book was shared by Ron Gibbs at Bay Area Map (BAM) Group meeting at Rothman residence. Ron has written two historical novels about George Washington around the time of the revolution. More info can be found on Ron’s website here.An atlas made as a complement to the famous biography of George Washington, written by Supreme Court Justice John Marshall. From the collection of Jane and Ron Gibbs.From Wikipedia: John Marshall (September 24, 1755 – July 6, 1835) was an American politician and lawyer who served as the fourth chief justice of the United States from 1801 until his death in 1835. Marshall remains the longest-serving chief justice and fourth-longest serving justice in Supreme Court history, and he is widely regarded as one of the most influential justices to ever sit on the Supreme Court. Prior to joining the Supreme Court (and for one month simultaneous to his tenure as Chief Justice), Marshall served as the fourth United States Secretary of State under President John Adams.After his appointment to the Supreme Court, Marshall began working on a biography of George Washington. He did so at the request of his close friend, Associate Justice Bushrod Washington, who had inherited the papers of his uncle. Marshall's The Life of George Washington, the first biography about a U.S. president ever published, spanned five volumes and just under one thousand pages. The first two volumes, published in 1803, were poorly-received and seen by many as an attack on the Democratic-Republican Party.[119] Nonetheless, historians have often praised the accuracy and well-reasoned judgments of Marshall's biography, while noting his frequent paraphrases of published sources such as William Gordon's 1801 history of the Revolution and the British Annual Register.[120] After completing the revision to his biography of Washington, Marshall prepared an abridgment. In 1833 he wrote, "I have at length completed an abridgment of the Life of Washington for the use of schools. I have endeavored to compress it as much as possible. ... After striking out every thing which in my judgment could be properly excluded the volume will contain at least 400 pages."[121] The Abridgment was not published until 1838, three years after Marshall died.[122]Keywords: RonGibbs

George Washington and the American Revolution, 1775-1776 - by Ron Gibbs

During the first two, precarious years of the American Revolution, the outcome was often in doubt. The Digital Gallery is pleased to present the exhibit, “George Washington and the American Revolution, 1775-1776,” to chronicle these critical times through historic maps, iconic paintings, and explanatory text. Here you can explore the maps and images related to both the defeats and eventual victories of these campaigns.See Ron Gibbs' historical novel about George Washington and the American Revolution, The Long Shot.October 2021: “Terrain and Tactics, British War Plan of 1776,” new article by Ronald Gibbs, Courtney Spikes and Thomas Paper. British General William Howe’s “War Plan illustrates the dichotomy of…[his]…tactical brilliance and his characteristic delays that thwarted his ultimate success. In contrast, General Washington was able to maintain the integrity of his army and keep the cause of American independence alive despite his initial defeats” (excerpt from the article). The article was published on-line in Journal of the American Revolution on October 12, 2021. To read the article, click here.See video of Ron's February 2021 presentation to the Washington Map Society here. See pdf of Ron's October 2020 presentation to San Francisco Map Fair here.keyword: rongibbs

1777: Decisive Year of The American Revolution - by Ron Gibbs

9/8/23 - The Digital Gallery is pleased to present the second exhibit in the American Revolution Series. Previously, in Exhibit 40, "George Washington and The American Revolution, 1775-1776," we displayed, through historic maps and iconic images, the course of the first two years of the war. The cause of American Independence went from elation when the American militia forced the British to retreat from Concord, Massachusetts (April 1775), to horror at the carnage at Bunker Hill (June 1775), and back to victory when the British Army was forced to evacuate Boston (March 1776). But a huge British force returned to New York (July 1776) and defeated General George Washington's army in a series of battles through late summer and autumn. The American cause was on the brink of disaster (December 1776) when Washington decided upon a bold stroke of war to save the American Revolution--and the future of the United States.Come with us now as we jump back to catch up with the momentous story of the Campaign of 1777 and why it proved to be the Decisive Year of the American Revolution.Note : I wish to acknowledge the contributions of my good friend Tom Paper to the development and production of this exhibit.keyword: rongibbs

Modern Atlas - 1831

6/24/24 - This is a beautiful but dangerous school atlas..7/20/23 - An American educational atlas published in 1831, filled with generalizations and cultural biases, by William C. Woodbridge, who was a colleague of Emma Willard. Woodbridge and his father both graduated from Yale and were highly-regarded educators. His father was one of the first preceptors (teachers) at Phillips Exeter Academy. Woodbridge’s ideas about culture, especially that Christian republics were civilized and non-Christians were not civilized, were mainstream for his time.https://en.wikipedia.org/wiki/William_Channing_Woodbridge The Library of Congress did a terrific Blog Post about this atlas.https://en.wikipedia.org/wiki/Emma_Willard

The Mouth and The Teeth - 1880

April 2024 "The Mouth and the Teeth" was a book on dentistry published by James William White in 1879, not 1880[1][2][3][4]. It was part of the American Health Primers series[2].The book provided a general overview of the mouth and teeth, including their development, structure, and diseases from infancy to old age[1]. It also included observations on the physiognomy of the teeth and projecting chin[1].White's work was an important contribution to the field of dentistry in the late 19th century. It helped educate the general public and medical professionals about oral health and dental care.Citations:[1] http://files.hsls.pitt.edu/files/rarebooks/dentistry.html [2] https://www.abebooks.com/collections/sc/dental-history/5VZzApK5Bhth4hZDtn6tnT?rec=true&sort=popular [3] https://dental.nyu.edu/aboutus/rare-book-collection/19-c.html [4] https://onlinebooks.library.upenn.edu/webbin/book/browse?c=x&key=Dentistry+--+Early+works+to+1800&type=lcsubc [5] https://explore.library.leeds.ac.uk/special-collections-explore/471324 Source: https://www.perplexity.ai/search/what-is-the-8Wp0ms8pTDOwCTJsazg9qg Voice Note TranscriptionI love this book called The Mouth and the Teeth by an author named Smith, a dentist from Philadelphia in 1880.My favorite parts are page 7, where we can see the Greek goddess of health, Hygieia. Page 11where we have a schematic of the mouth and teeth and nasal passage tongue and so forth it's a great diagram i love it and then beyond that page 41, which is a little scary it's. It's a kid of six years old showing their two sets of teeth. And then the last one that I found of interest was page 50, which was the nerves related to the teeth. Anyway, it's a nice little exhibit, and I hope you enjoy it. Thanks.

Baltimore - The Monumental City - 1895

April 2024 Baltimore has been known as "The Monumental City" since 1827, when President John Quincy Adams gave a toast referring to it as such after visiting the city[1]. The nickname refers to the many monuments and memorials in Baltimore, including the Battle Monument which became the city's official emblem[1].In 1895, a book titled "The Monumental City: Its Past History and Present Resources" was published as a souvenir for the 121st anniversary of the Baltimore American newspaper, which was founded in 1773[2][4]. The book provided a historical overview of Baltimore up to that point in time[4].The book was likely named "The Monumental City" as a reference to Baltimore's long-standing nickname[1][2]. It highlighted the city's history, monuments, and resources as of 1895, over 60 years after the city had first been called "The Monumental City" by President Adams[1][4].Citations:[1] https://en.wikipedia.org/wiki/Baltimore [2] https://msa.maryland.gov/megafile/msa/speccol/sc3500/sc3520/001800/001819/html/1819sources.html [3] https://chap.baltimorecity.gov/woodberry [4] https://www.loc.gov/item/rc01003462/ [5] https://searchworks.stanford.edu/view/733822 https://www.perplexity.ai/search/what-is-the-gJGSbXUZS56e5a74SDvsQg#0 Voice Note TranscriptionI love this book about Baltimore, The Monumental City from 1895.Apparently, the Monumental City is a reference to all the monuments, memorials in Baltimore, including the Battle Monument. And um it's one of these you know just around the turn of the century very proud of their community kind of um documents promoting a city and telling us who all the people were in the city and somewhat like the bird's eye view maps are a tradition these books about cities and states and touting all the wonderful people in the community it's very patriotic very very excited about the future. In particular, the images that I found most interesting were number 10,this picture of a woman, a giant woman over the city, the harbor, the fruits and vegetables, the ships being built, the metalworking that's going on. That's image number 10.And then. And also image number 26was interesting. This is a picture of a house. When you look a little closer, there's a horse -drawn carriage and a man riding on a horse and a couple people on bicycles. And, of course, cars were, within the next two decades, going to become quite prevalent. The next page that was of interest was 39.This is one of those pages of all the dignitaries, the people in the city, all dressed in their finest. And 90,100except for two of the people pictured in this book are men. But interestingly, in the two pages where women are featured, they're on the top of the page. That's page 39.And then also page 43,an even younger crop of people and a woman on the top of the page. And then page 94,which is of a factory, and I was struck by the gaze of one of the workers in the factory, somewhat haunting gaze. And then the last page was of a steel, a steel mill, page 114,the foundry in particular, and all the metalworking going on, and these people standing and very proud of their, of what they were doing, stopping for a break, and then back at it, and it looks like hard work. keyword: 19thCentury

124

A Log of the Spanish Main

Jo Mora’s love of travel, especially when joined by his family members, existed throughout his life. Ever on the watch for how to finance such endeavors, Jo’s creative thinking prompted bartering his artistic services in exchange for passage on ships. In addition, self-publishing A Log of the Spanish Main eventually led to the Grace Line Company purchasing the entire printed edition from the Mora’s to offer to their passengers.Written and illustrated by Jo Mora as both an informational story about life on the high seas and as a journal with prompts for passengers to record their personal observations the book became a treasured keepsake. Enjoy this addition to the Pixeum library.Other books by Jo Mora:Trail Dust and Saddle LeatherCalifornios: The Saga of the Hard-riding Vaqueros, America's First CowboysBudgee Budgee CottontailA Log of the Spanish MainManuscript by Jo Mora:Silverwillow keyword: jomora

The Costume of the Russian Empire - Rich Breiman Collection

March 2024 Yes, William Alexander, also known as Bill Alexander, was an English painter, illustrator, and engraver[1][4]. He was born on April 10, 1767, and passed away on July 23, 1816. Known for his work executed in watercolors, Alexander's artistic hallmarks included clearness and harmony of color, simplicity and taste in composition, grace of outline, and delicacy of execution. He accompanied the Macartney Embassy to China in 1792 and produced prints of his work from engravings[1].Moreover, William Alexander authored works such as "The Costume of China" in 1805 and "Picturesque Representations of the Dress and Manners of the Chinese" in 1814[1]. His artistic contributions extended beyond painting to include engravings and illustrations for various publications. Additionally, he held the position of assistant keeper of antiquities at the British Museum[1].In summary, William Alexander was a prominent English artist known for his paintings, illustrations, and engravings that reflected his skillful use of color and composition across various artistic endeavors during his lifetime.The history of the costume of the Russian Empire is depicted in various illustrated works, such as "The Costume of the Russian Empire" by William Alexander. This book, published in 1803, contains seventy-three engravings accompanied by descriptions in English and French[1][4]. The illustrations provide a visual representation of the traditional attire worn in the Russian Empire during that period. These engravings offer insights into the clothing styles, fabrics, and designs that were prevalent in Russia at the time.Furthermore, these illustrations not only serve as a historical record of fashion but also shed light on the cultural and social aspects of the Russian Empire. The detailed descriptions accompanying the engravings provide additional context and understanding of the significance of different garments and accessories worn by individuals in various strata of society within the empire.Overall, works like "The Costume of the Russian Empire" offer a glimpse into the sartorial heritage of Russia, capturing the essence of its historical clothing traditions and reflecting the rich tapestry of its cultural identity through attire.Source: perplexity.aiKeyword: richbreiman

The Temperance Cause - 1876

2/3/24 - I love this book from 1876 about the temperance movement.The imagery tells the story of both the dangers of drinking and the peacefulness of abstinence.I knew about the 18th amendment, passed in 1919, which gave us prohibition, as well as the 21st amendment in 1933, which repealed prohibition.What I didn’t realize was that the temperance movement started almost a century before the passage of the 18th amendment, in 1826 according to this book.The author of this book was Jane E. Stebbins and I wasn’t able to discover anything much more about her.My favorite images:The pair of images at the beginning. (#9,#10)The infoviz about the effects of alcohol. (#29)The deranged and the devil. (#30)The seated women silently protesting. (#37,#38)Two other images, included at the end of this exhibit, I found related to the temperance movement. (#42,#43)This exhibit reminded me of Clay Shirky and his modern-day concept of “Cognitive Surplus” and his correlation of this concept with free time created by the Industrial Revolution that was used for gin-drinking. (#44).

How to Draw and Paint - 1880

1/14/2024-I couldn’t find out a lot about this book, other than that John Dixon was the “practical artist” behind it. Nevertheless, it’s a great example of the beautiful and intricate historical images that fascinate me.

116

Histoire naturelle, générale et particulière - 1802

1/13/2024 - I call this the “French Fish Exhibit.” Beautiful and intricate fish images. Turns out that the author, Buffon, is renowned and wrote 36 volumes of natural history. This was volume 6. Sadly, Buffon had to recant his views on evolution because they cotradictsd prevailing views of creation. TMPBuffon's Histoire naturelle, générale et particulière (1749–1788: in 36 volumes; an additional volume based on his notes appeared in 1789) was originally intended to cover all three "kingdoms" of nature but the Histoire naturelle ended up being limited to the animal and mineral kingdoms, and the animals covered were only the birds and quadrupeds.Buffon's works influenced the next two generations of naturalists, including two prominent French scientists Jean-Baptiste Lamarck and Georges Cuvier. Buffon published thirty-six quarto volumes of his Histoire Naturelle during his lifetime, with additional volumes based on his notes and further research being published in the two decades following his death.[1]Ernst Mayr wrote that "Truly, Buffon was the father of all thought in natural history in the second half of the 18th century".[2] Credited with being one of the first naturalists to recognize ecological succession, he was later forced by the theology committee at the University of Paris to recant his theories about geological history and animal evolution because they contradicted the biblical narrative of Creation.[3][4]Source: WikipediaSee also: Histoire NaturelleTurns out one of the illustrators was a woman. Of course!

Queer People - 1892

12/6/23 - Palmer Cox was a Canadian illustrator and author, born on April 28, 1840, in Granby, Quebec, and died on July 24, 1924. He is best known for creating "The Brownies," a series of humorous verse books and comic strips about mischievous but kindhearted fairy-like sprites. The Brownies were based on English traditional mythology and Scottish stories told to Cox by his grandmother. The characters became famous in their day and were the first North American comic characters to be internationally merchandised. Cox's creation of The Brownies led to a significant commercial success, and he was considered a pioneer in the area of licensed merchandise. The popularity of The Brownies also inspired the naming of the Eastman Kodak Brownie camera, one of the first popular handheld cameras. Cox's work has had a lasting impact and continues to be recognized for its cultural significance13.Source perplexity.ai

Just So Stories - Rudyard Kipling - 1902

11/8/23 - I created this exhibit because I somehow stumbled upon the poem by Kipling about the value of asking a lot questions. See the poem on image 52 of this exhibit. Then I learned that Kipling did the drawings for this book. They are intricate and beautiful…and distinctive…so they are a perfect fit for Pixeum. See my favorite quote about questions on Page 52 Just So Stories - Rudyard Kipling - 1902https://en.wikipedia.org/wiki/Rudyard_KiplingJoseph Rudyard Kipling (/ˈrʌdjərd/ RUD-yərd; 30 December 1865 – 18 January 1936)[1] was an English novelist, short-story writer, poet, and journalist. He was born in British India, which inspired much of his work.Kipling's works of fiction include the Jungle Book duology (The Jungle Book, 1894; The Second Jungle Book, 1895), Kim (1901), the Just So Stories (1902) and many short stories, including "The Man Who Would Be King" (1888).[2] His poems include "Mandalay" (1890), "Gunga Din" (1890), "The Gods of the Copybook Headings" (1919), "The White Man's Burden" (1899), and "If—" (1910). He is seen as an innovator in the art of the short story.[3] His children's books are classics; one critic noted "a versatile and luminous narrative gift".[4][5]Kipling in the late 19th and early 20th centuries was among the United Kingdom's most popular writers.[3] Henry James said "Kipling strikes me personally as the most complete man of genius, as distinct from fine intelligence, that I have ever known."[3] In 1907, he was awarded the Nobel Prize in Literature, as the first English-language writer to receive the prize, and at 41, its youngest recipient to date.[6] He was also sounded out for the British Poet Laureateship and several times for a knighthood, but declined both.[7] Following his death in 1936, his ashes were interred at Poets' Corner, part of the South Transept of Westminster Abbey.Kipling's subsequent reputation has changed with the political and social climate of the age.[8][9] The contrasting views of him continued for much of the 20th century.[10][11] Literary critic Douglas Kerr wrote: "[Kipling] is still an author who can inspire passionate disagreement and his place in literary and cultural history is far from settled. But as the age of the European empires recedes, he is recognised as an incomparable, if controversial, interpreter of how empire was experienced. That, and an increasing recognition of his extraordinary narrative gifts, make him a force to be reckoned with."[12]Source: WikipediaI keep six honest serving-men (They taught me all I knew);Their names are What and Why and When And How and Where and Who.I send them over land and sea, I send them east and west;But after they have worked for me, I give them all a rest. I let them rest from nine till five, For I am busy then,As well as breakfast, lunch, and tea, For they are hungry men.But different folk have different views; I know a person small—She keeps ten million serving-men, Who get no rest at all! She sends'em abroad on her own affairs, From the second she opens her eyes—One million Hows, two million Wheres, And seven million Whys! https://www.kiplingsociety.co.uk/poem/poems_serving.htm

139

Practical Poultry Book - 1871

10/29/23 - Chickens? Why an exhibit about chickens? Because the images are beautiful and intricate; because it’s from 1871; because the poultry have names like “Silver-Spangled Poland Cock”, “Dark Brahma Cock” and “Black Dorking.” Enjoy!"The People's Practical Poultry Book" is a book that was published in 1871. It is a work on the breeds, breeding, rearing, and general management of poultry. The book was written by William M. Lewis and published by D. D. T. Moore, of the "Rural New Yorker." The book contains information on various breeds of poultry, including the Black Dorking breed46. It was available for purchase for $1.50 and could be sent by mail5. The book is considered an antique and is available for purchase in leather-bound format2https://www.perplexity.ai/search/232fa367-c402-4920-943c-78ba1a7e4c52?s=c

119

Williamstown Directory - 1949

10/2/23 - We love history when we connect to history. On page 366 of this 1949 Williamstown directory one will find Whitney Stoddard, one of the fathers of the “Williams Art Mafia." In 1981, I was an econ major and completely uninterested in art history, but took Whitney's for class divisional requirements. I ended up being transfixed, entertained and inspired and I am deeply grateful to him. (See three cool maps at the end of this exhibit.)Stoddard prioritized his undergraduate teaching throughout his career at Williams. Alongside colleagues S. Lane Faison and William Pierson, Jr., he trained a new generation of art history students at Williams for careers as art historians and museum curators. Collectively known as the Williams Art Mafia, these included Earl A. Powell III of the National Gallery of Art in Washington DC, Glenn D. Lowry of the Museum of Modern Art in New York, James N. Wood of the Art Institute of Chicago and the J. Paul Getty Trustand Thomas Krens of the Guggenheim Museumin New York. Under his leadership, the Williams art history program developed into one of the finest undergraduate curricula in the country.Wikipedia https://artwirth.com/2015/06/24/williams-art-mafia/https://williams68.org/whitney-stoddard/

Monteith's Manual of Geography - 1876

9/28/23 - I love the old geography textbooks because they are so raw, striving for accuracy and objectivity, but also heavily biased. I also find them beautifully designed. Tom PaperJames Monteith (1831-1890) was an American author known for his widely published geography textbooks in the 19th century1. He was born in Strabane, Ireland, and immigrated to the United States as a child, where he lived his entire life in New York City1. Monteith began his career as a teacher in New York's public school system and eventually became the headmaster of Ward School 17 (later P.S. 18) at 211 West 47th St1.In the 1850s, Monteith started publishing textbooks on geography and history, initially collaborating with Francis McNally, a fellow New York public school teacher and mentor to Monteith until his death in 185513. His influences included Alexander K. Johnston, Arnold Guyot, Matthew Fontaine Maury, and Emma Hart Willard1. A.S. Barnes and Co. published many different versions of Monteith's geography textbooks from the early 1850s to the 1880s, which grew larger, more detailed, and more sophisticated over time1.Monteith's geography textbooks were widely published in the United States from the late 1850s until well after his death, offering some of the most popular educational resources of the time2. His works were part of the National Series of Standard School Books and featured black and white illustrations and color maps4. Some of his well-known textbooks include "First Lessons in Geography: On The Plan of Object Teaching" and the "National Geographical Series"46. Source: Perplexity.ai

