Various Art from Bonham’s at 601 California

0 of 0

Click here to enter exhibit

Step 0 of 0

1

[ 2025-09-02 22:16:07 ]
[ 2025-09-02 22:16:07 ]

2

[ 2025-09-02 22:18:20 ]
[ 2025-09-02 22:18:20 ]

3

[ 2025-09-02 22:15:47 ]
[ 2025-09-02 22:15:47 ]

4

[ 2025-09-02 22:15:28 ]
[ 2025-09-02 22:15:28 ]

5

[ 2025-09-02 22:15:12 ]
[ 2025-09-02 22:15:12 ]

6

[ 2025-09-02 22:14:34 ]
[ 2025-09-02 22:14:34 ]

7

[ 2025-09-02 22:13:59 ]
[ 2025-09-02 22:13:59 ]

8

[ 2025-09-02 22:13:18 ]
[ 2025-09-02 22:13:18 ]

9

[ 2025-09-02 22:12:54 ]
[ 2025-09-02 22:12:54 ]

10

[ 2025-09-02 22:12:32 ]
[ 2025-09-02 22:12:32 ]

11

[ 2025-09-02 22:12:14 ]
[ 2025-09-02 22:12:14 ]

12

[ 2025-09-02 22:11:59 ]
[ 2025-09-02 22:11:59 ]

13

[ 2025-07-25 00:03:27 ]
[ 2025-07-25 00:03:27 ]

14

[ 2025-07-25 00:02:58 ]
[ 2025-07-25 00:02:58 ]

15

[ 2025-07-25 00:02:18 ]
[ 2025-07-25 00:02:18 ]

16

[ 2025-07-25 00:01:06 ]
[ 2025-07-25 00:01:06 ]

17

[ 2025-07-25 00:00:06 ]
[ 2025-07-25 00:00:06 ]

18

[ 2025-07-24 23:59:09 ]
[ 2025-07-24 23:59:09 ]

19

[ 2025-07-24 23:58:11 ]
[ 2025-07-24 23:58:11 ]

20

[ 2025-07-24 23:53:24 ]
[ 2025-07-24 23:53:24 ]

21

[ 2025-07-24 23:52:59 ]
[ 2025-07-24 23:52:59 ]

22

[ 2025-07-24 23:52:37 ]
[ 2025-07-24 23:52:37 ]

23

[ 2025-07-24 23:52:02 ]
[ 2025-07-24 23:52:02 ]

24

[ 2025-07-24 23:50:36 ]
[ 2025-07-24 23:50:36 ]

25

[ 2025-07-24 23:48:49 ]
[ 2025-07-24 23:48:49 ]

26

[ 2025-07-24 23:47:30 ]
[ 2025-07-24 23:47:30 ]

27

[ 2025-07-24 23:47:04 ]
[ 2025-07-24 23:47:04 ]

28

[ 2025-07-24 23:45:58 ]
[ 2025-07-24 23:45:58 ]

29

[ 2025-07-24 23:45:02 ]
[ 2025-07-24 23:45:02 ]

30

[ 2025-06-25 17:52:18 ]
[ 2025-06-25 17:52:18 ]

31

[ 2025-06-25 17:51:57 ]
[ 2025-06-25 17:51:57 ]

32

[ 2025-06-25 17:51:31 ]
[ 2025-06-25 17:51:31 ]

33

The exhibit is gone, the day after I saw it!
The exhibit is gone, the day after I saw it!

34

The exhibit is gone, the day after I saw it!
The exhibit is gone, the day after I saw it!

35

The exhibit is gone, the day after I saw it!
The exhibit is gone, the day after I saw it!

36

[ 2025-06-05 17:41:00 ]
[ 2025-06-05 17:41:00 ]

37

[ 2025-06-05 17:40:38 ]
[ 2025-06-05 17:40:38 ]

38

Joan Miro
Joan Miro

39

Robert Motherwell, Untitled (Blue), from London Series I, 1971
Robert Motherwell, Untitled (Blue), from London Series I, 1971

40

DAVID HOCKNEY (b. 1937), Amaryllis in a Vase, from: Moving Focus
DAVID HOCKNEY (b. 1937), Amaryllis in a Vase, from: Moving Focus

41

[ 2025-06-05 17:39:18 ]
[ 2025-06-05 17:39:18 ]

42

[ 2025-06-05 17:38:35 ]
[ 2025-06-05 17:38:35 ]

43

Blue Curve - Ellsworth Kelly
Blue Curve - Ellsworth Kelly

44

[ 2025-06-05 17:37:30 ]
[ 2025-06-05 17:37:30 ]

45

[ 2025-06-05 17:37:06 ]
[ 2025-06-05 17:37:06 ]

46

[ 2025-06-05 17:36:21 ]
[ 2025-06-05 17:36:21 ]

47

[ 2025-06-05 17:35:27 ]
[ 2025-06-05 17:35:27 ]

48

[ 2025-06-05 17:34:35 ]
[ 2025-06-05 17:34:35 ]

49

[ 2025-06-05 17:34:04 ]
[ 2025-06-05 17:34:04 ]

50

[ 2025-06-05 17:33:38 ]
[ 2025-06-05 17:33:38 ]

51

[ 2025-06-05 17:33:19 ]
[ 2025-06-05 17:33:19 ]

52

[ 2025-06-05 17:32:35 ]
[ 2025-06-05 17:32:35 ]

53

[ 2025-06-05 17:32:18 ]
[ 2025-06-05 17:32:18 ]

54

[ 2025-06-05 17:31:54 ]
[ 2025-06-05 17:31:54 ]

55

Card Game - Richard Diebenkorn - 1981
Card Game - Richard Diebenkorn - 1981

56

[ 2025-06-05 17:31:07 ]
[ 2025-06-05 17:31:07 ]

57

Visit to Bonham’s - 3/28/25
Visit to Bonham’s - 3/28/25

58

Jerry Jordan
Jerry