Smith's Astronomy - 1865

9/30/23 - Thanks again to Rich Breiman, for sharing the digital images of this school textbook published, for the first time, before the Civil War. The author, Asa Smith, was a professor at Dartmouth. Smith's Illustrated Astronomy is a book that was published in 18651. Here are some historical facts about the book:The book was part of the study of meteors and their origins1.Smith's Illustrated Astronomy was used as a textbook in high schools2.The book was first published in 1852, and there were subsequent editions in 1860 and 18653.Smith's Illustrated Astronomy contained maps of the planets and the solar system3.The book was written by Asa Smith, who was a professor of natural philosophy and astronomy at Dartmouth College4.Smith's Illustrated Astronomy was part of a series of books that included Smith's Atlas of Modern and Ancient Geography6.An abridged version of the book was designed for use in junior classes in public or common schools5.Overall, Smith's Illustrated Astronomy was an important educational resource in the mid-19th century, used to teach students about astronomy and the solar system. Asa Dodge Smith was an American Presbyterian preacher and the seventh president of Dartmouth College from 1863 until his death in 187723. He was born on September 21, 1804, in Amherst, New Hampshire, and died on August 16, 1877, in Hanover, New Hampshire2. Smith graduated from Dartmouth College in 1830 and later attended Andover Theological Seminary3. He was a cosmopolitan man, whose reputation as a preacher and public speaker had won him many friends and admirers1. Smith was appointed as the president of Dartmouth College in 1863, after a long career as a minister3. During his presidency, he oversaw the annexation of the Chandler Scientific School, America's first specialized school of engineering5. Smith was also a prolific writer and authored several books, including Letters to a Young Student, in the First Stage of a Liberal Education (1832) 4. Asa Dodge Smith is buried at Dartmouth College Cemetery, Hanover, New Hampshire4.keyword: richbreiman, Minadealmeida

Art at 601 California Street

9/26/23 - I put this exhibit together for anyone visiting 601 Cal who wants to understand the beautiful collection of art in the lobby. Let me know if you have any questions or feedback. Thanks,Tom Papertom@pixeum.org

Peter Hiller Art - July 2023

9/8/23 - The act of creating art has been a pleasure and significant part of my life since I was a child. By letting inspiration come naturally to me, I love the flow of ideas and approaches from one to the next and I am continually overjoyed when that 'magic' light bulb goes off.As a former teacher of grade school art for almost forty years, I have been surrounded by, and hopefully nurtured, the creativity of others. In 'retirement' there are few distractions from exploring a fountain of ideas as are presented here on Pixeum where I have previously showcased the creative efforts of artist, cartographer and author Jo Mora.The new work presented here is from three recent series, one leading to the next, each with a focus on nature and painted surfaces. The images are printed on archival paper and, whereas it all begins with a digital camera, the results are more, at least to me, like paintings evoking conversations.Thoughts, questions, and sales inquiries are welcome - 19philler52@gmail.com or 831-624-3284 (old school landline with an answering machine).Sincerely, Peter HillerKeyword: featuredartists

The British Farmer's Cyclopaedia - 1807

9/8/23 - I love this book by an English lawyer and farmer, Thomas Potts, who gave advice about farming: implements, crops, and processes in the very early 1800's. The Renaissance Man was alive and well, in the mold of William Smith, who made geological discoveries in England around the same time. Potts also published the Compendious Law Dictionary. Tom Paper (@tomadmin) 5/21/23"The British Farmer's Cyclopedia" was published in 1807 by Thomas Potts. It is a comprehensive agricultural dictionary that covers various aspects of modern husbandry, including the breeding, feeding, and management of livestock12. The first edition was printed in 1807, and a second edition was issued in 18093. The book was intended for use by farmers and other individuals involved in agriculture. It is not clear what inspired Potts to write the book or what his background in agriculture was1. However, Potts was also the author of "Trial of the Lancaster Witches" and "A Compendious Law Dictionary"4. "The British Farmer's Cyclopedia" is still available for purchase today25.Thomas Potts was an English lawyer and writer who lived from 1778 to 18421. He was known for compiling reference works, including "A Compendious Law Dictionary"1. Potts was also the author of "Trial of the Lancaster Witches" and "Discovery of Witches"23. It is not clear what his background in agriculture was, but he published "The British Farmer's Cyclopedia" in 18074. Potts died on November 8, 1842, in Upper Clapton1.Source: www.perplexity.ai , https://en.wikipedia.org/wiki/Thomas_Potts_(writer) keyword: memorabilia

Atlas de Enfans - 1790

9/8/23 - The "Atlas des Enfans" was published in 1790 by Jean-Marie Bruyset, a publisher based in Lyon, France. It is a children's atlas that contains 24 folded maps and a new treatise on the sphere. The atlas was designed to teach geography to children using a new method. The atlas is rare and highly sought after by collectors. It was published in full calf binding and is considered a valuable piece of history.1, 2, 3, 4, 5Jean-Marie Bruyset (1719-1793) was a French publisher and bookseller based in Lyon, France. He published a variety of books on different subjects, including a children's atlas called "Atlas des Enfans" in 1790. He also published a catalogue of French books and a treatise on moral and historical reflections. 1, 2, 3, 4, 5Source: perplexity.ai

Anatomical Atlas - 1876

9/8/23 - Henry Hollingsworth Smith, 1815-1890"The utility of drawings in illustration of a purely demonstrative branch, is now too well established to require any argument in its favor. Separated from the centre of instruction, and deprived of the advantages of the Dissecting Room, the 'ideas once so thoroughly acquired soon begin to fade, and the images once so distinct, become confused and mixed. A recourse to plates, in the absence of dead bodies, is then the on]y means of refreshing our knowledge." Henry H. Smith"Henry Hollingsworth Smith was born in Philadelphia on December 10, 1815, to James S. Smith and Lydia Leaming. Following in his father’s footsteps, the younger Smith enrolled in the University of Pennsylvania in 1830 as a member of the Class of 1834. Four years later he earned the degree of Bachelor of Arts. During his undergraduate years, Smith was a member of the Philomathean Society. Following graduation from the College, Smith enrolled in the Medical School where he earned the degree of Doctor of Medicine with the Class of 1837.After commencement from the Medical School, Smith traveled to Europe where he continued his medical studies in London, Vienna, and Paris. Upon returning to the United States, Smith served as a resident physician at Pennsylvania Hospital.During his medical career Smith was on the staff of numerous Philadelphia Hospitals, including St. Joseph’s Hospital, Philadelphia Episcopal Hospital, Pennsylvania Hospital, and Blockley Hospital. He also returned to his alma mater, first as an assistant in demonstrative surgery in 1849 and, six years later, as a professor of surgery, a position he held until 1871 when he was named emeritus professor of surgery.During the Civil War, Smith served under another former Pennsylvania student, General George McClellan. At the outbreak of the Civil War, Smith was charged with the organization of Pennsylvania’s hospital system in response to the fighting and held the position of Surgeon General of Pennsylvania in 1861 and 1862. Smith organized surgical and medical services at the Battles of Williamsburg, West Point, Fair Oaks, and Cold Harbor, and at the siege of Yorktown. After the war Smith returned to teaching, retiring in 1871.During his distinguished career, Smith wrote a number of books and journal articles on the practice of medicine. He was a fellow in the American College of Physicians, the president of the Philadelphia and Pennsylvania Medical Societies, the chair of the Surgical Section of the American Medical Association, and the chair of the Executive Committee of the International Medical Congress. He also received the honorary degree of Doctor of Laws from Lafayette College in 1885.Smith was married to Mary Edmonds, the daughter of William Edmonds Horner, a professor of medicine at the Medical School of the University of Pennsylvania.Henry Hollingsworth Smith died in Philadelphia on April 11, 1890."https://archives.upenn.edu/exhibits/penn-people/biography/henry-hollingsworth-smith/keywords: medhist

104

Fables Choisies - 1813

9/8/23 - "Fables Choisies" is a book that was published in 1813. Here is some information about the book's history:The book was published by F. Wingrave in London1.It was intended for children and other individuals who were beginning to learn the French language1.The book contains fables that are written in verse2.The fables in the book may have been inspired by the stories associated with Aesop, the ancient Greek storyteller3.The most famous collection of fables, "La Fontaine's Fables," published in French during the 17th century, heavily influenced the fables in "Fables Choisies"3.The book may have been part of a larger tradition of publishing fables, as there were other collections of fables published during the same time period3.Unfortunately, there is limited information available specifically about the history of "Fables Choisies" published in 1813."Par M. De La Fontaine" is a French phrase that translates to "by M. De La Fontaine" in English. Based on the search results, it is likely that "M. De La Fontaine" refers to Jean de La Fontaine, a French poet and writer who lived from 1621 to 1695. La Fontaine is best known for his collection of fables, "Les Fables," which were published in several volumes between 1668 and 1694. The fables in "Les Fables" are written in verse and are often accompanied by illustrations. La Fontaine's fables are still widely read and studied today, and they have been translated into many languages.Source: Perplexity.ai

Anne Paper artwork - photoshoot 2023-05-17

I'm proud to present the art created by my sister, Anne Paper. I get lost in these pieces, in the best possible way, and end up being very happy. Hope you enjoy. Prints are available for purchase.We shot this art at her apartment on May 17, 2023. I am grateful for having the opportunity to help her digitize and also to share her work, which I know has helped Anne process and get through some very hard times. keyword: featuredartists

A Theatrical Primer - 1903

7/20/23 - I dedicate this exhibit to my friend, Billy Cohen, who has been in the theater business for 60+ years. Billy was a part of the production of Grease, amongst many other shows, and he’s currently working on the broadway production of Elvis!"The Theatrical Primer" is a book written by Harold Acton Vivian (below right). Acton lived a memorable life during the roaring Twenties as one of the “Bright Young Things,” a group of young people featured in a 2003 movie by Stephen Fry. Source: NYU FlorenceRobert Byron (left) with Harold Acton at Oxford around 1922"The Theatrical Primer" is a book written by Harold Acton Vivian. It was published in 19123. The book is a guide to the theater, covering topics such as the history of theater, the different types of plays, and the roles of the actors and other theater personnel1. It also includes information on stage design, lighting, and sound effects4.The book was published by Methuen & Co. Ltd. in London and was aimed at a general audience interested in theater3. The book is still available today in various formats, including print and digital245."The Theatrical Primer" is a book written by Harold Acton Vivian. It was published in 1912[3]. The book is a guide to the theater, covering topics such as the history of theater, the different types of plays, and the roles of the actors and other theater personnel[1]. It also includes information on stage design, lighting, and sound effects[4]. The book was published by Methuen & Co. Ltd. in London and was aimed at a general audience interested in theater[3]. The book is still available today in various formats, including print and digital[2][4][5].Source: perplexity.aiThe Bright Young Things, or Bright Young People,[1][2] was a nickname given by the tabloid press to a group of Bohemian young aristocratsand socialites in 1920s London.[3] They threw flamboyant fancy dress parties, went on elaborate treasure hunts through nighttime London, and some drank heavily or used drugs — all of which was enthusiastically covered by journalists such as Charles Graves and Tom Driberg.[4]https://en.wikipedia.org/wiki/Bright_young_things Bright Young Things is a 2003 British drama film written and directed by Stephen Fry. The screenplay, based on the 1930 novel Vile Bodiesby Evelyn Waugh, provides satirical social commentary about the Bright Young People—young and carefree London aristocrats and bohemians—as well as society in general, in the interwar era.https://en.wikipedia.org/wiki/Bright_Young_Things_(film)

137

Life And Exploits Of DON QUIXOTE - Charles Jarvis - 1824

7/20/23 - I put this exhibit together for my friend Steve Hanon (@SRHanon). I don't know the meaning of all the Quixote images in this exhibit, but they are beautiful, intricate and likely from 1824. Steve is the person who sparked my passionate interest in maps. He gently encouraged me, over the course of multiple years, to check out the antique map world. Steve is President of the New York Map Society, a collectors of maps, and a history lover. His personal website is mapmaven.Tom Paper (@tomadmin) 5/21/2023Steve looks a bit crazed (or Quixote-like) here, but he’s a great guy, always fun to be with and a dear friend."Translated By Charles Jarvis ESQ. Printed By W Sears. The book seems to be missing the first few pages and therefore I can find no date, however the Life Of The Author section and The Author's Preface are present and complete and the book begins at the beginning on page 1 which is Part I Book I. The Book also contains Part II Book I. After a little research I believe the book may date to around 1824 and possibly published by either Knight & Lacy or Jones & Co. I may be utterly wrong so please feel free to do your own research - there is a fantastic iconography of Don Quixote online. This edition has a "Directions For Placing The Cuts" page and approx 24 incredibly detailed engravings." vintagehomeantiques@hotmail.co.uk https://www.ebay.com/str/aloadofoldtatuk keyword: memorabilia

The Cottage Physician - 1893

7/20/23 - Love this allopathic, homeopathic and color plate manakin medical book. It was intended for home use in 1893. (See below for definitions of three bolded words in previous sentence.)"The Cottage Physician" is a book that provides medical knowledge for the home. It was written by Thomas Faulkner and J.H. Carmichael and was first published in 18922 3. The book covers the best-known methods of treatment in all diseases, accidents, and emergencies of the home23. It is a complete handbook of medical knowledge for the home3. The book was written at a time when medical care was not readily available, and people had to rely on home remedies and treatments3.Allopathy and homeopathy are two different approaches to medicine. Allopathy, also known as conventional medicine, is a system of medicine that focuses on diagnosing and treating symptoms and diseases using evidence-based practices and pharmaceutical interventions13. It is a modern form of medicine that relies on pharmacological drugs and other physical interventions to treat or suppress diseases and health conditions24. On the other hand, homeopathy is a form of alternative medicine that encourages healing and wellness by examining the root cause of the illness rather than just treating the symptoms12. Homeopathy believes in the immune system within each person and aims to stimulate the body's healing power by treating the entire human body146. Homeopathic remedies are made from natural resources in minute doses and have virtually no chance of causing an adverse reaction5. While both approaches aim to eliminate illnesses completely, there are many differences between them12.Source: perplexity.aiAllopathy targets the specific organ or part that is affected in the body, but there is always a risk of side effects and infection spreading to the neighboring body parts. Homeopathy is usually risk-free as it has no effects on other body parts, and aims to cure the whole body and not just the affected part. source

Dictionaire Geographique - 1812

7/20/23 - I love this book from 1812 with maps of the world. I especially love the map of France with flags of European countries and America. I gave this map to my nephew, Eric Bottern. It also has six pages dedicated to images of coins. Interesting that this atlas was published in France in 1812, when French nationalism must have been at an all-time high. This was before the Russia campaign, which Napolean lost, before he was exiled to Elba, escaped from Elba and then defeated, in 1815, at Waterloo (just outside of Brussels) and then exiled to St. Helena, an island in the Atlantic off the coast of Africa.The "Dictionnaire Géographique" was a book published in 1812 by Vosgien and Goigoux. It was a universal geographical dictionary that contained information on the geography, history, and statistics of various regions around the world. The book was well-received and became a popular reference for scholars and geographers. It was later revised and updated by other authors, including Faber and Mellet, and continued to be used as a valuable resource for geographical information. Today, copies of the "Dictionnaire Géographique" can be found in various libraries and online bookstores.[1][2][3][4] Source: Perplexity.aihttps://prezi.com/p/6-pzuyiceuxd/napoleon-bonaparte-timeline/ Keyword: histtext

Various Africa Maps from the collection of Ken Habeeb

5/28/2023 Ken Habeeb: "Some years back while I was reading about slavery, I ran across the phrase White Man's Grave. In trying to reconcile that with slavery, I saw that maps showed the vast African Interior as being "unknown." That sent me down a path to find out why...The amazing exploration stories followed. Then I was hooked....Africa was the last continent to be explored by anybody - by a lot, and Central Africa, in particular wasn't penetrated by Europeans until the late 19th century. The Spanish, English, and French had been inside the Americas already for four hundred years. Why? The African interior was dangerous because of disease, travel hardship, and inhospitable indigenous tribes. The continent had earned the name The White Man's Grave, and all business for centuries, including slavery was conducted only from forts and towns along the coastline. Today, African countries are determiing their own fate trading and realizing mineral and floral riches. For me, African maps, be they 15th century or later, graphically record the amazing exploration stories of the continent." Ken Habeeb @kenhabeeb 5/28/2023keywords: khabeeb, printsforsale

Confessions of a Caricaturist - 1917

5/28/2023 I love this book of caricatures by Oliver Herford. The images remind me of New Yorker cartoons. I made a collage of the various caricatures and put it together as a poster in the exhibit. It can be purchased with the "Buy" button on the left side of the screen here.Tom Paper (@tomadmin) 5/21/2023Oliver Herford was a prolific writer, artist, and illustrator. Here are some of his other works:"The Rubáiyát of a Persian Kitten""Complete Peter Pan Adventures: By J.M. Barrie And Other Authors""The Smoker's Yearbook" (without his illustrations)"The Devil" (a play adapted from Ferenc Molnar)"The Literary Guillotine" (appears as a character in the text)Herford's cartoons and humorous verses regularly appeared in publications including Life, Woman's Home Companion, Ladies' Home Journal, Century Magazine, Harper's Weekly, The Masses, The Mentor, and Punch1.From the 1890s to the 1930s, Herford authored over 30 books1.In addition to his books, Herford is also known for his poems and quotes23.Source: www.perplexity.aiOliver Herford (2 December 1860 – 5 July 1935) was an Anglo-American writer, artist, and illustrator known for his pithy bon mots and skewed sense of humor. "Herford, regarded as the American Oscar Wilde, was known for his wit". His sister Beatrice Herford was also a humorist, delivering comic monologues on stage. Herford was a longtime member of the Players Club in New York City, where his wit became "one of the traditions of Gramercy Park." He married Margaret Regan, an Englishwoman, in New York on May 26, 1905. They made their home at 182 East 18th Street for about thirty years. Herford died on July 5, 1935, and his wife died the following December.Source: Wikipediakeyword: memorabilia, printsforsale, artarch

-1

Mitchell's School Geography - 1845

5/28/2023 This exhibit is for David Cooper-Bryce (@David Cooper-Boyce) , who took my winter study class in January 2023 at Williams College and during almost every class, borrowed and perused this book. To his credit, he split his attention well and didn't miss much of what was going on in the classroom. (See image 33 of 88 for Mitchell's assessment of Williams College...second place, with Amherst, after Harvard.)Tom Paper (@tomadmin) 5/21/23Mitchell's School Geography is a system of modern geography that was published in 1845 by S. Augustus Mitchell123. It describes the geography of the world and includes maps and illustrations. The book was published by Thomas, Cowperthwait, & Company in Philadelphia. Mitchell's School Geography was widely used in American schools during the mid-19th century and was considered a standard textbook4.S. Augustus Mitchell was the publisher of "Mitchell's School Geography" in 1845, which was a system of modern geography1234. He was also the author of "Mitchell's Ancient Geography, Designed for Academies, Schools, and Families: A System of Classical and Sacred Geography with an Ancient Atlas"5. Mitchell was an American geographer and cartographer who lived from 1792 to 18686.Source: perplexity.aiSamuel Augustus Mitchell (1790,[1] Bristol, Connecticut – December 20, 1868, Philadelphia) was an American geographer. Mitchell's 1864 map of India, Tibet, China and Southeast Asia. He was born in Connecticut.[1] Mitchell worked as a teacher before turning to publishing geography textbooks and maps. He became involved in geography after teaching and realizing that there were so many poor quality geographical resources available to teachers. He moved to Philadelphia, Pennsylvania in either 1829 or 1830. He was in Philadelphia when he founded his company. His son, S. Augustus Mitchell, became owner in 1860. Their publications covered all genres of geography: maps, travel guides, textbooks, and more.[1] Sales of his 24 works reached an annual volume of over 400,000 copies.[2]Source: wikipediakeywords: geography histtext

The Birds of Cambridge - 1875

5/28/2023 A cool book about birding in Cambridge for my colleague and birder Collin Smith (@collinsmith). Amazing that this "niche" of bird-watching was so popular so long ago!Tom Paper 5/21/2023"The Birds of the Cambridge Region of Massachusetts" is a book about birds in the Cambridge region of Massachusetts, written by William Brewster and published in 190612. The book is part of the "Memoirs of the Nuttall Ornithological Club" series34. The Nuttall Ornithological Club was founded in 1873 and is one of the oldest ornithological societies in North America3. The book contains information about the birds found in the Cambridge region, including their habitats, behaviors, and physical characteristics12. It also includes illustrations of the birds by Louis Agassiz Fuertes, a well-known bird artist15. The book was well-received and is considered an important contribution to the field of ornithology6.William Brewster was an American ornithologist who was born on July 5, 1851, in South Reading (now Wakefield), Massachusetts1. He was the youngest of four children born to John Brewster, a successful Boston banker, and Rebecca Parker (Noyes) 1. Brewster was educated in the Cambridge public school system and spent his childhood observing birds2. At about the age of 10, he became close friends with a boy his age, Daniel French. French's father was a hunter and amateur taxidermist who displayed his skill in cases in his home. Brewster's father gave him a gun and taught him to shoot, providing a means of collecting birds to study1. He co-founded the American Ornithologists' Union (AOU) and was an early naturalist and conservationist13. He was also the first president of the Massachusetts Audubon Society4.The Nuttall Ornithological Club is the oldest ornithology organization in the United States, founded in 1873123. The club was named after Thomas Nuttall, a botanist and zoologist who published the first field guide for North American birds3. The club was established by a group of young fellows in and around Cambridge, Massachusetts, who were enthusiastic about birds2. The founding members included William Brewster, Henry Augustus Purdie, William Earl Dodge Scott, Francis P. Atkinson, Harry Balch Bailey, Ernest Ingersoll, and Walter Woodman3. The club's mission is to promote the scientific study of birds and their habitats4. The club has been influential in the field of ornithology and has published several journals including the Bulletin of the Nuttall Ornithological Club3. The club also co-founded the American Ornithologists' Union (AOU) with other ornithological societies in North America53.keywords: 19thCentury, memorabilia

The Boston Tea Party - 1882

5/28/2023 I love these colorful images about this historic revolutionary event, published in 1882. The illustrator and author each came from "society" and the author, in particular, had a history of publishing children's stories and bible-themed books. Ron Gibbs (@rgibbs), I think you will like this.Tom Paper (@tomadmin), 5/21/2023The book "The Boston Tea Party, December 1773" was published in 1882 by Dodd, Mead & Company12345. It was written by Josephine Pollard and illustrated by H.W. McVickar12645. The book is an account of the Boston Tea Party, a political protest that occurred in 1773 in which American colonists, frustrated and angry at Britain for imposing "taxation without representation," dumped 342 chests of tea, imported by the British East India Company into the Atlantic Ocean12. The book is written in verse and contains thirty color lithographic plates5.Harry Whitney McVickar (1860-1905) was an American artist, illustrator, and real estate investor who was a prominent member of New York society during the Gilded Age12. He illustrated several books, including "The Boston Tea Party, December 1773" written by Josephine Pollard34561.Josephine Pollard (1834-1892) was an American author, hymn writer, and poet1. She wrote "The Boston Tea Party, December 1773," a book about the political protest that occurred in 1773 in which American colonists dumped 342 chests of tea into the Atlantic Ocean234. The book is written in verse and illustrated by H.W. McVickar234.Josephine Pollard was a prolific writer who mainly wrote for juvenile readers. She wrote original fairy tales, verses, natural histories, Bible stories, biographies, and histories. She also wrote several volumes of poetry, including Coeducation (1883), a rhymed tract promoting equal rights for women. Pollard's most inventive contribution to the field of juvenile literature was a series of books consisting almost entirely of words of one syllable. The few polysyllabic words are divided into syllables to help the young reader. The series includes The History of the United States (1884), Our Hero, General U.S. Grant (1885), and A Child's Life of Washington (1887). She also worked as an editor for the Sunday School Times and worked for the Methodist Book Concern, where she edited a magazine intended for African Americans. Pollard published over a hundred hymns and wrote numerous popular children's books mostly on religious and historical topics123456.Source: Perplexity.aikeyword: memorabilia

Tabulae Sceleti - Bernhard Siegfried Albinus - 1749

5/28/2023 I shot these images with my friend Rich Breiman (@rbreiman) in early 2020, just before the pandemic, when we were beginners at image collection. Despite the uneven lighting, I love and appreciate the beauty and intricacy of the images. Tom Paper (@tomadmin) 5/21/2023Bernhard Siegfried Albinus (originally Weiss; 24 February 1697 – 9 September 1770) was a German-born Dutch anatomist. He served a professor of medicine at the University of Leiden like his father Bernhard Albinus (1653–1721). He also published a large-format artistic atlas of human anatomy, with engravings made by Jan Wandelaar.Wikipedia-------7/21/24Tabulae Sceleti et Musculorum Corporis Humani (Tables of the Skeleton and Muscles of the Human Body) was a groundbreaking anatomical atlas published in 1747 by Bernhard Siegfried Albinus, a renowned Dutch physician and anatomist[1][4]. This work is considered the pinnacle of anatomical illustration in the 18th century, known for its exceptional accuracy and artistic beauty[4].Key aspects of this work include:1. Collaboration: The atlas was the result of a remarkable partnership between Albinus and artist Jan Wandelaar, who worked together for over 25 years[4].2. Innovative techniques: Albinus and Wandelaar developed a novel method using grids of small cords to ensure accurate proportions and transfer of anatomical details to the drawings[4].3. Artistic quality: The plates are renowned for their "cool, elegant aesthetic" and scientific precision[4]. Wandelaar placed the anatomical figures in carefully chosen landscape settings, creating visually striking compositions[4].4. Structure: The atlas contains 40 plates in total, including finished representations of the skeleton, complete musclemen, and detailed illustrations of specific muscles[4].5. Unique features: Albinus introduced an innovative solution for including keys without obscuring the artwork. He had Wandelaar create exact outline copies of the figures, which were used to provide the anatomical information[3].6. Impact: This work revolutionized people's understanding of the human body and set a new standard for anatomical atlases[3]. It became highly influential, with its techniques adopted by other atlas authors[3].7. Publication: The atlas was originally published in Leiden by Johan & Hermann Verbeek[4]. An English translation was later published in London in 1749[5].Tabulae Sceleti et Musculorum Corporis Humani remains a testament to the exceptional collaboration between science and art, showcasing Albinus's anatomical expertise and Wandelaar's artistic skill[3][4].Source: Perplexity.ai--Gabrielle Lykeyword: richbreiman medhist

Etats Unis - 1837

M. Roux De Rouchelle (a.k.a. Jean Baptiste Gaspard Roux de Rochelle), source: artnet.com"Etats-Unis" is a book about the United States of America, published in 1837 by M. Roux De Rouchelle12345. It is part of the series "L'Univers Pittoresque Amerique" and contains 96 steel engraved plates24. The book provides a history and description of the United States of America.M. Roux De Rouchelle, also known as Jean Baptiste Gaspard Roux de Rochelle, was the author of "Etats-Unis", a book about the United States of America, published in 183712345. He was the French Minister to America from 1829 to 183135.Source: Perplexity.ai

120

San Francisco and California - 1906

Pictures of San Francisco and California from 1906, immediately before April 18, 1906, when the great earthquake and fire happened. This book was a gift to me (Tom Paper) from my wife, Eleanor Bigelow, in early 2022. Source: TMPThe A.L. Hettrich Company was an import and wholesale dealer in sea shells, coral, and other natural history specimens in San Francisco in the early 1900s12. It is also mentioned in a collection of commercial catalogs from the late 1800s and early 1900s3. Perplexity.aikeyword: memorabilia

Die Schrift - 1929

This exhibit is an exploration of typefaces, from ancient to modern, published in 1929. I find the imagery to fascinating and am eager to learn more. A high school classmate is a typeface designer and I will be curious to see what he thinks about this book. Tom Paper 6/20/2022"Die Schrift" is a book by Hermann Degering that contains an atlas of the various forms of writing in the Western world from ancient times to the end of the 18th century12345. It was published by Ernst Wasmuth in Tübingen, Germany, and the first edition was released in 192924. The book is a valuable resource for those interested in the history of writing and typography.Hermann Degering was a German librarian and author who lived from 1866 to 19421. He is best known for his book "Die Schrift," which contains an atlas of the various forms of writing in the Western world from ancient times to the end of the 18th century23. Degering was also the co-author of "Lettering: Modes of Writing in Western Europe from Antiquity to the End of the 18th Century"4. Source: Perplexity.ai and Wikipedia

149

The Nile Boat - 1852

This exhibit comes from a book about the Nile River, published in 1852, during a period of European history in which people were consumed with Egyptomania. It has an excellent map of the Nile, made about 7 years before construction began on the Suez Canal. The author was William Henry Bartlett who, according to Wikipedia, "one of the foremost illustrators of topography of his generation.""The Nile Boat or Glimpses of the Land of Egypt" is a book written by W.H. Bartlett. It was originally published prior to 19231. The book provides a glimpse into the land of Egypt and its culture. It has been published in multiple editions, including a fifth edition with an embossed and gilded hardcover2. The third edition was published by A. Hall, Virtue and Company in 18523. Source: perplexity.aiWilliam Henry Bartlett (March 26, 1809 – September 13, 1854) was a British artist, best known for his numerous drawings rendered into steel engravings. Bartlett was born in Kentish Town, London in 1809. He was apprenticed to John Britton (1771–1857), and became one of the foremost illustrators of topography of his generation. He travelled throughout Britain, and in the mid and late 1840s he travelled extensively in the Balkans and the Middle East. He made four visits to North America between 1836 and 1852.Bartlett's primary concern was to render "lively impressions of actual sights", as he wrote in the preface to The Nile Boat (London, 1849). Many views contain some ruin or element of the past including many scenes of churches, abbeys, cathedrals and castles, and Nathaniel Parker Willis described Bartlett's talent thus: "Bartlett could select his point of view so as to bring prominently into his sketch the castle or the cathedral, which history or antiquity had allowed". Bartlett returning from his last trip to the Near East suddenly took ill and died of fever on board the French steamer Egyptus off the coast of Malta in 1854.[2][3] His widow Susanna lived for almost 50 years after his death, and died in London on 25 October 1902, aged 91.[4]Source: wikipediaKeyword: 19thCentury

Illustrations of the Holy Scriptures - 1839

George Bush (June 12, 1796 – September 19, 1859) was an American biblical scholar, pastor, abolitionist, and academic.[1] A member of the Bush family, he is a distant relative of both President George H. W. Bush and President George W. Bush.[2]Source: Wikipedia"Illustrations of the Holy Scriptures" is a book edited by Rev. George Bush and published in 1839[1][2][3]. The book is a compilation of information about the manners, customs, rites, traditions, and forms of speech of the people mentioned in the Bible. It was derived from the works of Harmer, Burder, Paxton, and other authors[1][4]. The book was well-received and was later republished in 1845[2][3]. It is considered a valuable resource for Bible students and scholars[5].Source: perplexity.aiKeywords: biblex

Grimm's Fairy Tales - 1883

"Grimms' Fairy Tales" is a collection of German fairy tales by the Grimm brothers, Jacob and Wilhelm, first published in 1812[1][2]. The collection was revised and enlarged seven times between 1819 and 1857. The book has had many publishers and illustrators over the years, including R. Worthington and George Cruikshank in 1882[1]. The Grimm brothers are known for their contributions to the modern study of folklore, and their work has had a significant impact on literature and popular culture[3].George Cruikshank (1792-1878) was a British caricaturist and book illustrator who illustrated books for children and adults, including the first English translation of Grimm's Fairy Tales[1]. He was considered the most important graphic artist working in England by 1835[2]. Cruikshank used his artistic platform to voice his opposition to the Industrial Revolution[2]. His illustrations for Grimm's Fairy Tales were widely praised, but his own rewriting of fairy tales was criticized, most prominently by Charles Dickens[1].Walter Crane (1845-1915) and E.H. Wehnert (1813-1868) were both illustrators of books, including "Grimm's Fairy Tales" published in 1896[1] [2] [3]. Wehnert was an English-born painter of landscape, genre, and historical subjects, best remembered for his illustrations in books and magazines[4]. Crane was an English artist and book illustrator who was part of the Arts and Crafts movement[5]Source: perplexity.aikeyword: printsforsale

Elementary Geology - 1856

I might not have featured this exhibit if I had known that the author of this book, Edward Hitchcock, was the third president of Amherst College. (I went to a superior institution, Williams College, from which the founders of Amherst defected and are forever known as The Defectors.) That said, here's what Wikipedia says about this Defector:Edward Hitchcock (May 24, 1793 – February 27, 1864) was an American geologist and the third President of Amherst College (1845–1854).Born to poor parents, he attended newly founded Deerfield Academy, where he was later principal, from 1815 to 1818. In 1821 he was ordained as a Congregationalist pastor and served as pastor of the Congregational Church in Conway, Massachusetts, 1821–1825. He left the ministry to become Professor of Chemistry and Natural History at Amherst College. He held that post from 1825 to 1845, serving as Professor of Natural Theology and Geology from 1845 until his death in 1864. In 1845, Hitchcock became President of the College, a post he held until 1854. As president, Hitchcock was responsible for Amherst's recovery from severe financial difficulties. He is also credited with developing the college's scientific resources and establishing its reputation for scientific teaching.In addition to his positions at Amherst, Hitchcock was a well-known early geologist. He ran the first geological survey of Massachusetts, and in 1830 was appointed state geologist of Massachusetts (he held the post until 1844). He also played a role in the geological surveys of New York and Vermont. His chief project, however, was natural theology, which attempted to unify and reconcile science and religion, focusing on geology. His major work in this area was The Religion of Geology and Its Connected Sciences (1851). In this book, he sought out ways to re-interpret the Bible to agree with the latest geological theories. For example, knowing that the earth was at least hundreds of thousands of years old, vastly older than the 6,000 years posited by Biblical scholars, Hitchcock devised a way to read the original Hebrew so that a single letter in Genesis—a "v", meaning "afterwards"—implied the vast timespans during which the earth was formed. Randy Moore described Hitchcock as "America's leading advocate of catastrophism-based gap creationism."[1]Edward Hitchcock (below):Jeffrey Amherst (below) Ephraim Williams (below, Wikipedia)Williams College Purple Cow Mascot (below, link)Amherst Mascott (below, link about former mascot)keyword: geohist

112

Martin's Chicago World's Fair Album-Atlas - 1892

The World's Columbian Exposition (also known as the Chicago World's Fair) was a world's fair held in Chicago in 1893 to celebrate the 400th anniversary of Christopher Columbus's arrival in the New World in 1492.[1] The centerpiece of the Fair, held in Jackson Park, was a large water pool representing the voyage Columbus took to the New World. Source: Wikipediakeyword: memorabilia

323

The Art of The Book - 1927

"Cesare Ratta ( Bologna , March 13, 1857 - Bologna , September 15, 1938 ) was a scholar of graphic art. Cesare Ratta dedicated his entire life to typography , the art of printing and graphics . He is considered an innovator of typographic art in Italy [1] . Self-taught, composer, proofreader, printer and publisher, he believed that the values of the art of printing and graphics should be within everyone's reach." Wikipediakeywords: artarch, Minadealmeida exhibit created by Mina de Almeida and Tom Paper

437

Claire's Stamp Collection - 2022

A stamp collection that Claire Rickard brought to be shot on December 4th 2022.keyword: artarch

The Stones of Venice, by John Ruskin - 1858

Exhibit covering all the images, drawn by Ruskin, from the first two (of three) volumes. His categorization of marble types in Venice reminds me of Die Schrift, a book and exhibit on The Digital Gallery about fonts. "John Ruskin (8 February 1819 – 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy." Wikipedia"Ruskin's writing styles and literary forms were equally varied. He wrote essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. Ruskin was hugely influential in the latter half of the 19th century and up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960s with the publication of numerous academic studies of his work. Today, his ideas and concerns are widely recognised as having anticipated interest in environmentalism, sustainability and craft." Wikipediakeyword: artarch

Memory Maps - 1896

Alfonzo Gardiner was an editor who worked on educational books such as "The AL / Bright Story Readers" and "Home Lesson Books". He also edited "Tales for Composition" and "Tom Brown's School Days". The "A. L. / Bright Story Readers" series was a set of reading books for children, with "Hereward the Wake" being one of the stories included. The "AL / Bright Story Readers" were a series of educational books marketed as stories for readers aged 7-9. They were challenging stories illustrated in black and white by M. M. Thorpe. The series was approved for use in 1922 and included a Gr. 1 reader used for Gr. 2 and a Gr. 2-3 reader. The series was also used in schools in the 1940s.Source: perplexity.aiThe ’A.L.’ Atlas of Memory Maps series, edited by Alfonzo Gardiner and published by E.J. Arnold & Son Ltd, Educational Publishers, Leeds around 1896.keywords: geography histtext

Sean Conway Images for CMS 2021 Fall Conference

Sean Conway makes 2D maps look like they are 3D. Amazing.Exhibit has images from a talk by Sean Conway, 9/25/2021, for the California Map Society Fall Conference. Title of talk: "Breaking the Third Wall: Going Beyond Traditional Hillshade," by Mr. Sean Conway, Orthoimagery Technical Expert. Mr. Conway uses his formidable technology skills to transform vintage maps into stunning, three-dimensional relief maps by meticulously rendering elevation data. You can see some of his work at Muir Way.

Jo Mora In and About Carmel-by-the-Sea

An exhibit about Jo Mora's carte of Carmel-by-the-Sea, California, where Jo lived from 1920 until he passed away in 1947.Click here to read Peter Hiller's account of Jo's work on this spectacular pictorial map.From 10/15/23 @ DeYoung Keyword: JoMora

US Election Maps - 1789 to 1876

One map for now, but soon to be an exhibit of historical election maps. Tom Paper 11/4/2020

The Excursion of One Who Yearns to Penetrate the Horizons - al-Idrisi - 1250

Maps of the known world, by Arab cartographer, Al-Idrisi, made in 1154 for King Roger II of Sicily. Images from the Library of Congress.The Factum Foundation has an excellent article, referred to me by Sonja Brentjes, describing the maps.https://www.loc.gov/item/2021667394/https://www.loc.gov/resource/gdcwdl.wdl_18418/?st=…From Perplexity: Al-Isidri, also known as ash-Sharif al-Idrisi, was a 12th-century Arab geographer and scientist who wrote one of the great medieval works of descriptive geography[1] He was born in 1100 in Sabtah, which is now Ceuta, and spent much of his early life traveling in North Africa and Spain[1] Al-Isidri's most famous work is the Nuzhat al-mushtāq, which includes a circular world map showing south at the top[2] Commissioned by Roger II, the Norman King of Sicily, in 1138, the manuscript was not completed until 1154[3] Al-Isidri's works contained remarkably precise depictions of Africa and the Nile River[4]keywords: earlymaps

Maps for Tom Paper talk to CMS 5 Nov 2022 & ERTSF 28 June 2021

Antique maps & geospatial analytics. How I help companies make better decisions using lessons from history's greatest cartographers. Link to video of talk (June 30, 2021)Google Presentation DeckGoogle Doc - Text of remarksPresentation by Tom Paper to The Economic Roundtable of San Francisco on June 30, 2021.Tom Paper is the Managing Partner of Webster Pacific and the Founder of The Digital Gallery. Tom is originally from Minnesota, one of four kids; he has three sisters and went to a summer camp in Northern Minnesota that led him on wilderness canoeing expeditions where he often was the navigator; he attended Williams College where he studied economics and environmental studies and then worked as a grain trader in South Dakota and a consultant with Bain & Company in Boston. He then attended the Graduate School of Business at Stanford, before joining his family’s business which makes bolts & forgings for the railroads of north america. He then became the CFO of a timber and lumber company and then was president of a coffee roasting business. In 2003, he established Webster Pacific, a ten-person consulting firm which helps companies make better decisions using data, analytics, geospatial analytics and a lot of common sense and little a bit of wisdom. Most importantly, he is married to Eleanor Bigelow, with whom he has raised two children. Tom lives in San Francisco in an 1887 Victorian, which, after his wife and children, has been the recipient of all of his earnings.

The Witches' Frolic - 1888

Just in time for halloween! Spooky and sophisticated, this is a beautiful book, large in size, about 10" x 15". Each page is a beautiful plate. It was written in 1888 by Thomas Ingoldsby (Richard Barnham) and illustrated by Ernest Maurice Jessop. They partnered on several other books in the late 1800's. TMP 9/16/22Richard Barnham (a.k.a. Thomas Ingoldsby)----7/21/24"The Witches' Frolic" by Thomas Ingoldsby, published in 1888, is a tale included in the "Ingoldsby Legends," a collection of supernatural legends written by Ingoldsby, the pen name of Rev. Richard Harris Barham. The story is illustrated by Ernest M. Jessop and was published by Eyre & Spottiswoode.This particular tale is a humorous and macabre story involving witches and their mischievous activities. It is set in the context of a frolic or gathering of witches, where various supernatural and eerie events unfold. The narrative style combines elements of satire and gothic horror, characteristic of Ingoldsby's work, which often blends humor with supernatural themes.The book is notable for its vivid illustrations by Jessop, which complement the whimsical and eerie tone of the story. The illustrations and the tale itself reflect the 19th-century fascination with witchcraft and the supernatural, making it a unique piece of literary and artistic work from that era[2][3][4].Source: Perplexity.ai--Gabrielle Lykeywords: kidhist artarch

The Land of Israel - 1866

Images from a book published by The Society for Promoting Christian Knowledge (SPCK) in 1866. The SPCK is based in London and is still active today.https://en.wikipedia.org/wiki/Society_for_Promotin...--------7/21/24"The Land of Israel: A Journal of Travels in Palestine" is a notable travelogue and natural history book written by H.B. Tristram in the 19th century[1][2]. This work provides a detailed account of Tristram's journeys through Palestine, with a particular focus on the physical characteristics of the region[2][6].The book is significant for its comprehensive approach, combining travel observations with scientific and historical insights. Tristram undertook his travels with the specific intention of studying and documenting the physical features of the Holy Land[6]. This makes the work valuable not only as a travelogue but also as a scientific reference on the geography, flora, and fauna of 19th-century Palestine.Key features of the book include:1. Detailed descriptions of the landscape, people, and natural history of Palestine2. Special attention to the physical characteristics of the region3. Illustrations and maps to complement the textThe first edition of the book contains two folding maps (one in color) and 12 full-page illustrations, with four of them in color[13]. These visual elements enhance the reader's understanding of the places and subjects described in the text.As a product of its time, "The Land of Israel" offers a 19th-century perspective on Palestine, making it a valuable historical document. It provides insights into the region's condition during that period and reflects the scientific and exploratory interests of Victorian-era scholars and travelers.About the Society for Promoting Christian KnowledgeThe Society for Promoting Christian Knowledge (SPCK) is one of the oldest Anglican mission organizations in the world. Here are some key points about SPCK:1. It was founded in 1698 by Reverend Thomas Bray and a small group of friends in London[2].2. The main goals of SPCK were to increase awareness and understanding of the Christian faith, both in England and worldwide[2].3. Key activities of SPCK included: - Publishing and distributing Christian literature - Encouraging Christian education at all levels - Building libraries in market towns - Founding charity schools for poor children aged 7-11 - Providing teacher training[2]4. SPCK tackled various social and political issues, including campaigning for penal reform and providing basic education for slaves in the Caribbean[2].5. It is currently the leading publisher of Christian books in the United Kingdom and the third oldest independent publisher in the UK[2].6. SPCK has distributed over 30 million books and provided means for translating the Book of Common Prayer into more than 200 languages[1].7. The organization sent the first printing presses to India, opened the first British schools for poor children, gave equal education to girls, and established libraries for clergy and missionaries in many countries[1].8. While originally closely connected to the Church of England, SPCK is now more ecumenical in outlook and publishes books for a wide range of Christian denominations[2].9. SPCK/USA was established in 1983 at the University of the South in Sewanee, TN, to support projects for creating and distributing Christian knowledge through print and other media[1].The Society for Promoting Christian Knowledge has played a significant role in spreading Christian education and literature for over three centuries, adapting its mission and activities over time while maintaining its core focus on promoting Christian knowledge.Source: Perplexity.ai--Gabrielle Ly keywords: 19thCentury

Bernhard Siegfried Albinus, 1696 - 1770, German anatomist

Images of the human body from the mid-1700's by Bernhard Siegfried Albinus, 1696 - 1770, a German anatomist. From the collection of Richard Breiman.https://en.wikipedia.org/wiki/Bernhard_Siegfried_A...------------------7/21/24Bernhard Siegfried Albinus (originally Weiss), born on February 24, 1697, in Frankfurt an der Oder, Germany, was a prominent anatomist who made significant contributions to the field of anatomy during the 18th century. He passed away on September 9, 1770, in Leiden, Netherlands.Education and CareerAlbinus began his studies at the University of Leiden at the young age of 12, influenced by notable figures such as Herman Boerhaave and Govert Bidloo. After further training in Paris, he returned to Leiden in 1719, where he became a lecturer in anatomy and surgery. By 1721, he succeeded his father as a professor at the University of Leiden, where he remained throughout his career, eventually becoming a professor of medicine in 1745[1][2][3].Major ContributionsAlbinus is best known for his artistic and scientifically significant work, Tabulae sceleti et musculorum corporis humani (1747), which translates to "Tables of the Skeleton and Muscles of the Human Body." This work featured exquisite engravings created in collaboration with the artist Jan Wandelaar, employing innovative techniques to enhance the accuracy of anatomical illustrations. Albinus used a grid system to ensure precision in the drawings, moving away from the single-specimen approach that characterized earlier anatomical art[1][2][3][5].In addition to Tabulae, Albinus published numerous other works, including Historia musculorum corporis human (1734) and Icones ossium foetus humani (1737). He also edited the works of significant anatomists like Andreas Vesalius and William Harvey, further contributing to the advancement of anatomical knowledge[1][3][5].LegacyAlbinus's approach to anatomy emphasized the idea of "homo perfectus," an idealized human model from which all variations are derived. His work laid the groundwork for future anatomical studies and significantly influenced the field of medical illustration. Despite facing criticism for some artistic choices in his illustrations, he remained a respected figure in anatomy and education, shaping the practices of anatomical study for generations to come[1][2][3].Source: Perplexity.ai--Gabrielle Ly keyword: richbreiman

Visscher Atlas of 1690

This atlas is spectacular! The Dutch were amazing map-makers. See 2nd introductory video to this exhibit here.The images for this exhibit come from from David Rumsey.Google doc of introductory remarks by Tom Paper here.For another spectular atlas from 85 years later, see the TDG exhibit of the Ferraris Atlas of 1775 here. Google Slide document

142

Atlas Comstock Lode - 1882

Beautiful images from a magnificent, large book written by a Harvard grad, class of 1868, who grew up in New York City and then lived a good portion of his life in California. The book is 20"x18" and the maps are double that size! Image Source: Wikipedia“George Ferdinand Becker (1847–1919) was an American geologist. His most important work was in connection with the origin and mode of occurrence of ore deposits, especially those of the western United States. Becker was born in New York City, 5 January 1847. He was the son of Alexander Christian Becker and Sarah Carey Tuckerman Becker of Boston, Massachusetts.[2] He graduated from Harvard University in 1868, studied at Heidelberg, receiving the degree of Ph.D. in 1869, and, two years later, passed the final examination of the Royal School of Mines in Berlin. From 1875 until 1879 he was instructor of mining and metallurgy at the University of California, Berkeley, and in 1879 he became connected with the United States Geological Survey, and later was placed in charge of the California division of geology.” Source: Wikipedia Image Source: Wikipedia"The Comstock Lode is a lode of silver ore located under the eastern slope of Mount Davidson, a peak in the Virginia Range in Virginia City, Nevada (then western Utah Territory), which was the first major discovery of silver ore in the United States and named after American miner Henry Comstock. After the discovery was made public in 1859, it sparked a silver rush of prospectors to the area, scrambling to stake their claims. The discovery caused considerable excitement in California and throughout the United States, the greatest since the California Gold Rush in 1849. Mining camps soon thrived in the vicinity, which became bustling commercial centers, including Virginia City and Gold Hill. The Comstock Lode is notable not just for the immense fortunes it generated and the large role those fortunes had in the growth of Nevada and San Francisco, but also for the advances in mining technology that it spurred, such as square set timbering and the Washoe process for extracting silver from ore. The mines declined after 1874, although underground mining continued sporadically into the 1920s." Source: WikipediaImage Source: socialstudiesforkids.comImage Source: socialstudiesforkids.com

Unser Liederbuch - 1900

I love the joyfulness of the imagery in this book of music from 1900 by Ludwig von Zumbusch. I'm guessing the music is equally joyful.Image of Ludwig von Zumbusch. Source: Wikipedia“Ludwig von Zumbusch was a German realist painter and illustrator. Born on July 17, 1861 in Munich, Germany to the sculptor Caspar Ritter von Zumbusch, he went on to study at the Academy of Fine Arts in both Vienna and Munich. Over the course of his lengthy career, Zumbusch produced primarily portraits and figural paintings of children, although he also contributed to early German poster design, and painted nudes and amusing scenes of upper-class life. Rendered in an innately academic style, his works gained him critical and commercial success, resulting in his appointment as a professor at the Munich Academy of Art in 1905, and gaining the title of Knight by the Kingdom of Bavaria the same year. Zumbusch died on February 28, 1927.” from ArtnetSee also Wikipedia. Image Source: WikipediaImage Source: WikipediaKeyword: Minadealmeida

Voyage Du Juene Anacharsis - 1830

Love this book of maps and images of ancient Greece. See great images of the Parthenon and Greek coins and costumes. The book was a supplement to one of the first historical novels, written by Jean-Jacques Barthélemy, who was “…a French scholar who became the first person to decipher an extinct language. He deciphered the Palmyrene alphabet in 1754 and the Phoenician alphabet in 1758.” Image of Barthelemy below from Wikipedia.“Travels of Anacharsis the Younger in Greece was a fictional work about the travels of the Scythian named Anacharsis in Greece in the middle of the 4th century BCE, written by Jean-Jacques Barthélemy and published in 1788.”Image of Anacharsis below from Wikipedia.

Panoramic California

An exhibit of panoramic maps of cities of California. These maps, which were a phenomena of the late 19th century, are from the Library of Congress. To find maps of cities in your home state, search in the upper right for “panoramic” and a specific state.

Die Brei Gerechten Namacher - 1915

I love the intricacy and emotion of these images. Published in 1915 about three German comb makers working for a master craftsman, the story has a dark ending. I especially love the image of the three men fighting with a wild creature. TMP 9/18/22“The Three Just Comb Makers…is a novella by the Swiss poet Gottfried Keller . Written in Berlin in 1855 and first published in 1856 in the collection The People of Seldwyla , it is one of Keller's better-known stories today and is regarded as an example of a realistic grotesque . The story is about three German journeymen who work for a Seldwyler master craftsman , all three hardworking, frugal, frugal, calculating and conflict-averse. Despite this – or precisely because of this – they become bitter rivals: everyone wants to buy the comb-making business, and everyone wants to marry the same wealthy maid. A decisive race ensues, which ends badly for two of the journeymen. But even the winner ends ingloriously as a henpecked husband.” Wikipedia

Atlas Zu Polyclet -1877

I was fascinated by the images of the human body in this very large book from 1877. It reminds me of Da Vinci's Vitruvian Man. The images are, quite frankly, a little spooky. The creator of this book, Gottfried Schadow (see image below), was a famous Prussian sculptor who also created the chariot on top of the Brandenberg Gate. My favorite page is probably the last page, the one with three fully-dressed citizens in a line-up. A website called figure-drawings.com references the historical importance of these drawings and that artists today use these drawings to perfect their craft. TMP 9/18/2022"Atlas of the Measures of Man, according to Sex and Age, by Dr. Gottfried Schadow, Berlin, published by Ernst Wasmuth, 6 Wiederstrasse 6, 1877"Wikipedia - Gottfried Schadow - sculptorWikipedia - Ernst Wasmuth, publisher

The Curse of Drink - 1910

These images are strikingly moral in their admonishment about the dangers of alcohol. Arguments against the problems of alcoholism are not that different today, but rarely published in books.This book was published by Elton R. Shaw, who was "…a churchman, author and publisher, lecturer and educator, campaigner in the prohibition and temperance movement and a naturist."

Ocean to Ocean on Horseback - 1900

A fascinating story about a former Union soldier and Civil War hero who traveled on horseback in 1875 from Boston to San Francisco. Great images of America, including one of his capture by Indians. According to the Albany Times Union, “Willard Glazier was the ultimate ironman and a peerless survivor. He lived by his sword and by his pen.”Willard Glazer biography from Albany Rural Cemetary Explorer

103

Egypte Ancienne - 1839

A French history of ancient Egypt, published in 1839, twenty years before the construction of the Suez Canal began, with a map and fascinating images. This book was published at the height of the period of "Egyptomania" in Europe, when there was a fascination with ancient Egypt, sparked by the discovery of The Rosetta Stone in 1799 and its translation in 1822. See also TDG exhibit here of various maps of the Suez Canal and Egypt.

Bible Pictures 1890

Bible pictures from 1890, created by the German painter, Julius Schnorr von Carolsfeld.From Wikipedia: Julius Schnorr von Carolsfeld (26 March 1794 – 24 May 1872)[1] was a German painter, chiefly of Biblical subjects. As a young man he associated with the painters of the Nazarene movement who revived the florid Renaissance style in religious art. He is remembered for his extensive Picture Bible, and his designs for stained glass windows in cathedrals.keyword: biblex

Punch's Almanac - 1842-1861

A British friend says that Punch magazine was “...real English humour. Offensive to everyone.” These are images are from the first years, 1842 to 1861. The last issue was in 2002. Wonderfully intricate images. Be sure to check out the page from 1850 with cartoons about the California gold rush (Image 111 of 253).https://en.wikipedia.org/wiki/Punch_(magazine)

253

Ruins of San Francisco - 1906

Shot in my garage, with my son, Michael, this photobook shows the aftermath of the April 18, 1906, San Francisco earthquake and subsequent fire. Published in 1906. Tom Paper, 5/27/22----7/20/24Meddaugh and Chapman published a small pocket-sized booklet titled "Ruins of San Francisco April 18, 1906" documenting the aftermath of the Great San Francisco Earthquake of 1906[1][2]. This booklet contains 19 photographic views and one map showing the devastation caused by the earthquake and subsequent fire[3][4].Key details about the publication:1. Published in 1906 by Meddaugh and Chapman in Watsonville, California[2][5].2. Dimensions: 5.5 x 7 inches, in an oblong format[2][4].3. The booklet features statistics and numbers on the inside cover page, providing information about the level of destruction caused by the earthquake[2].4. It contains 19 photographic views, all with titles, depicting the ruins and destruction in San Francisco[3][4].5. Includes one map of the affected area[3][4].6. The cover is made of buff-colored card stock[3].7. The booklet is bound with staples, which may show some rusting due to age[3].This publication serves as an important historical document, providing a visual record of the extensive damage caused by one of the most significant natural disasters in U.S. history. It offers a glimpse into the immediate aftermath of the earthquake and fire that devastated San Francisco in 1906, making it a valuable resource for researchers, historians, and those interested in San Francisco's history.Source: Perplexity.ai-- Gabrielle Ly

Das Neue Testament - 1827

I love this old German bible that I bought on eBay recently. The images are a little spooky...a couple of them quite graphic. I would love to add translations to each of the images. Tom Paper 4/14/2022-----------------7/21/24Das Neue Testament from 1827 refers to a German-language edition of the New Testament published in that year. This particular edition is a translation of the Bible's New Testament based on Martin Luther's German translation[1][2].The 1827 edition of Das Neue Testament has been reprinted in various formats, including a leather-bound version. This reprint features leather binding on the spine and corners with golden leaf printing on the spine, maintaining the original text without any changes from the 1827 edition[1].The full title of this work, as translated from German, is "The New Testament of our Lord and Savior Jesus Christ, According to the German Translation by Dr. Martin Luther"[2]. This indicates that it preserves Luther's influential German translation of the New Testament, which played a significant role in the Protestant Reformation and the development of the modern German language.It's worth noting that editions of Das Neue Testament from this period are considered valuable historical and religious artifacts. For instance, some antiquarian booksellers offer original copies from similar time periods for considerable sums, reflecting their historical and cultural significance[3].While the specific 1827 edition is notable, it's part of a longer tradition of German Bible translations and publications. German scholars continued to study and write about the New Testament throughout the 19th century, as evidenced by works like Bernhard Weiss's 1897 "Lehrbuch der einleitung in das Neue Testament" (Textbook of Introduction to the New Testament)[4].Today, modern German New Testaments continue to be published and distributed, carrying on the tradition of making the text accessible to German-speaking readers[5].Source: Perplexity.ai--Gabrielle Lykeyword: biblex

Arbuckle's World Atlas - 1889

I bought this 1889 atlas on eBay in 2019 and, just recently, I scanned it and uploaded it to The Digital Gallery. I love the pictorial images of the countries; they convey so much more than boundaries and so much more than text. I also love that the atlas was made by a coffee company, marketing itself. The Arbuckle Coffee Company was an innovative marketer, the #2 coffee company in its day and the brand still exists today. Tom Paper 11/16/2021History of the Arbuckle Coffee CompanyMore history about Folger's and ArbuckleArbuckle Coffee in New York CityArbuckle Coffee mentioned on Wikipedia page about home coffee roasting-------7/21/24The Arbuckle Illustrated Atlas from 1889 was a unique promotional item created by the Arbuckle Bros. Coffee Company in New York. It was a collection of beautifully illustrated chromolithographic maps designed to advertise Arbuckle's Coffee[1][2].Key features of the atlas include:1. Format: The atlas measured 7 inches high by 11.25 inches wide, with loose pages held together by a twisted string tie[1].2. Content: It contained 50 maps in total, with each page featuring four colorful maps[1]. The maps depicted various states of the United States and nations of the world[1][2].3. Illustrations: Each map was surrounded by vignettes illustrating the beauty or commerce of the region[1].4. Additional information: Opposite each page of map cards were notes about the featured states or countries, including details on population, weather, agriculture, manufacturing, and geography[5].5. Advertising: Each note included a plug for "Arbuckles' Ariosa Coffee"[5].6. Covers: The front cover typically featured a map of Palestine and the Western Hemisphere, while the back cover often showed a map of Brazil, a view of the Arbuckle's factory, and images of women enjoying Arbuckle's coffee[1].The atlas was part of a larger marketing strategy by Arbuckle Bros. Coffee Company, which had begun including trade cards in their coffee packages in the mid-1880s. These cards, featuring various subjects including maps, became collectibles that customers were encouraged to trade and complete sets[1].The atlas was primarily offered as a premium item, especially for children. Customers could obtain one by sending in 15 premium seals from sacks of Arbuckle coffee along with a 2-cent stamp[1]. Due to this distribution method and its target audience, surviving copies of the atlas are relatively rare, particularly in good condition.Source: Perplexity.ai--Gabrielle Ly

The Crusader Bible - 1240s

"The Crusader Bible, also known as the Morgan Picture Bible, the Maciejowski Bible, and the Shah ‘Abbas Bible, is not only one of the greatest medieval manuscripts in the Morgan, it also ranks as one of the incomparable achievements of French Gothic illumination." The Morgan Library and MuseumThumbnails of all images here.Wikipediakeyword: biblex 8/29/24The Crusader Bible, also known as the Morgan Picture Bible, Maciejowski Bible, or Shah 'Abbas Bible, is a remarkable medieval illuminated manuscript created in France during the 1240s[1]. This extraordinary work is considered one of the greatest achievements of French Gothic illumination and ranks among the most valuable manuscripts in the Morgan Library & Museum's collection[1]. The Bible consists of 46 folios containing approximately 350 miniature paintings that vividly depict Old Testament stories, particularly focusing on tales of kings and military campaigns[1][6].What makes the Crusader Bible truly unique is its visual approach to storytelling. Originally created without text, the manuscript relied solely on its intricate and boldly colored illustrations to convey biblical narratives[1][2]. These miniatures are set in the context of 13th-century France, with characters dressed in contemporary medieval attire and wielding period-accurate weapons and armor[4][6]. This anachronistic portrayal served to make the biblical stories more relatable and relevant to its intended audience.The Bible's significance extends beyond its artistic merit. It is believed to have been commissioned by King Louis IX of France, possibly as propaganda for his crusading activities[4]. The manuscript's journey through history is as fascinating as its content, passing through the hands of various owners across different cultures. Over time, inscriptions in Latin, Persian, and Judeo-Persian were added, reflecting its changing ownership and cultural contexts[1][5].Scholars value the Crusader Bible not only for its artistic brilliance but also for the wealth of historical information it provides. The detailed depictions of medieval warfare, architecture, and daily life offer invaluable insights into 13th-century French society[4]. Furthermore, the manuscript's cross-cultural journey and multilingual annotations make it a unique artifact that bridges different historical periods and civilizations, showcasing the complex interfaith and intercultural relations of the medieval world[7].Source: Perplexity.ai-- G. Ly

Levi Walter Yaggy - 1887 & 1893

Welcome to The Digital Gallery’s exhibit on Levi Walter Yaggy, comprising 30+ images from the late 1800's used to teach kids about geography. When I first saw his maps and images, I imagined that the creator of these fantastic and creative images must have someone like van Gogh, Warhol or Basquiat, because of my notion of what is a creative personality. Well, it turns out, I was significantly wrong. Levi Walter Yaggy, was an entrepreneur, an investor, an inventor and a farmer. He was born in 1848, the tenth of eleven children. His main business was the Western Publishing House, a company he founded when he was 26 and which grew to have over one thousand employees. His inventiveness may explain why his maps and images have flaps, dials, sliders and other mechanical elements.As a publisher, Yaggy’s company specialized in materials for teachers. His maps came in a kit and were each substantial in size, about 2 feet x 3 feet. Our Yaggy exhibit is composed of two sub-exhibits. The first, from 1893, has nine images that represent geographic terms and climate zones of the world, as well as a relief map of the United States. An unfortunate part of his work is the propagation of the racist idea that temperate zones and their people favor superior cultural development over tropical zones and their people. However, from an information design perspective, his maps and images are exquisitely done because they are "BAZIC" (see Google Slide below). They of their simplicity, their use of color and the overall engagement they foster.Sources:* Boston Rare Maps* Open Culture article 2019* National Geographic 2018* Collossal 2019* Yaggy Obituary* Image of Yaggy and ancestry info* Yaggy Plantation for Sale 2016. Also here.* Books by L.W. Yaggy eBay* Google Slide document about Yaggy and "View of Nature in Ascending Regions". Also describes BAZIC criteria for judging quality of a map.keyword: histtext

La Science Des Personnes De Cour - 1752

Maps and images from a 1752 French geography textbook."The science of the people of the court of sword and robe...which contains an introduction to geography, with a particular description of all the principal parts of Europe, Asia, Africa and America."I'm pretty sure a few of the maps originally in the book were missing when I purchased it, in particular a world map and a map of North and South America.

Atlas of Mean Monthly Temperatures - 1964

Made by the US Army in 1964, these beautifully colored maps were used "...to work out a realistic system of clothing allowances to protect the soldier at any time of the year, in any part of the world." Peveril Meigs, Ph.D, was employed by the US government as a geographer, beginning in WW2. He an American geographer "notable for his studies of arid lands on several continents and in particular for his work on the native peoples and early missions of northern Baja California, Mexico." He also was "prominent among those listed as security risks by Senator Joseph McCarthy." Wikipedia

An Historical Atlas - 1826

Fascinating charts from 1826 about the history of the world by JE Worcester, famous for his "dictionary war" with Noah Webster.From Wikipedia: Joseph Emerson Worcester (August 24, 1784 – October 27, 1865) was an American lexicographer who was the chief competitor to Noah Webster of Webster's Dictionary in the mid-nineteenth-century. Their rivalry became known as the "dictionary wars". Worcester's dictionaries focused on traditional pronunciation and spelling, unlike Noah Webster's attempts to Americanize words. Worcester was respected by American writers and his dictionary maintained a strong hold on the American marketplace until a later, posthumous version of Webster's book appeared in 1864. After Worcester's death in 1865, their war ended.

Star Atlas by Upton - 1896

An atlas of stars made in 1896 by a famous astronomer who attended Brown University and was a founder of the Ladd Observatory.From Wikipedia: Winslow Upton (October 12, 1853 – January 8, 1914) was an American astronomer.[1] He published extensively on the subject of meteorology.[2]He received his undergraduate degree from Brown University and was valedictorian when he graduated in 1875.[1] Upton then worked as an assistant at Mitchel Observatory of the University of Cincinnati where he received his master's degree in 1877.[1] He later received an honorary doctorate from Brown in 1906.[3] He became an assistant astronomer at the Harvard Observatory in 1877. During this time he wrote a parody of Gilbert and Sullivan's comic opera H.M.S. Pinafore titled Observatory Pinafore.[4] Then he became an assistant engineer for the U. S. Lake Survey from 1879. In 1880 he was a computer at the U.S. Naval Observatory. He was a computer and assistant professor at the U.S. Signal Service in 1881.[5][6] He was appointed professor and head of the department of astronomy at Brown in 1884.[3] He then became director of Ladd Observatory when it opened in 1891.[7] During his tenure Upton also served as secretary of the faculty and dean at Brown.[2]He was a member of the U. S. government eclipse expeditions of 1878 and 1883, also of two private expeditions sent out in 1887 and 1889, and in 1896-97 was attached to the southern station of Harvard University at Arequipa, Peru.[8] His systematic research studying meteorology during solar eclipses has been described as "pioneering."[9]He married Cornelia Augusta Babcock in 1882 and they had two children. Eleanor Stuart Upton was a librarian at the John Carter Brown Library and Yale University Library. Margaret Frances Upton taught bacteriology. She was also a lab technician and research assistant at hospitals.[10]

The Great Miseries of War 1633

18 images from 1633 about the barbarity and tragedy of war. A watershed in art history, as a prominent artist departed from depictions of war that were heroic and just.Google Slide deck here on depictions of war in art.Thanks to the following individuals for their help in this exhibit:* Translations: Julie Bancilhon (julie.bancilhon@gmail.com) * Research: David Williams (Dawcoronado92@gmail.com)* Scholarly research: Katie Hornstein (https://faculty-directory.dartmouth.edu/katie-horn...) and (https://quod.lib.umich.edu/b/bulletinfront/0054307...)Check out this one-minute (here) that I narrated about how these images, from 1633, were a watershed in the depiction of war.Wikipedia - The Great Miseries of WarTorture Museumkeywords: artarch

Johann Baptist Homann Atlas of 1716

This atlas, from the David Rumsey collection, is a treasure trove of imagery from the early 18th century. There's an ornate drawing of the German Emperor, a dozen beautiful celestial maps, a drawing of a wooden world clock with a map in its center, a drawing of fortress types, a drawing of a sailing warship and its parts, a drawing of whale types and whaling business activities, a glorious world map (of which we have a copy in our living room), incredible cartouches throughout, beautiful city maps of Stockholm, Venice, Vienna, Frankfurt and Constantinople, and several maps where California is depicted as an island. Also noteworthy is that several parts of the world remain undiscovered and unmapped, including Australia and New Zealand and the area from California up to the arctic.https://www.davidrumsey.com/luna/servlet/view/sear...keyword: homann, celestial

225

A Popular History of the United States - 1883

Timeline charts from an 1883 US history book, remarkably informative and great information design. I bought this 1883 US history book by J.C. Ridpath on eBay in 2019. In November 2021, I collected hi-res images of the timelines and maps in the book and then converted them into this exhibit for The Digital Gallery.https://en.wikipedia.org/wiki/John_Clark_Ridpath

Maps of Haiti at Leventhal - for Stephanie Curci CMS Fall Conference

Created 9/22/2021 for Stephanie Curci by Tom Paper.50 maps from the Leventhal library in Boston.https://collections.leventhalmap.org/search?page=1...

Maps of Haiti at David Rumsey - for Stephanie Curci CMS Fall Conference

Created 9/22/2021 for Stephanie Curci by Tom Paper.68 maps in total.https://www.davidrumsey.com/luna/servlet/view/all/...

San Francisco Giants Maritime Bay Cruise

Welcome to our special exhibit for San Francisco Giants Enterprises Maritime, following the route of the California Spirit cruise around the San Francisco Bay, starting and ending at Pier 40, the marina closest to the ballpark.If you'd like to book a cruise or for information on other experiences, please contact: info@giantsenterprises.com or call 415-947-3200 or visit https://giantsenterprises.com/yacht-charters/.

The Cartographic History of San Francisco

Twelve key maps describing the history of San Francisco. Presented to the California Map Society, May 15, 2021, by Jim Schein and Tom Paper.

Britannia Depicta or Ogilby Improv'd 1720

Welcome to The Digital Gallery’s exhibit of the Brittania Depicta, a road atlas of Britain published in 1720 by John Owen and engraved by Emanuel Bowen. This atlas was based on the Britannia atlas of 1675 created by John Ogilby.David RumseyVideo 2 can be found below or in curated text of 1st image in exhibit.Google Slide deck

164

Panoramic Minnesota

During the 19th and 20th centuries, cities’ local chambers of commerce and other civic organizations prepared and sponsored their own maps as ways to advertise the existing commercial activity. Pictorial maps are also known as "illustrated maps, panoramic maps, perspective maps, bird's-eye view maps, and geopictorial maps." This style of map commonly uses a 3-D perspective and heightened angle, typically not drawn to scale. Wikipedia"Somewhat like the websites of their time, every town sought to have one [panoramic map] to remain competitive in attracting industry and the immigrant trade. Sometimes artistic exaggeration bordered on the fraudulent, as some travelers were drawn by images of idyllic, bustling towns with humming factories only to find a sad little bunch of mud-soaked shacks when they got there." WikipediaFive main artists/cartographers created over 55% of the Library of Congress’ panoramic map collection, likely due to the long process of creating each map. Artists would walk city streets, sketching notable trees, buildings, and landmarks, later combining the sketches and raising the visual angle to accurately depict the landscape.Advancements in artistic technologies (lithography, engraving, etc.) allowed for expedited pictorial map recreation. Popular, and heavily detailed, city maps functioned in local homes as wall decor, promoting personal civic pride. Hosts were able to point out to visitors exactly where they lived, worked, and socialized, heightening the relationship between identity and locale. While production occurred throughout the country, the demand for city promotion was higher north of the Mason-Dixon line.Many of these maps (both originals and modern recreations) are still popular today for their detail and visual appeal. Panoramic pictorial maps serve as the main way that the “vitality of America’s urban centers” was graphically documented.For Minnesota specifically, these maps showcase the state's history and growth through mining, milling, timber, and railroads. Minnesota is also notorious for its plethora of lakes and associated recreational activities. The cities showcased in this exhibit represent the metropolitan growth of both Minnesota, and the Midwest as a whole.Minnesota Wikipedia PageLibrary of Congress, Panoramic MappingLink to Google Slide Deck

Jo Mora's Carte of Los Angeles - 1942

This exhibit has been created by Peter Hiller, Jo Mora Consultant, and Nancy Grossman. Here by author and researcher Nancy W. Grossman shares with Digital Gallery viewers her introduction to Jo Mora as found in her book Jo Mora's Carte of Los Angeles: A Trail Guide published in December 2019.Further in the digital exhibit, the dots found on the map correspond to a few of the sections in her book each of which articulates the significance of those vignettes found on Jo Mora's carte..."Joseph Jacinto “Jo” Mora. How does one begin to summarize such an enormous life? Jo Mora, Renaissance Man of the West, is the phrase I come upon most, that and Jo Mora, cowboy cartographer. This man is also a writer, a painter, illustrator and muralist, sculptor and photographer, and a cartoonist and comic artist, which will come as no surprise to fans of his cartes. He even designs a 1925 half dollar coin for the US Mint commemorating the state of California’s 75th anniversary.During an insurgency in 1877, the Mora family flees Uruguay. Jo is a year old at the time; his brother Luis is three. They go first to Barcelona, finally arriving in the US in 1880, where they settle in the greater New York area. Both boys are already deep into the making of art; at the ages of eight and ten respectively, they consider creating a twenty- foot mural of the Iroquois Indian wars, though there’s no record of them actually doing so.Their father Domingo is an accomplished sculptor. Jo and Luis attend primary school in Perth Amboy and grammar school in Allston, Massachusetts. At 15, Jo completes the Boston Latin School, and graduates from the Pingry Academy in Elizabeth, New Jersey in 1894. Both study sculpture under their father, who teaches art in Perth Amboy, Boston and New York City.By 1895 Jo’s studying at the Art Students League, the Chase School of Art in New York and the Cowles Art School in Boston – and, at 19, has already produced poster murals for the Clermont Skating Rink in Brooklyn. Returning to Boston, Jo goes to work first for the Boston Traveler and then becomes a member of the Boston Herald art staff for the next four years, illustrating articles plus various books.In 1903, he takes a trip west, working as a cowpuncher on a ranch in Solvang near the Mission Santa Ines, which inspires him to travel the entire Camino Real and sketch the Missions he saw. In 1904 he travels by mule-drawn wagon across Yosemite, Kings Canyon, Sequoia National Park and the Mojave Desert to Needles on his way to the Hopi mesas in Arizona. In Arizona, he is permitted to witness the Hopi Snake Dance, then sets to both photographing and producing detailed artwork of the ceremonies of the Hopi and Navaho tribes he’s gotten to know over two years of living among them.Upon settling back in California he will marry Grace Needham, of San Jose, CA., at the Mission San Gabriel in 1907 and start to raise his soon to be born children Jo, Jr. and patty.Mora publishes twelve of his iconic cartes over his lifetime. The first, Monterey Peninsula, his second, The 17 Mile Drive, and the first version of California all come out in 1927. San Diego appears in 1928. The three national parks, Yosemite, Yellowstone and Grand Canyon, all come out in 1931. Grace Line Fleet to the Old Spanish Main and Evolution of the Cowboy: Levi’s Round-Up of Cowboy Lore are published in 1933; the latter is a poster rather than a map, as is his Indians of North America in 1936. Carmel-by- the-Sea and Los Angeles are both issued in 1942. A second, smaller version of California will be his last, in 1945. An unfinished pencil rendering of a map of Catalina is found after his death. But cartes are hardly all Jo Mora does. This man’s work is as varied as it is prolific. Starting out collaborating with his father, he finds himself working on huge architectural projects. In Los Angeles, at least four buildings include his work, including the Palace Theatre; he is assisting his father on four sculpted allegorical panels representing song, dance, music and drama when his father dies while this commission is still in progress. Mora completes it.In San Jose, Mora creates two heroic male sphinx figures for the Scottish Rite Temple [today the San Jose Athletic Club], plus bas-reliefs over its entrance and throughout the building. He provides decorative elements for the Monterey County Courthouse, as well as numerous detailed panels for the King City High School auditorium. In Carmel, he sculpts Father Junipero Serra’s cenotaph, an altar and a cross.He creates pediments and bas-relief panels for four buildings in San Francisco; his Miguel de Cervantes looks down on his Don Quixote and Sancho Panza in the Golden Gate Park. A marble bench with sculpted bears by Mora sits in front of the Sather Tower on the UC Berkeley campus. He creates the main entrance doorway and sculptures of bears to support fountains for the Union Wool Building in Boston. He designs a number of homes himself.Architectural work is just one facet of Mora’s endless creativity. He designs everything from ordinary scale sculptures, many of cowboys breaking broncs, to “heroic” (larger than life) sculptures, to bronze plaques and vast murals. He creates fifteen or more dioramas, thirteen for the Will Rogers Memorial in Claremore, Oklahoma.One diorama, exhibited at the California State Building at the 1939 Golden Gate International Exposition, is a one-hundred-foot-long depiction of the 1769 Portolá Expedition. Tragically, it is destroyed in a fire six months after the opening of the fair.Mora illustrates countless books, both his own and for those of others. He designs bookends, trophies, coins and scrip certificates for use in Carmel during the Depression. He sculpts his son Jo Jr. at three years of age, reata in hand, breaking a hobby horse."Nancy's book is an annotated look at all of the details seen on Jo Mora's carte of Los Angeles. To purchase the book:https://jomoratrailguides.com/https://www.nancygrossmanbooks.com/my-publicationsNancy Grossman's emailPeter Hiller's email

The American South in the 19th Century

Maps about the American South in the 19th Century, especially about cotton and slavery. Created as a supplement to a class hosted on October 21st, 2020 by my friend, Jan van Eck. The presentation was led by Steven Mintz of the University of Texas at Austin. The first map, however, is of Africa and was featured in a book called "America in 100 Maps" by Susan Schulten; it is a British map highlighting the extreme competition between the British and other countries over slave trading. My other favorite maps are Lincoln's slavery map from 1861 and the Armour map of commodities across the US, as well as the Reynold's 1856 map of the divided nature of the country in 1856, which features telling statistics about population of whites and slaves. Resources:* See stats about slavery and the south here.* Steven Mintz of the University of Texas at Austin. * Interview of Sven Beckert, regarded as "the" author of the book on cotton, by Christopher Lydon on Open Source* Wikipedia entry on "cotton mills"* Episode 2 of the New York Times podcast "1619" starting at around 7:30.* van Eck course outlineTom Paper 11/1/2020https://pudding.cool/2017/01/shape-of-slavery/

The Ferraris Maps of 1777

25 maps from 1775 of Belgium by the Austrian cartographer Ferraris. Incredible cartouches. See the Visscher Atlas of 1690, click here.Remarks by Tom Paper in video here.20 Famous Belgians

Jo Mora in Yosemite

An exhibit about Jo Mora's travels in Yosemite and the corresponding map and its variations. This exhibit was created in September 2020 by Peter Hiller, Jo Mora Consultant, and Tom Paper and Courtney Spikes. More information about Jo Mora is available at www.jomoracollection.org .

Coronelli's Atlas of 1693

"Vincenzo Maria Coronelli (August 16, 1650 – December 9, 1718) was an Italian Franciscan friar, cosmographer, cartographer, publisher, and encyclopedist known in particular for his atlases and globes. He spent most of his life in Venice. Vincenzo Coronelli was born, probably in Venice, on August 16, 1650, the fifth child of a Venetian tailor named Maffio Coronelli. At ten, young Vincenzo was sent to the city of Ravenna and was apprenticed to a xylographer. In 1663 he was accepted into the Conventual Franciscans, becoming a novice in 1665. At age sixteen he published the first of his one hundred forty separate works. In 1671 he entered the Convent of Saint Maria Gloriosa dei Frari in Venice, and in 1672 Coronelli was sent by the order to the College of Saint Bonaventura and Saints Apostoli in Rome where he earned his doctor’s degree in theology in 1674. He excelled in the study of both astronomy and Euclid. A little before 1678, Coronelli began working as a geographer and was commissioned to make a set of terrestrial and celestial globes for Ranuccio II Farnese, Duke of Parma. Each finely crafted globe was five feet in diameter (c. 175 cm) and so impressed the Duke that he made Coronelli his theologian. Coronelli's renown as a theologian grew and in 1699 he was appointed Father General of the Franciscan order."David RumseyWikipediaCoronelli Globes at the Bibliotheque Nationale, Francois Mitterand Library Article on Coronelli from Academia.edu keyword: coronelli, celestial

Railroads and Canals from The David Rumsey Center

A collection of railroad and canal maps from The David Rumsey Center at Stanford University.

Railroads and Canals from the Library of Congress

A collection of railroad and canal maps from the Library of Congress

Arrowsmith Atlas of 1812

This exhibit was put together by Ken Habeeb and Tom Paper when Ken had a map whose origin he did not know. Ken presented about his map, the one Tom Paper found at Rumsey, which is the Arrowsmith map, as well as the 1804 Wilkinson map, also from Rumsey, that has far more information on it. Ken spoke about both of these maps in his presentation on February 5, 2022 to the Bay Area Map Group.Rumseykeywords: khabeeb

London Interiors - mid-18th Century

"London Interiors: A Grand National Exhibition" is a book that showcases various aspects of life in London, including religious, regal, and civic events, public amusements, scientific meetings, and commercial scenes12345. It was published by Joseph Mead in London in 1841124. The book features illustrations by Thomas Hosmer Shepherd, who was known for his depictions of London's architecture and urban life5. The book provides a glimpse into the social and cultural history of London during the 19th century.Joseph Mead was a publisher and printer in Britain during the mid-19th century1. He published the book "London Interiors: A Grand National Exhibition" in 1841123. Thomas Hosmer Shepherd (1793-1864) was a British topographical watercolor artist who was well known for his architectural paintings12345. He was the brother of topographical artist George "Sidney" Shepherd3. Thomas Hosmer Shepherd illustrated architecture in London, Edinburgh, Bath, and Bristol3. His paintings were the basis for steel engravings in many books3. He was employed to illustrate modern London architecture in the publication "Metropolitan Improvements" commissioned by the publisher Jones & Co3. Shepherd's work is characterized by an attention to detail, along with lifelike scenes that contained people, carriages, and horses3.Source: Perplexity.ai

Muirhead's Seventy Miles Around London - 1930

A gift from my wife Eleanor, this exhibit is of images from a small guidebook about London from 1930.----------7/21/24The Blue Guides are a series of detailed and authoritative travel guidebooks that focus on art, architecture, archaeology, and the historical context necessary to appreciate these subjects. They also include practical travel information such as recommended restaurants and hotels.The first Blue Guide, titled *London and its Environs*, was published in 1918 by the Scottish brothers James and Findlay Muirhead. Prior to this, the Muirhead brothers had been the English-language editors for the German *Baedeker* series of travel guides. They acquired the rights to John Murray III’s travel handbooks in 1915 and established the Blue Guides as a continuation of the 19th-century guidebook tradition[1].A notable agreement in 1917 with the French publisher Hachette allowed the co-publication of guidebooks in English and French under the names *Blue Guides* and *Guides Bleus*, respectively. The first Blue Guide published under this agreement was *Blue Guide London and its Environs* in 1918. The collaboration with Hachette ended in 1933[1].The Blue Guides were acquired by Ernest Benn Limited in 1931, and Findlay Muirhead's son, Litellus Russell Muirhead, became the series editor in 1934. The series continued to evolve, with notable contributions from authors like Alta Macadam and Ian Robertson. In 1982, W.W. Norton of New York became the U.S. co-publisher, and the series was later acquired by A&C Black (Publishers) Limited in 1984, which was subsequently acquired by Bloomsbury Publishing Plc. In 2004, Somerset Books acquired the Blue Guides and published new titles under their ownership[1].Source: Perplexity.ai--Gabrielle Ly

A Graphic Story of the Great War - 1919

Small atlas, bought on eBay, published in 1919, in the aftermath of what was then known as the Great War, but would soon become World War One. Published by Frank F. Lovell and written by Merton M. Wilner. More info from Art Source International here.

Wide World War Book - 1942

I have not been able to find any history about this publication, other than it was printed by a number of newspapers around the United States. The one below was printed by the Providence Journal Bulletin.keywords: memorabilia

Bits of Camplife - 1888

"Bits of Camp Life" is a book published in 1888 by Obpacher Brothers. The book was written by C.W. Reed and Louis K. Harlow and is a collection of chromolithographs depicting Union army camp scenes and songs[1]. The book was dedicated to the Grand Army of the Republic by the artists[2][3][4]. The book is available in English and was published by Obpacher Bros.[5].Louis K. Harlow was born in 1850 and died in 1913. He was an American artist and illustrator who worked for many magazines and newspapers, including Harper's Weekly and The New York Times[1]. Charles Wellington Reed was born in 1841 and died in 1926. He was an American artist and illustrator who served in the Union Army during the American Civil War[4].Source: Perplexity.ai, Abe BooksKeyword: memorabilia

Pictorial Family Bible - 19th Century

Nelson & Phillips were publishers of "The Pictorial Family Bible" according to the book's title page[1][2]. There is not much information available about Nelson & Phillips, but they were likely a publishing company in the 19th century. Thomas Nelson, a publishing firm that began in Scotland in 1798, is a related company that is still in operation today[3].William Smith was an English theologian and scholar who compiled a Bible dictionary[1][2][3][4]. The dictionary was originally published in three volumes in 1863, and it was later revised and condensed into one compact volume by the Peloubets[2][4]. The dictionary is still available for purchase today, and it is a valuable resource for those who want to study the Bible in depth. Source: Perplexity.aiKeywords: biblex

276

Scotland Illustrated - 1847

"Scotland Illustrated" is a book that was published in 1847 by William Beattie. The book is a series of views taken expressly for this work by Messrs. T. Allom, W.H. Bartlett, and H. M'Culloch. It was published by George Virtue & Co, London and New York. The book is available in two volumes and contains illustrations of Scotland's landscapes, architecture, and people. The book was a popular travel guide for tourists visiting Scotland in the 19th century. It is still available today in various formats, including leather-bound editions.Source:_Perplexity.aiA review of beautiful places throughout Scotland, written by the William Beattie, a physician and poet, with illustrations by T. Allom, W.H. Bartlett, and H. M'Culloch.

130

The Natural and Artificial Wonders of the United Kingdom - 1825

"The Natural and Artificial Wonders of the United Kingdom" is a book that was published in 1825 by J. Goldsmith. The book contains descriptions and illustrations of notable locations including Stonehenge, Windsor Castle, Old Sarum, Mont Saint Michel, Lindisfarne Ruins, York Cathedral, and dozens of other noteworthy places and buildings[1]. The book was published by G.B. Whittaker and authored by Sir Richard Phillips[2]. The work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it[3]. The book has been reprinted several times, including in 2010 and 2016 [3, 5].Source:Perplexity.aiKeyword:19thcentury

The Harbours of England - 1895

"The Harbours of England" is a book written by John Ruskin, a prominent English art critic and social thinker. The book was first published in 1856 and describes the harbors of England in detail, including their history, architecture, and natural beauty. It is considered one of Ruskin's most important works and is known for its vivid descriptions and beautiful illustrations. The book has been republished several times over the years and is still available for purchase today1234. Perplexity.aiJohn Ruskin first came to widespread attention for his support for the work of J. M. W. Turner and his defence of naturalism in art. Later he was the executor of Turner's will. GoogleJohn Ruskin (1819-1900) was an English writer, philosopher, art critic, artist, and social thinker of the Victorian era. He is considered the leading English art critic of the Victorian era and the father of modern art criticism. Ruskin wrote on a wide range of subjects, including geology, architecture, myth, ornithology, literature, education, botany, and political economy. He was also a talented watercolorist, teacher, and geologist. Ruskin's ideas and concerns are widely studied and discussed today, and his reputation has steadily improved since the 1960s with the publication of numerous academic studies of his work. Ruskin's relationship with Turner cemented after the artist died in 1851, and Ruskin cataloged nearly 20,000 sketches that Turner gave to the British nation123. Perplexity.ai

Indian Massacres and Savage Life

7/20/24"Indian Massacres and Savage Life" by Henry Davenport Northrop is a book from 1891 that provides a sensationalized account of conflicts between Native Americans and European settlers in North America[1][2]. The book appears to be a product of its time, reflecting the biased and often racist perspectives prevalent in the late 19th century.The full title of the book, as indicated in the search results, is "Indian Massacres and Savage Life: Being a Thrilling Narrative of Bloody Wars with Merciless and Revengeful Savages, Including a Full Account of the Life of Sitting Bull"[1][2]. This title alone reveals the book's inflammatory and prejudiced approach to its subject matter.The book likely contains:1. Accounts of violent conflicts between Native Americans and settlers2. Descriptions of Native American life and customs, likely from a biased perspective3. Information about Sitting Bull, a famous Lakota leader4. Narratives that portray Native Americans as "savage" and "merciless"It's important to note that this book, like many others from its era, presents a highly skewed and inaccurate portrayal of Native American peoples and their interactions with European settlers. Modern historians and readers would approach such a text critically, recognizing its historical context and inherent biases rather than accepting its content as factual or objective[3].Source: Perplexity.ai-Gabrielle Ly

The San Francisco Calamity - 1906

7/16/24The "San Francisco Calamity" edited by Charles Morris is a book about the devastating earthquake and subsequent fire that struck San Francisco on April 18, 1906[1]. This work provides a comprehensive account of the disaster that shook the city and ignited a three-day fire, which ravaged San Francisco's streets, buildings, and neighborhoods[1].Morris, who was from Pennsylvania, traveled to San Francisco immediately after the earthquake to interview survivors and observe the aftermath firsthand[1]. His book, which was quickly published within weeks of the event, is considered the first full and balanced account of the earthquake and fire[1].The book combines several elements to create a vivid portrayal of the disaster:1. Eyewitness accounts and firsthand observations2. Scientific facts about the earthquake3. Detailed descriptions of the devastation4. Stories of heroism and escape5. Realistic depictions of death, loss, and struggleMorris's account captures both the immediate impact of the disaster and its aftermath, including the destruction of landmarks, homes, hotels, churches, and artwork[1]. It also describes the plight of survivors who faced challenges such as finding food, shelter, and means to evacuate the city[1].The book is enhanced with numerous illustrations to provide a visual representation of the calamity[1]. Despite the grim subject matter, Morris's work also highlights the resilient spirit of San Francisco's residents, which ultimately helped the city recover and rebuild[1].In the paperback edition, historian Roger W. Lotchin provides a new introduction that offers additional historical context and evaluates the book's credibility and reputation[1][5].Source: Perplexity.aiGabrielle Ly

History of the Rebellion - 1866

“A Military and Naval History of the Rebellion in the United States” by William Jewett Tenney.7/16/24"A Military and Naval History of the Rebellion in the United States" by William Jewett Tenney is a historical work published in 1865 that chronicles the events of the American Civil War[1][2][3].The book provides a comprehensive account of the military and naval operations during the conflict, which was often referred to as "the Rebellion" by Union supporters. Given its publication date of 1865, it was likely one of the earliest comprehensive histories of the war, written shortly after its conclusion[1][2].William Jewett Tenney, the author, was born in Newport, Rhode Island, in 1814[2]. He was a notable American writer and historian who produced several works on various subjects. In addition to this Civil War history, Tenney also wrote a book on "Grammatical Analysis" published in 1866[1].The timing of the book's publication, coming immediately after the end of the Civil War, suggests that it aimed to provide a timely and detailed account of the conflict's military and naval aspects while events were still fresh. It likely covered major battles, campaigns, and strategies employed by both Union and Confederate forces throughout the war.As a "Military and Naval History," the book presumably focused on battlefield engagements, naval operations, and the overall conduct of the war from a strategic perspective. It would have been a valuable resource for readers seeking to understand the full scope of the conflict that had just concluded.Source: Perplexity.aiGabrielle Ly

The Powers of Europe and The Fall of Sebastopol

7/16/24The book "The Powers of Europe and the Fall of Sebastopol" published in 1856 is about the Crimean War, specifically the Siege of Sebastopol. The book provides a detailed account of the conflict, highlighting the intense fighting and the bravery of the soldiers involved. It also includes descriptions of the enemy's cavalry and the eventual surrender of the besieged forces[2].Source: Perplexity.aiGabrielle Ly

Chatterbox - 1892

Chatterbox was a children's magazine that was published by Estes & Lauriat from 1872 until 1898[1]. The magazine contained stories, articles, puzzles, games, illustrations, poetry, and other material for children. Dana Estes and Charles Emelius Lauriat were the publishers of the magazine[1]. Estes and Lauriat were also celebrated for their victory with Chatterbox by taking extended trips abroad[2]. They were entertained by literary figures such as Tennyson, Thomas Hughes, and the Earl of Lytton[2]. Chatterbox was copyrighted from 1878-1896 by Estes and Lauriat[3].Source: Perrplexity.ai

216

Men of Different Countries - 1829

The book "Men of Different Countries" published by H&E Phinney in 1829 is not mentioned in the search results. However, here is some information about H&E Phinney and their publishing history:H&E Phinney was a printing and publishing company founded by Henry and Elihu Phinney in Cooperstown, New York in the early 19th century1.The Phinneys published school books, almanacs, and other books of local interest as well as a few more widely circulated titles1.In 1816, Henry and Elihu published their first New Testament1.The Phinney Bible is significant in the history of the Church of Jesus Christ of Latter-day Saints. In 1829, Joseph Smith and Oliver Cowdery bought "a copy of the Holy Scriptures" from the Phinneys, which they used to translate the Book of Mormon2.The Phinneys kept a casting for each page of the Bible and when they needed a new printing, they printed from the casting rather than new type setting1.Source: Perplexity.ai

History of the Revolutions in Europe - 1850

7/16/24The History of Revolutions in Europe by M. Schoell is a book that covers the history of revolutions in Europe from the subversion of the Roman Empire in the west to the Congress of Vienna[1][2][3][4][5]. It was originally written in French by Christopher William Koch and later translated and published in English with additional content[4][5].The book provides a comprehensive account of the major revolutions that took place in Europe during this period, including the French Revolution and the revolutions in Greece, Poland, and Belgium[5]. It offers a detailed examination of how these events unfolded and their impact on the political and social landscape of Europe.Source: Perplexity.aiGabrielle Ly

Gainsborough Walker 1894-97

Hill's Manual of Social and Business Forms - 1890

7/16/24Hill's Manual of Social and Business Forms: A Guide to Correct Writing is a book published in 1881 that provides guidance on proper etiquette, manners, and business practices for social and professional settings.[1][2][3][4] The book covers topics such as how to express written thoughts clearly, rapidly, elegantly, and correctly in various social and business contexts.[3][4] It was intended to serve as a comprehensive reference on correct writing and behavior for individuals navigating different aspects of personal and professional life.[1][2]Source: Perplexity.aiGabrielle Ly

313

Encyclopedia of Architecture - 1852

Love it! Drawings are amazing and intricate. The author was a practical man, a teacher, and a prolific author. He invented the “skew arch”! “Peter Nicholson (20 July 1765 – 18 June 1844) was a Scottish architect, mathematician and engineer. Largely self-taught, he was apprenticed to a cabinet-maker but soon abandoned his trade in favour of teaching and writing. He practised as an architect but is best remembered for his theoretical work on the skew arch (he never actually constructed one himself), his invention of draughtsman's instruments, including a centrolinead and a cyclograph, and his prolific writing on numerous practical subjects.” Wikipedia Curated by TPKS

The Gallery of Modern British Artists - 1840

"The Gallery of Modern British Artists" is a book published in 1840 by D. Omer Smith. It consists of a series of engravings from the works of the most eminent artists of the day, including Messrs. Turner, Roberts, Harding, Clennel, Dewint, Austin, Messrs. Stanfield, Bonnington, Prout, Cattermole, C. Fielding, Cox, and others[1]. The book was first published in 1834-1836 as a series of watercolors by the Camden Town Group[2]. The book is available in a reprint edition[3]and can be found in libraries worldwide[4].Source: Perplexity.aiKeywords: 19thCentury, Memorabilia, ArtArch

Sheet Music Scottish Lancers - ~1912

8/13/24Illustrated sheet music from the Scottish Lancers would have historical and cultural significance in several ways:Historical DocumentationIllustrated sheet music covers from the Scottish Lancers would provide visual documentation of:- The regiment's uniforms, equipment, and insignia at different time periods- Notable events or battles the regiment participated in- Portraits of regimental officers or other important figuresThis makes such sheet music covers valuable primary sources for military historians and researchers studying the Scottish Lancers.Cultural RepresentationThe illustrations would reflect how the Scottish Lancers were perceived and portrayed in popular culture during different eras. This could include:- Romanticized or heroic depictions of the regiment- Incorporation of Scottish imagery and symbolism - Representation of the regiment's role in British imperial/military endeavorsAnalyzing these cultural representations provides insight into public attitudes towards the military and Scottish identity.Musical HeritageThe sheet music itself preserves the regimental marches, songs, and other music associated with the Scottish Lancers. This musical repertoire was an important part of regimental culture and tradition.Printing and Design HistoryThe covers showcase developments in printing technology, illustration styles, and graphic design over time. They may feature work by notable illustrators or lithographers of the period.Collecting and MemorabiliaFor military history enthusiasts and collectors, illustrated sheet music from regiments like the Scottish Lancers is highly collectible memorabilia that tangibly connects to the regiment's heritage.In summary, such illustrated sheet music serves as a multifaceted historical artifact, offering visual, musical, and cultural insights related to this Scottish cavalry regiment and its place in British military history. The illustrations bring the regiment's history to life in a uniquely artistic way.Source: Perplexity.ai--Gabrielle Ly

171

Traite de la Dentelle Irlandaise (Irish Lace Patterns) - 1870

Curated by TMP, KS7/16/24"Traité de la Dentelle Irlandaise" (Treatise on Irish Lace) from the 1870s appears to be a book or document about Irish lace-making techniques. While there isn't a specific mention of this exact title in the search results, we can infer some information based on related sources:1. Irish lace was a popular form of lace-making in the late 19th century, particularly during the 1870s-1880s period[1]. This suggests that a treatise on Irish lace from this time would have been relevant and in demand.2. There were several publications and albums dedicated to Irish lace techniques during this era. For example, G. Hardouin published multiple volumes on Irish Guipure lace, including "Album de Guipure d'Irlande" (Album of Irish Guipure Lace)[2]. These publications typically contained patterns, techniques, and instructions for creating Irish lace.3. The treatise would likely have covered various aspects of Irish lace-making, such as:- Different types of Irish lace (e.g., Irish crochet, Irish Guipure)- Patterns and motifs specific to Irish lace- Tools and materials used in the craft- Step-by-step instructions for creating lace pieces4. Given that it's described as a "traité" (treatise), it was probably a comprehensive work on the subject, possibly including historical context and the cultural significance of Irish lace.5. The timing of this treatise (1870s) coincides with a period of increased interest in lace-making and documentation of various lace techniques across Europe[2].While we don't have specific details about the content of "Traité de la Dentelle Irlandaise" from 1870, it was likely an instructional and informative text aimed at preserving and promoting the art of Irish lace-making during a time when this craft was highly valued and practiced.Source: Perplexity.aiGabrielle Lykeywords: lacehist

Architecture in England - 1848

7/9/24Thomas Rickman's book An Attempt to Discriminate the Styles of English Architecture from the Conquest to the Reformation, published in 1817, established the basic chronological classification and terminology that are still in widespread use for the different styles of English medieval ecclesiastical architecture[2]. The book ran through many editions and provided the basis of Rickman's public reputation[2].In the book, Rickman classified medieval architecture into the sequence he labelled "Norman", "Early English", "Decorated English" and "Perpendicular English"[2]. These names have remained in use to this day[2]. Rickman gained a remarkable knowledge of architecture through his extensive study of over 3,000 ecclesiastical buildings[2].While Rickman's churches showed more knowledge of the outward form of medieval Gothic architecture than its spirit, and were sometimes criticized as dull copies, he played an important part in reviving taste for medievalism, perhaps second only to Pugin[2]. Rickman's book was a milestone in the Gothic Revival and established him as a champion of Gothic architecture[5].Source: Perplexity.aiCurated by Gabrielle Ly

112

Les Contes Drolatiques (Droll Stories) - 1855

7/16/24Les Contes Drolatiques, also known as Droll Stories in English, is a collection of short stories written by Honoré de Balzac in the 1830s[1][3]. These stories are characterized by their ribald, humorous, and often erotic content, set primarily in 16th century France[1][3].The collection consists of three sets of ten stories each, published in 1832, 1833, and 1837[1]. Balzac conceived these tales as a homage to François Rabelais, the renowned French Renaissance writer[1]. The stories primarily focus on the licentious behavior and amorous adventures of various characters, including knights, ladies, courtesans, nuns, and monks[1].Key aspects of Les Contes Drolatiques include:1. Themes: The stories often deal with subjects such as cuckoldry, trickery, impotence, and lost innocence[1].2. Style: Balzac wrote these tales in a pseudo-archaic style, imitating 16th-century French, which was intended to limit readership to the elite and avoid censorship[1].3. Historical context: The stories were published during a time of social change and served as a form of protest against the new bourgeois society[1].4. Reception: The collection was added to the Index Librorum Prohibitorum (list of forbidden books) in 1841, possibly due to its risqué content and portrayal of cunning female characters[1].5. Literary significance: While different from Balzac's more famous realist works, these stories showcase his versatility as a writer and his ability to capture the spirit of a different era[1][3].Les Contes Drolatiques offers readers a lively and lusty portrait of 16th-century French life and manners, blending humor, eroticism, and historical pastiche[3][4].Source: Perplexity.aiGabrielle Ly

Raffles Davison - 1927

7/9/24Raffles Davison was an English architect, architectural illustrator, and journalist of the late 19th and early 20th centuries.[1][2][3][4][5] Some key facts about him:- He was born in 1853 in Stockton-on-Tees, England and was the son of a Congregational minister.[1][2][3][4][5]- He showed a rare talent for drawing from an early age and was articled to the architect William Henry Spaull in Oswestry, Shropshire.[1][4][5]- After completing his articles, he worked as an architectural assistant in Nottingham and in the office of H. before becoming the leading architectural illustrator of his generation.[1]- He was a major contributor to the architectural magazine The British Architect and Northern Engineer, and became its editor in 1878.[1][2][3]- In 1896, he became an Honorary Associate of the Royal Institute of British Architects.[1] His architectural illustrations were highly regarded and popular with many leading architects of the time.[1]- He retired in 1927 and a book titled "Record of Life and Work from 1870 to 1926" was published to mark the occasion, with an introduction by Sir Reginald Blomfield.[1]- Raffles Davison died in 1937 at the age of 84 at his home in Woldingham, Surrey.[1]Source: Perplexity.aiCurated by Gabrielle Ly

Hygienic Physiology - 1889

7/9/24Hygienic Physiology by Joel Dorman Steele is a book that discusses the human body's physiology, with a particular focus on the effects of alcoholic drinks and narcotics[1][3][5]. The book was originally published in 1872 and later revised in 1884 and 1888[2].The book contains illustrations, including color lithograph plates depicting the skeletal system, muscles, and circulatory system, as well as numerous smaller pen-and-ink illustrations[2]. It was edited for use in schools, in accordance with recent legislation on temperance instruction[2].Joel Dorman SteeleJoel Dorman Steele (1836-1886) was an American educator and textbook author who wrote influential works on various subjects including human physiology, chemistry, physics, astronomy, and zoology[1][3]. Some key facts about him:- He was born in Lima, New York and became a teacher at age 17, eventually becoming a school principal[1][3].- He served in the Civil War and was seriously wounded, which impacted his health for the rest of his life[3].- In 1872, he began focusing full-time on writing textbooks, publishing popular series like "Fourteen Weeks" on different science topics[1][3]. His books were known for their brevity, illustrations, and engaging style[3].- His most famous work was "Hygienic Physiology", first published in 1872 and later revised in 1888, which discussed human physiology with a focus on the effects of alcohol and narcotics[1]. It contained color illustrations of the skeletal, muscular and circulatory systems[1].- He collaborated extensively with his wife Esther Baker Steele, who was also an educator. They co-authored a series of "Brief Histories" textbooks[3].- Steele died in 1886 at the age of 50. His wife Esther wrote on his tombstone: "His true monument stands in the hearts of thousands of American youth, led by him to look through Nature up to Nature's God."[3]So in summary, Joel Dorman Steele was a pioneering 19th century textbook author who made significant contributions to science education in America through his engaging, well-illustrated works on physiology, chemistry, physics and other subjects.Source: Perplexity.aiCurated by Gabrielle Ly

L'Intelligence Des Animaux - 1868

Ernest Menault published [and wrote] "L'Intelligence Des Animaux" in 18681. The book discusses animal intelligence and is part of the "Bibliotheque des Merveilles" series1. The book is considered a historical work on the topic of animal cognition5.Ernest Menault (1830, Angerville -1903) was a French author and zoologist. Menault wrote, principally Les Insectes nuisibles à l' Agriculture et à la Viticulture, L’intelligence des animaux (The Intelligence of Animals) and L’amour maternel chez les animaux. A review in the Nature journal for his book The Intelligence of Animals, noted that "we have not been led to form a very high opinion of his physiology or of his general philosophy; but he has compiled a most entertaining volume, crammed with most amusing stories about all kinds of animals, from ants to ourang-outangs."[1]La Bibliothèque des Merveilles (see title page) is a collection of educational books launched in 1864 by Louis Hachette1. It replaced a previous series created the year before1. The collection consists of 42 volumes2 and includes books on various topics such as history, science, and literature3. The books are available for purchase in both new and used condition45. "L'Intelligence Des Animaux" by Ernest Menault is part of this collection1.Louis-Christophe-François Hachette was a French publisher who established a Paris publishing house designed to produce books and other material to improve the system of school instruction1. He was born on May 5, 1800, in Rethel, France, and died on July 31, 1864, in Paris2. After studying law in Paris, Hachette bought a small bookshop there in 1826 and began to publish textbooks for the new primary schools following the revolution of 183021. His firm rapidly became a leading French publishing house, and publications included manuals in almost every branch of knowledge2. The Hachette Livre Group is currently a global publishing house3.Source: perplexity.ai and wikipedia

Japanese Africa - ~1880

Sensible Horseshoeing - 1899

1899 Magner's ABC Guide to Sensible Horseshoeing7/9/24Magner's ABC Guide to Sensible Horseshoeing, first published in 1899, is a comprehensive and practical manual on the art of shoeing horses[3][5]. Written by Dennis Magner, this book has been a respected resource in the field of horseshoeing for over a century[3].The guide is known for its thorough coverage of horseshoeing fundamentals, providing valuable information from leading experts in the field[3]. It features 200 illustrations and 17 colored plates, which help to visually demonstrate the techniques and concepts discussed in the text[4].Key aspects of the book include:1. Practical approach: The guide offers a simple and practical treatise on the art of shoeing horses, making it accessible to both novices and experienced farriers[1].2. Comprehensive content: It covers a wide range of topics related to horseshoeing, serving as a complete guide for those interested in the subject[3].3. Longevity: The book's enduring popularity is evidenced by its continued availability and reprints over the years[2][3][5].4. Visual aids: The numerous illustrations and colored plates enhance the reader's understanding of the techniques described[4].5. Expert knowledge: The guide draws from the expertise of leading figures in horseshoeing, providing readers with authoritative information[3].Magner's ABC Guide to Sensible Horseshoeing remains a valuable reference for those interested in the historical and practical aspects of horseshoeing. Its continued relevance more than a century after its initial publication speaks to the quality and usefulness of the information it contains.Source: Perplexity.aiCurated by Gabrielle Ly

Doctor Bolus and His Patients

Japanese Woodblock Prints - 1870-1890

The Testimony of the Rocks

. 7/9/24The Testimony of the Rocks by Hugh Miller is a book that defends the consistency between belief in the inspiration of the Bible, particularly the Creation account, and the findings of geology[1][2]. Miller saw beyond his time and critiqued young earth creationism, arguing that the adherents to a global flood, who were attempting to refute geologists of his period, were "anti-geologists"[2][4].The book is available as a free Kindle book and epub on Project Gutenberg[3]. It is a collection of lectures by Miller that deal with the bearings of geology on the two theologies, natural and revealed[4].Who was Hugh Miller?Hugh Miller (1802-1856) was a Scottish geologist, writer, and evangelical Christian who played a key role in the debate over the compatibility of geology and the Bible in the early 19th century. Some key facts about him:- He was born in Cromarty, Scotland and worked as a stonemason before becoming a bank accountant and writer[1][4].- As a stonemason, he discovered well-preserved fossils in the Old Red Sandstone of Scotland, which he described in his 1841 book The Old Red Sandstone. This established his reputation as a geologist[1][3].- In the 1840s, he became editor of The Witness newspaper and used it to argue that the findings of geology were consistent with the Bible's creation account, critiquing young earth creationism[1][3][4].- His books Footprints of the Creator (1849) and The Testimony of the Rocks (1856) further developed his views on reconciling geology and the Bible[3][4].- He committed suicide in 1856 after completing the proofs for The Testimony of the Rocks, likely due to overwork and stress, though some speculate it was because he could no longer reconcile his scientific and religious views[4].- Miller made significant contributions to geology through his fossil discoveries and writings that popularized the science, though his direct academic contributions were limited[1][3]. His collection of over 6,000 fossils forms the core of the National Museum of Scotland's collection[4].Source: Perplexity.aiCurated by Gabrielle Ly keyword: geohist

Campfires of the Revolution - 1852

#3347/9/24 Campfires of the Revolution by Henry C. Watson is a book that recounts stories and events from the American Revolutionary War, as told by old Continental soldiers[1][3][4]. The book illustrates thrilling events and stories from the perspective of those who fought for American independence[1].Published in 1853, **Campfires of the Revolution** provides a firsthand account of the War of Independence through the eyes of the soldiers who experienced it[1][3]. The book is currently available for purchase on Amazon and from other rare book sellers[2][4][5].Source: Perplexity.aiCurated by Gabrielle Ly

The Story of the Rocks - 1873

7/9/24The Story of the Rocks: Fourteen Weeks in Popular Geology by J. Dorman Steele is a book that provides a fourteen-week course in popular geology[1][3][4]. It was published in 1877 and aimed to make the study of geology accessible to a general audience[1][5].Steele was an American educator known for writing popular textbooks on various scientific subjects, including geology[5]. His books were praised for their engaging writing style and ability to present complex topics in a way that appealed to both teachers and students[5].Source: Perplexity.aiCurated by Gabrielle Ly

165

Fairy Tales by the Brothers Grimm - 1898

Henry Altemus published the first edition of Grimm's Fairy Tales in 1898 in the Young People's Library in Format 11. The book was illustrated and contained 65 illustration3. It was a rare first edition2and included both well-known and lesser-known fairy tales by the Brothers Grimm5.Henry Altemus was the founder of the Henry Altemus Company, a publishing company based in Philadelphia, Pennsylvania, that was active for almost a century, from 1842 to 19361. The company started as a bookbindery and was awarded a patent for a particular type of binding for photographic albums in 1863. These albums were the mainstay of their publishing business until the mid-1880s when they were supplanted by Bibles. Starting in 1889, books were published with the Henry Altemus imprint. The company published over two hundred series, and more than 95% of all the published works of Henry Altemus were in series form. Altemus' most popular series included the Young People's Library, Wee Books for Wee Folks, and their numerous juvenile series books1.Perplexity.ai https://www.henryaltemus.com/intro.htm

113

US Naval Expedition Volume 1 - 1855

James Melville Gilliss (September 6, 1811 – February 9, 1865) was an astronomer, United States naval officer and founder of the United States Naval Observatory. Gilliss was born on September 6, 1811 in Georgetown, District of Columbia. His parents were George Gilliss, a federal employee, and Mary (Melville) Gillis. In 1827 at the age of fifteen he joined the navy as a midshipman. He made several training cruises on the Delaware, the Java, and the Concord. In 1833 he passed his examinations and was advanced to passed midshipman.[1]Source: WikipediaThe US Naval Astronomical Expedition to the Southern Hemisphere took place during the years 1849-1852123. The expedition was conducted by the US Navy and aimed to conduct astronomical observations in the southern hemisphere. The findings of the expedition were published in three volumes between 1857 and 18594. The material was also published later by the US Naval Observatory in its Astronomical and Meteorological Observations5. The expedition was an important milestone in the history of astronomy and helped to advance our understanding of the southern skies.source: perplexity.ai

Bell's Surgery - 1788

7/9/24Bell's Surgery, formally titled "A System of Surgery," was a comprehensive six-volume surgical textbook published by Benjamin Bell between 1783 and 1788[1]. This influential work became a best-seller throughout Europe and America, going through multiple editions and translations[2].The textbook covered a wide range of surgical topics and was notable for several reasons:1. Comprehensive coverage: It provided an extensive overview of surgical practices and knowledge of the time[2].2. Up-to-date information: Bell incorporated the latest published material from across Europe[2].3. Pain management: Bell advocated for the routine use of opium to relieve post-operative pain, emphasizing the importance of alleviating patient suffering[2].4. Surgical techniques: The book included Bell's famous adage "save skin," which led to improved wound healing in operations like mastectomies and limb amputations[2].5. Anatomical illustrations: The work contained numerous black and white in-text figures, plates, and color plates to aid in understanding surgical anatomy and procedures[4].6. Surgical diseases and operations: The textbook covered various surgical conditions and procedures, including lithotomy, trepanning, hernia repair, hydrocele treatment, and amputations[4].Bell's "A System of Surgery" was significant in establishing him as one of the first Scottish scientific surgeons and contributed to his reputation as the father of the Edinburgh school of surgery[2]. Its popularity and influence helped shape surgical education and practice in the late 18th and early 19th centuries.About Benjamin BellBenjamin Bell (1749-1806) was a prominent Scottish surgeon who made significant contributions to the field of surgery during the late 18th century. Here are the key points about Benjamin Bell:1. He is considered to be the first Scottish scientific surgeon and is often described as the father of the Edinburgh school of surgery[2].2. Bell was born in Dumfries, Scotland, and received his early education at Dumfries Grammar School[2].3. He studied medicine at the University of Edinburgh under renowned teachers such as Alexander Monro secundus, Joseph Black, and John Hope[2].4. Bell completed his surgical training in London and Paris, where he observed and learned from prominent surgeons like John Hunter and Percivall Pott[2].5. He became a fellow of the Royal College of Surgeons of Edinburgh in 1771 and established a successful surgical practice in Edinburgh[2][3].6. Bell published several important medical works, most notably his six-volume surgical textbook "A System of Surgery" (1783-1788), which became a bestseller throughout Europe and America[2].7. He made significant contributions to surgical practice, including his famous adage "save skin," which improved wound healing in operations like mastectomies and amputations[2].8. Bell was an early advocate for routine pain relief in surgery and emphasized the importance of reducing post-operative pain[2][3].9. He was one of the founding members of the Harveian Society of Edinburgh and the Royal Society of Edinburgh[2].10. Bell's reputation grew to the point where he became the most sought-after surgeon in Scotland, with one contemporary noting that "nobody could die contented without having consulted Benjamin Bell"[3].Benjamin Bell's work and innovations in surgical practice, combined with his comprehensive textbook, helped establish him as a leading figure in the field of surgery during the Scottish Enlightenment period.Source: Perplexity.aiCurated by Gabrielle Ly

The Harrison Fisher Book - 1907

Harrison Fisher (July 27, 1875 or 1877 – January 19, 1934) was an American illustrator. Fisher was born in Brooklyn, New York City[1][2] and began to draw at an early age. Both his father and his grandfather were artists.[2] Fisher spent much of his youth in San Francisco, and studied at the San Francisco Art Association.[2] In California he studied with Amédée Joullin.[1] In 1898, he moved back to New York and began his career as a newspaper and magazine illustrator,[2] working for the San Francisco Call and the San Francisco Examiner, drawing sketches and decorative work.[1] He became known particularly for his drawings of women, which won him acclaim as the successor of Charles Dana Gibson.[2] Together with fellow artists Howard Chandler Christy and Neysa McMein, he constituted the Motion Picture Classic magazine's, "Fame and Fortune" contest jury of 1921/1922, who discovered the It-girl, Clara Bow.[3] Fisher's work appeared regularly on the cover of Cosmopolitan magazine from the early 1900s until his death. He also painted for books; his work included the cover for George Barr McCutcheon's Beverly of Graustark, and illustrations for Harold Frederic's The Market Place and Jerome K. Jerome's Three Men on Wheels.[1]https://en.wikipedia.org/wiki/Harrison_Fisher BiographyHarrison Fisher spent his sickly childhood in Lameda, California. Since his father and grandfather were both artists, Fisher’s formal art education began early. After studying with Amadée Joullin and then at the Mark Hopkins Institute of Art in San Francisco, he worked as an illustrator for the San Francisco Call and the Examiner, a leading publication owned by William Randolph Hearst.Fisher left California for New York City in 1898 to work at Hearst’s New York American. Shortly after arriving in New York, Fisher joined the staff of humor magazine Puck after he sold two drawings to the publication. So began Fisher’s meteoric rise to illustration fame. His position at Puck put him in the way of art directors for a slew of major publications who flooded him with requests for illustrations. Fisher’s work appeared on covers, interior stories, and in advertisements for products marketed to women in The Saturday Evening Post, The Associated Sunday Magazine, Life, Collier’s Weekly, The Ladies’ Home Journal, Puck, and Cosmopolitan.Harrison Fisher is known for the beautiful women he painted, who were overwhelmingly rosy-cheeked, long-limbed, alone, and elegant. The vast and lavishly decorated hats that adorned their heads also became a signature aspect of his design. He joined a legion of other notable illustrators who specialized in the portrayal of glamorous American women, such as Coles Phillips and Charles Dana Gibson. Much like these other illustrators, Fisher was creating a romantic ideal of how women ought to be, but with his “American Girl” and “College Girl” paintings he also wove independence, strength, and intelligence into that romantic narrative. His women acted and reacted as often as they gazed demurely into the middle distance. As a mark of his rise to the top ranks of illustrators who portrayed women, the term “Fisher Girl” was used to describe his paintings in parallel with the “Gibson Girls” of the past and the contemporary “Fadeaway Girls” of Coles Phillips. Cosmopolitan made an exclusive contract with Fisher that resulted in over 300 covers. Although Fisher spent much of his life surrounded by beautiful and amiable women, he claimed to be too busy to marry and remained a bachelor until his death in 1934. https://www.illustrationhistory.org/artists/harrison-fisher keywords: histfash, artarch

106

The Sinking of the Titanic - 1912

7/9/24The Sinking of the Titanic and Great Sea Disasters, edited by Logan Marshall, is a detailed account of the sinking of the RMS Titanic on April 14-15, 1912[1][2][3][4][5]. Published shortly after the disaster, the book provides a comprehensive look at the events surrounding the tragedy, including:- Vivid firsthand accounts from survivors of the Titanic striking an iceberg on its maiden voyage[4]- How the tragic loss of life could have been averted[3] - Heroic actions of the officers and crew[4]- Criticism of Titanic's owner J. Bruce Ismay[4]- The financial loss from the disaster[4]- Opinions of maritime experts on the causes and how to prevent future such catastrophes[4][5]The book also examines the evolution of maritime safety and life-saving appliances, as well as the remarkable progress in shipbuilding technology at the time[4][5]. Additionally, it includes accounts of other notable marine disasters throughout history[4][5].Published in 1912, The Sinking of the Titanic and Great Sea Disasters is considered one of the first and most authoritative books on the Titanic disaster, constructed from the real facts as obtained from those on board who survived[4][5]. It remains an important historical document and a must-read for anyone interested in the Titanic story over a century later[3].Source: Perplexity.aiCurated by Gabrielle Ly

Le Plutarque De La Jeunesse - 1822

7/9/24Le Plutarque de la Jeunesse is a book that presents abridged biographies of great historical figures from various nations[1][2][4]. The title translates to "Plutarch for Youth" in English, suggesting it is aimed at younger readers or students.The book contains condensed versions of the lives of some of the most significant individuals throughout history[4]. It appears to be inspired by the work of Plutarch, an ancient Greek historian known for his biographical writings.This collection serves multiple purposes:1. Educational: It introduces young readers to important historical figures and their accomplishments.2. Inspirational: By showcasing the lives of great men and women, it aims to inspire and motivate its audience[4].3. Cultural: The book covers individuals from various nations, providing a broad perspective on world history and different cultures[1][2].There are multiple volumes of this work, with at least one edition dating back to 1809[3]. The book's content spans a wide range of historical figures, potentially including world leaders, innovators, heroes, and role models who have made significant contributions to their respective fields or societies[4].It's worth noting that this book is a reproduction of a much older work, originally published before 1923, and may contain imperfections such as missing or blurred pages due to its age[5].Source: Perplexity.aiCurated by Gabrielle Ly

Indians of America - 1935

by Lillian Davids FazziniAbe Books________7/9/24Lillian Davids Fazzini was an author who wrote several books about various aspects of American natural history and indigenous cultures in the early 20th century. She is known for her works on Native Americans and wildlife, particularly:1. "Indians of America," published in 1935. This book was a small field guide (3x5 inches) that contained 94 color portraits of Native American chiefs, depictions of everyday life, and illustrations of Native American artifacts[1][3].2. "Butterflies of America," which featured 64 color illustrations[2].3. "Insects of America," another nature-focused book[5].Fazzini's "Indians of America" was published by Whitman Publishing Co. in Racine, Wisconsin, and included a foreword by Dan Beard[3][4]. This pocket-sized book was designed to be an accessible and informative guide to major Native American tribes of the time.Her work appears to have been popular enough to warrant multiple printings and editions, as evidenced by the availability of her books through various vintage and used book sellers. Fazzini's books, particularly "Indians of America," are now considered collectible items, sought after for their historical content and colorful illustrations[1][3].Source: Perplexity.aiCurated by Gabrielle Ly

104

Wildflowers of America - 1894

7/9/24In 1894, G.H. Buek and Co. published a series called "Wild Flowers of America" which featured botanical illustrations of wildflowers from every state and territory in the United States[1][2][4][5]. The series was originally published weekly as a set of chromolithograph plates, with a total of 288 flowers depicted[5].The 1894 edition, Vol. 1 No. 4, was published on June 5th and included 16 colored botanical plates of wildflowers[2]. The illustrations were created by a corps of special artists and botanists[4].This publication was part of a larger tradition of books and series documenting the wild and cultivated flowers of America, dating back to the early 19th century[3]. Some other notable examples include:- Emma C. Embury's "American Wild Flowers in their Native Haunts" (1845)- George L. Goodale's "The Wild Flowers of America" (1882-1886) - Mary Vaux Walcott's "North American Wild Flowers" (1925)- Harold William Rickett's "Wild Flowers of the United States" (1965)The "Wild Flowers of America" series by G.H. Buek and Co. provided a comprehensive visual catalog of the diverse wildflowers across the United States in the late 19th century. The chromolithograph plates allowed for detailed, colorful illustrations to be reproduced and distributed widely.Source: Perplexity.aiCurated by Gabrielle Ly

A History of Wonderful Inventions - 1849

7/9/24"A History of Wonderful Inventions" from 1849 is a book that chronicles significant technological advancements and inventions of its time[1][3]. The work is attributed to John Timbs, who is identified as F.S.A. (Fellow of the Society of Antiquaries) in some listings[4].The book appears to be divided into at least two parts, as indicated by the titles mentioning "Part I [- II]"[1][3]. This structure suggests that it covers a comprehensive range of inventions, likely organized into different categories or time periods.While the specific contents are not detailed in the search results, the title implies that the book focuses on inventions that were considered remarkable or revolutionary in the mid-19th century. Given the publication date of 1849, it would likely include inventions and technological developments from the Industrial Revolution and earlier periods that were seen as transformative at the time.The book seems to be of historical interest, as evidenced by its availability through antiquarian booksellers and its leather-bound editions[2][4][5]. This suggests that it's valued not only for its content but also as a collectible item representing 19th-century perspectives on technological progress.About John Timbs: F.S.A. John Timbs was a notable English author, journalist, and antiquarian who lived from 1801 to 1875[3]. The initials F.S.A. after his name stand for "Fellow of the Society of Antiquaries," indicating his membership in this prestigious scholarly organization[1][2].Timbs was a prolific writer who authored numerous works on various subjects, particularly focusing on historical curiosities and anecdotes. Some of his well-known publications include:1. "Curiosities of London," which appears to have been one of his most recognized works[1][2].2. "A Century of Anecdote," a book that is still available in hardcover format[4].3. "A History of Wonderful Inventions," published in 1849[5].As a journalist and popularizing writer, Timbs had a talent for making diverse subjects accessible to a wider audience[3]. His works often dealt with historical, cultural, and technological topics, reflecting the Victorian era's fascination with progress and the past.Timbs' reputation as an author and antiquarian is evident from the fact that his portrait and works are still available through art prints and antiquarian book collections[1][2][5]. His contributions to literature and historical documentation have left a lasting legacy, making him a figure of interest for those studying 19th-century English writers and historians.Source: Perplexity.aiCurated by Gabrielle Ly

A History of Lace - 1875

7/9/24"A History of Lace" by Mrs. Bury Palliser, first published in 1875, is a comprehensive and authoritative work on the origins and development of lace-making[1][2]. This book covers various aspects of lace history, including:1. Origins and development: The book traces the history of lace from its earliest beginnings, exploring how different types of lace evolved over time[1].2. Lace-making techniques: It discusses various lace-making methods, including tatting, crochet, and other forms of needlework[2].3. Regional styles: The work examines lace-making traditions from different countries and regions, such as Flemish lace and Brussels lace[1].4. Historical context: Palliser provides insights into the social and economic aspects of lace production throughout history[1].5. Illustrations: The book features numerous illustrations to help readers visualize different lace styles and patterns[5].6. Lace trade: It explores the commercial aspects of lace-making, including smuggling and international trade[1].7. Cultural significance: The author discusses the role of lace in fashion, art, and society across different time periods[1]."A History of Lace" has become a classic reference work in the field, offering detailed information on lace-making techniques, patterns, and historical context. It has been revised and reprinted multiple times since its initial publication, reflecting its enduring value to researchers, collectors, and lace enthusiasts[1][2].Source: Perplexity.aiCurated by Gabrielle Ly

252

A Manual of Gothic Molding - 1891

7/8/24A Manual of Gothic Moldings by Paley is a book that provides a practical guide to Gothic architectural moldings. The key points are:- It was originally published in 1891 and provides directions for copying and dating Gothic moldings.[1]- The book covers the formation, development, combinations, and varieties of Gothic moldings, with instructions on how to copy and date them.[5]- It is considered a comprehensive reference work on the topic of Gothic moldings and their architectural features.[2][3][4]- The book has been reprinted multiple times, indicating its continued relevance and usefulness for architects, historians, and others interested in Gothic architecture and design.[2][3][4]About the authorFrederick Apthorp Paley (14 January 1815 – 8 December 1888) was an English classical scholar. He was born in Easingwold, Yorkshire, to Rev. Edmund Paley and Sarah (née Apthorp), and was the grandson of William Paley. Paley was educated at Shrewsbury School and St John's College, Cambridge, where he earned his BA in 1838. He was a prominent figure in classical studies and published several notable works on ancient Greek and Roman literature, including editions of Aeschylus, Euripides, Propertius, Hesiod, Homer's *Iliad*, and Sophocles' plays[2][3][4].In addition to his classical scholarship, Paley also demonstrated considerable knowledge of architecture and published two significant works: A Manual of Gothic Architecture (1846) and A Manual of Gothic Mouldings (1845)[2][3].Source: Perplexity.aiCurated by Gabrielle Ly

Terra Cotta of the Italian Renaissance - 1925

7/8/24"Terra Cotta of the Italian Renaissance" is a notable book published by the National Terra Cotta Society in 1925. The book is a comprehensive study of terra cotta architectural details from the Italian Renaissance period. It features extensive full-page illustrations and photographs that were meticulously gathered throughout Italy by Arthur Frederick Adams, a lover of terra cotta in architecture[3][4][5].The book includes a short introduction titled "Terra Cotta Precedent in Italy: Its Adaptability to Modern Design," followed by numerous plates with captions that vary in length from one line to a full paragraph. These photographs highlight the use of terra cotta in various significant buildings, such as churches, palaces, and villas, showcasing the material's decorative and structural applications[4].The first edition is bound in black cloth with gilt lettering and brown paper over boards, and it spans approximately 200 pages. It is highly regarded for its visual content and historical significance, making it a valuable resource for architects and historians interested in Renaissance architecture and terra cotta ornamentation[3][5].Source: Perplexity.aiCurated by Gabrielle Ly

211

The Lady's Book of Flowers and Poetry

7/8/24The Lady's Book of Flowers and Poetry, edited by Lucy Hooper, is a comprehensive work that combines floral themes with poetry[1][4]. This book encompasses several key components:1. A collection of flower-themed poetry2. A botanical introduction3. A complete floral dictionary4. A chapter on plants in roomsThe book appears to be designed as a guide for ladies interested in both the aesthetic and practical aspects of flowers[1][5]. It provides a blend of artistic appreciation through poetry and practical knowledge about plants and their care.The botanical introduction likely offers readers a foundational understanding of plant science, while the floral dictionary serves as a comprehensive reference for various flower species[4]. The inclusion of a chapter on plants in rooms suggests that the book also provides practical advice on indoor gardening and plant care[5].This combination of elements makes the Lady's Book of Flowers and Poetry a multifaceted resource, appealing to those interested in the literary, scientific, and practical aspects of flowers and plant life.Source: Perplexity.aiCurated by Gabrielle Ly

US Geological Survey - 1885

7/8/24A geological survey is a systematic investigation of the geology beneath a specific area to create a geological map or model. This process involves studying the composition, structure, and other physical properties of the earth's materials, including rocks, minerals, and landforms. Techniques used in geological surveys range from traditional walk-over surveys and studying outcrops to more advanced methods like boreholes, geophysical techniques, and remote sensing through aerial photography and satellite imagery[2][3].Purpose of a Geological SurveyGeological surveys are conducted for several reasons:1. Resource Identification and Management: They help identify and manage natural resources such as minerals, oil, gas, and water. This information is crucial for resource extraction industries and for ensuring sustainable use of these resources[1][3].2. Natural Hazard Assessment: Geological surveys provide critical data for assessing natural hazards like earthquakes, landslides, and volcanic activity. This information is vital for disaster preparedness and mitigation efforts[1][4].3. Land Use Planning and Development: The data from geological surveys inform land use planning and infrastructure development, ensuring that construction projects are safe and sustainable. This includes understanding soil and rock characteristics for projects like tunneling and drilling[5].4. Environmental Protection: Surveys help in understanding geological formations and processes, which is essential for environmental conservation and addressing issues like soil erosion and groundwater contamination[3].5. Scientific Research: They advance the knowledge of geosciences, contributing to academic research and education. Geological surveys often result in the publication of maps and reports that provide comprehensive geological information for various stakeholders[2][3].Examples of Geological Survey OrganizationsSeveral national and regional organizations conduct geological surveys, including:- United States Geological Survey (USGS): The largest civilian mapping agency in the U.S., providing extensive data on natural resources and hazards[1][4].- British Geological Survey (BGS): The UK's principal provider of geological data and services[2].- Geological Survey of Canada (GSC): Canada's national organization for geological research and mapping[2].These organizations play a crucial role in maintaining geological inventories and supporting various sectors through their research and data collection efforts.Source: Perplexity.aiCurated by Gabrielle Ly

304

Arabic History of Christ - 1912

Civil War Maps - 1895 - Breiman Collection

Civil war maps 18957/16/24Calvin D. Cowles compiled a significant atlas of Civil War maps titled "An Atlas to Accompany the Official Records of the Union and Confederate Armies," published by the Government Printing Office from 1891 to 1895[1][2]. This atlas is considered an indispensable part of the Official Records of the Civil War and stands as the most comprehensive collection of maps pertaining to the conflict[1].The atlas consists of three large folio volumes containing 175 double-folio plates with 821 colored maps and charts, 106 tinted lithographs based on original photographs, and 209 line drawings of equipment, uniforms, insignia, and flags[1]. The maps are remarkably detailed, often printed in several colors, and include battlefield maps specifying troop positions and movements[1].Key features of the Cowles atlas include:1. Four main sections, with the largest focusing on military operations in the field[1].2. Sections covering general topography, delineation of military divisions and departments, and other miscellaneous topics[1].3. Reproduction of maps drawn during the war by engineers, draftsmen, and sometimes even generals for actual military use[2].4. Tactical and strategic maps indicating troop disposition, defense lines, redoubts, and fortifications[2].5. Terrain maps often showing picket positions, signal stations, and lines of march[2].The atlas provides a wealth of information, with its index referencing campaigns, battles, geographical features, infrastructure, and various military-related locations[2]. It serves as an invaluable resource for understanding the geographical and strategic aspects of the American Civil War.It's worth noting that this atlas was part of a larger project to compile and publish the official records of the Civil War, which began with a joint resolution of Congress on May 19, 1864[1]. The atlas itself was not reprinted until 1958, making original editions particularly valuable[2].Source: Perplexity.aiGabrielle Lykeywords: richbreiman

206

Various Rich Breiman images - shot July 1, 2023

...keyword: richbreiman

Various Rich Breiman Images - shot June 10, 2023

various images from the collection of Rich Breiman keyword: richbreiman

226

A Study of the Orders - 1906

... 7/8/24The Study of the Orders published in 1906 is a book about architecture, specifically focusing on the classical orders of architecture[1][2][4]. It was authored by Frank Chouteau Brown and published by the American School of Correspondence[2][4].The classical orders of architecture are a set of styles or rules for designing columns and entablatures in classical architecture. These orders originated in ancient Greece and Rome and have been influential in Western architecture for centuries.The book appears to be an instructional text, likely aimed at students or professionals in the field of architecture[3]. It provides a detailed examination of the various architectural orders, their characteristics, and their applications in building design.While the specific content is not detailed in the search results, books on this topic typically cover:- The five main classical orders: Doric, Ionic, Corinthian, Tuscan, and Composite- The historical development of these orders- The proportions and measurements associated with each order- The decorative elements and details specific to each order- Examples of how these orders have been used in notable buildingsIt's worth noting that this book has been restored and republished, indicating its enduring relevance in the study of classical architecture[1].Source: Perplexity.aiCurated by Gabrielle Ly

215

Audubon Animals - shot 2023-07-29

from the collection of Rich Breiman7/16/24John James Audubon (1785-1851) was a French-American ornithologist, naturalist, and artist who made significant contributions to the field of ornithology and wildlife art[2]. He is best known for his ambitious project to document and illustrate all the bird species of North America, which resulted in his seminal work "The Birds of America" (1827-1839)[1][2].Audubon's importance stems from several key factors:1. Artistic and scientific contributions: His detailed, life-size illustrations of North American birds in their natural habitats set a new standard for wildlife art and ornithological documentation[2]. "The Birds of America" is considered one of the finest ornithological works ever completed[2].2. Discovery of new species: Audubon identified 25 new bird species and 12 new subspecies, contributing to the scientific understanding of North American avifauna[2][3].3. Influence on ornithology: His work inspired many later ornithologists and naturalists, including Charles Darwin, who quoted Audubon in "On the Origin of Species"[2][4].4. Conservation legacy: Although Audubon himself did not establish it, the National Audubon Society, founded in 1905 and named in his honor, has become a major force in bird conservation and environmental protection[2][3].5. Cultural impact: Audubon's name has become synonymous with bird conservation and study in North America, with numerous places, organizations, and institutions bearing his name[2].It's important to note that while Audubon made significant contributions to ornithology and art, his legacy is complicated by his personal history. He enslaved people, held racist views, and was critical of emancipation[1][3]. This has led to ongoing discussions about his place in history and the use of his name by conservation organizations[3].Despite these controversies, Audubon's artistic and scientific work remains highly influential in the fields of ornithology and wildlife art, cementing his place as a significant figure in the history of American natural science.Source: Perplexity.aiGabrielle LyKeyword: richbreiman

Map of the Road from Missouri to Oregon - Preuss - 1846

Source: DavidRumsey.com

Harper's Weekly Folio Pages - Rich Breiman collection

7/8/24Harper's Weekly was an American political magazine published in New York City from 1857 to 1916[1]. It was founded by Fletcher Harper of Harper & Brothers publishing company and quickly became one of the most widely read journals in the United States during the mid-19th century, particularly during the American Civil War era[1].The magazine was published in folio format (large pages) for several reasons:1. To accommodate large illustrations: Harper's Weekly was known for its high-quality illustrations, including political cartoons, depictions of current events, and artwork by renowned illustrators like Thomas Nast and Winslow Homer[1]. The large folio pages allowed these illustrations to be presented in detail and with impact.2. To provide comprehensive coverage: The folio format allowed for extensive articles on foreign and domestic news, fiction, essays, and humor to be presented alongside the illustrations[1].3. To match contemporary publishing trends: Many newspapers and magazines of the time were published in folio format, as it was considered suitable for presenting a wide range of content.4. To create a prestigious appearance: The large format gave the publication a substantial and authoritative look, befitting its subtitle "A Journal of Civilization"[3].The folio format typically measured around 39.5 cm (15.5 inches) in height[2], which allowed for a striking visual presentation of both text and images. This format was particularly effective for the magazine's extensive coverage of the American Civil War, including many detailed illustrations of war events[1].Harper's Weekly's large format and comprehensive content made it an influential publication of its time, serving as a significant source of news, entertainment, and political commentary for American readers throughout its 59-year run[1].Source: Perplexity.aiCurated by Gabrielle LyKeyword: richbreiman

157

Harper's Weekly - Loose Pages - Rich Breiman collection

7/8/24Harper's Weekly was a prominent American illustrated magazine published by Harper & Brothers from 1857 to 1916. It was known for its extensive coverage of political, military, social, and cultural events, particularly during the Civil War and the Reconstruction era.Key Features and Historical Context- Founding and Popularity: Harper's Weekly began publication in 1857 and quickly gained popularity due to its high-quality illustrations and editorial content. By the end of 1861, it had a circulation of 120,000, making it one of the leading magazines of the Civil War period[2].- Illustrations and Artists: The magazine featured illustrations by notable artists such as Winslow Homer, Thomas Nast, and Mathew Brady. These illustrations played a significant role in its appeal and influence[1].- Civil War Coverage: Harper's Weekly was widely read by Union soldiers and provided extensive coverage of the Civil War. It supported the Lincoln administration and the Union cause, although it maintained a less strident tone compared to some of its contributors like Thomas Nast[2][3].- Political Influence: The magazine's influence peaked during the 1870s, particularly through Nast's cartoons attacking New York's Tammany Hall and political figures like William Tweed. These cartoons gained national attention and were especially favored by Republicans[2].- Decline and Cessation: The magazine began to lose favor in 1884 due to its opposition to the Republican presidential nominee, James G. Blaine. This led to a decline in circulation and ongoing conflicts within the editorial team. Thomas Nast left the magazine in 1887, and Harper's Weekly eventually ceased publication in 1916[2].Content and Legacy- Content Variety: Harper's Weekly included a mix of news, literary content, poems, humor, and serialized stories, such as Charles Dickens's "Great Expectations." It also featured significant historical documents and illustrations, like President Lincoln's proclamation of war and the bombing of Fort Sumter[3].- Legacy: Despite its cessation in 1916, Harper's Weekly left a lasting legacy in American journalism and illustration. It set a standard for illustrated magazines and played a crucial role in shaping public opinion during significant historical events.For more detailed information, you can explore the archives and historical analyses available through various academic and library resources[1][2][3][4].Source: Perplexity.aiCurated by Gabrielle LyKeyword: richbreiman

117

Audubon animals shot 2023-08-12

7/16/24John James Audubon (1785-1851) was a French-American ornithologist, naturalist, and artist who made significant contributions to the field of ornithology and wildlife art[2]. He is best known for his ambitious project to document and illustrate all the bird species of North America, which resulted in his seminal work "The Birds of America" (1827-1839)[1][2].Audubon's importance stems from several key factors:1. Artistic and scientific contributions: His detailed, life-size illustrations of North American birds in their natural habitats set a new standard for wildlife art and ornithological documentation[2]. "The Birds of America" is considered one of the finest ornithological works ever completed[2].2. Discovery of new species: Audubon identified 25 new bird species and 12 new subspecies, contributing to the scientific understanding of North American avifauna[2][3].3. Influence on ornithology: His work inspired many later ornithologists and naturalists, including Charles Darwin, who quoted Audubon in "On the Origin of Species"[2][4].4. Conservation legacy: Although Audubon himself did not establish it, the National Audubon Society, founded in 1905 and named in his honor, has become a major force in bird conservation and environmental protection[2][3].5. Cultural impact: Audubon's name has become synonymous with bird conservation and study in North America, with numerous places, organizations, and institutions bearing his name[2].It's important to note that while Audubon made significant contributions to ornithology and art, his legacy is complicated by his personal history. He enslaved people, held racist views, and was critical of emancipation[1][3]. This has led to ongoing discussions about his place in history and the use of his name by conservation organizations[3].Despite these controversies, Audubon's artistic and scientific work remains highly influential in the fields of ornithology and wildlife art, cementing his place as a significant figure in the history of American natural science.Source: Perplexity.aiGabrielle Lykeyword: richbreiman

E396 Audubon birds - shot 2023-08-12

From the collection of Rich Breiman. John James "JJ" Audubon was a French-American artist and naturalist, most known for his work in ornithology, published in various editions of “Birds of America.” Born in Haiti, raised in France, Audubon spent his childhood fascinated with birds, and once he headed to the states at 18, his interests only grew. His father had given him an estate in Pennsylvania, where he began a series of drawings of American birds: he would observe the birds’ habitat and behavior, then would shoot and hang it and draw it as close to life as possible. He was never too concerned with making money, remarking in his diary; “birds were birds then as now, and my thoughts were ever and anon thinking toward them as the objects of my greatest delight. I shot, I drew, I looked on nature only; my days were happy beyond human conception, and beyond this I really cared not.” He abandoned or failed at most business ventures; he and his wife spent their young adulthood in poverty, and Audubon even spent some time in debtor prison. He began to spend months at a time in the woods, hunting, drawing, and writing biographies. With a large collection, but just a fraction of what he would come to produce, Audubon sailed to England in search of a friendlier market for his work. His American bird series sold well, and he was able to find a printer for his work in London, as well as a collaborator in William MacGillivray, an ornithologist who assisted him in the descriptions of each bird. Audubon’s work was becoming pretty popular, but the huge folios he was producing were not accessible to everyone. The octavo edition, which is a smaller edition that was meant to be more accessible, was produced in Philadelphia beginning in 1840. Most of the prints in this collection are from the first two editions of the octavo “Birds of America.” In his work, Audubon made use of his extensive research, and of his from-life models. The majority of his images are exactly true to life, with every feather and limb being placed meticulously. To recount his process, he would use wire to pose the birds in positions that would have been the most natural in the wild, while also considering what parts of the bird should be visible to the viewer. There is an obvious compositional effort in the pieces, as well: no bird is alone on the canvas, and while some are more intricate than others, Audubon does his best to place each bird within a fitting habitat. Whether these scenes are real or imagined is indeterminate―it’s probably a bit of both.Audubon’s legacy is fairly complicated for a number of reasons. While he was not the first to do what he did, not even in America, he was the most influential by far. Often praised in his life for his artistic ability, Audubon’s works were beautiful and lifelike. He was respected enough as an ornithologist and natural historian that the Audubon Society, a non-profit that works towards the conservation and habitat preservation of endangered birds, was named after him. But there are also rumors of fraud and theft, for example, that he drew imaginary birds. It's true that there are some birds that he drew that are unidentified, some think that he drew hybrids or was forced to draw in some cases from memory, and some think this was more intentional. There is a controversy regarding his plate of the Bird of Washington, for example, which Audubon claimed to be a new species closely related to the bald eagle, but seems to be just a youngling of that species. This is a fascinating read, and it is linked below. He also in his field notes describes the taste of many of the species he records. In his hunting, it seems, he also killed many more birds than were necessary just for survival and for drawing. Most important to mention was his lifetime of opposition to the abolition movement. He produced writings against emancipation, and he himself bought enslaved people for his estate when he still owned it, and for his expeditions before setting off to England. Despite the importance of his art, and the good that has come from his legacy, it is important to recognize that the man behind them was imperfect, to say the least; these actions of his should not be forgotten or excused. For more information: The Myth of John James AudubonJohn James Audubon(Audubon Society)John James Audubon(Britannica)Five Mystery Birds Among Audubon's PaintingsAudubon's Bird of Washington: unravelling the fraud that launched the Birds of AmericaAudubon and his JournalsAll About BirdsBirds of AmericaAudubon Society: Guide to North American Birds keyword: richbreiman

The Butterfly Hunters - 1868

"The Butterfly Hunters" is a book written by Helen S. Conant, first published in 1868 by Ticknor and Fields15. The book is about the study of butterflies and their natural history, and it aimed to generate greater interest in the subject23. The author, Helen S. Conant, was a naturalist and writer who lived from 1839 to 189916. The book was republished in 1875 by J.R. Osgood & Company4Helen S. Conant was an American author, poet, and translator, born on October 9, 1839, in Methuen, Massachusetts, and died on April 17, 1899, in Brooklyn, New York City, New York1. She is best known for writing "The Butterfly Hunters," published in 1868 by Ticknor and Fields15. Conant also wrote "A Primer of German Literature" (1877) and "A Primer of Spanish Literature" (1878), both published by Harper & Brothers1. She co-translated "The Ancient Cities of the New World" (1887) by Désiré Charnay from French with J. Gonino1. Conant contributed many of her poems to various Harper & Brother publications, including Harper's Bazar1. She was married to Samuel Stillman Conant, and they had a son named Thomas Peters Conant1Samuel Stillman Conant (1831-1885?) was an American journalist, author, and literary editor3. He was born on December 11, 1831, in Waterville, Maine, to Thomas Jefferson Conant, a reverend, and Hanna O'Brien Conant née Chaplin3. He was educated at Madison University in Hamilton, New York, before spending several years studying across Europe, in cities including Berlin, Heidelberg, and Munich3. Conant returned to the United States in 1860, when he entered into the field of journalism3. He worked as managing editor of The New York Times from 1862 to 1869, resigning after Henry Jarvis Raymond died3. He edited Harper's Weekly from 1869 to his disappearance in 18853. Conant was one of the most prominent art critics of his era3. He published some criticism for The Galaxy in 18853. He also published a translation from Russian to English of Circassian Boy by Mikhail Lermontov in 18753. Samuel Stillman Conant was married to Helen S. Conant, the author of "The Butterfly Hunters," and they had a son named Thomas Peters Conant13.

Kunst Und Geschichte - 1926

Hermann Luckenbach was a German classical scholar and high school teacher, born on December 27, 1856, in Meiderich, and he passed away on April 2, 1949, in Heidelberg1. He was known for his work in the field of classical studies and education. As a gymnasium teacher, he made significant contributions to the study of classical languages and literature. His most notable work, "Kunst Und Geschichte," reflects his expertise in art and history. This multi-volume work, written in German, is a testament to his scholarly pursuits and interests. Luckenbach's legacy lies in his dedication to classical education and his contributions to the understanding of art and history through his writings and teachings.Source: Perplexity.aiBought from Bob Johnson 2023

322

Japanese Medical Book - Zentai Shinron

Japanese Medical Book - Zentai Shinron7/8/24Zentai Shinron is a Japanese medical text originally authored by Benjamin Hobson, a British physician and medical missionary, in 1857[3]. The title "Zentai Shinron" can be translated as "New Theory of the Whole Body" or "New Treatise on the Entire Body."This work was significant in introducing Western medical knowledge to Japan during the late Edo period. It provided comprehensive information on human anatomy and physiology, which was largely unknown in traditional Japanese medicine at the time[3].The text is typically divided into multiple volumes, as evidenced by references to different parts or volumes in the search results[4][5]. It appears to have been widely studied and referenced, with various editions and commentaries produced over time.The Zentai Shinron played a crucial role in the modernization of Japanese medicine, helping to bridge the gap between traditional Eastern medical practices and Western medical science. Its influence extended beyond Japan, as it was also studied in other East Asian countries interested in Western medical knowledge during the 19th century.Source: Perplexity.aiCurated by Gabrielle Ly

Eight Interesting Aspects - Rich Breiman

...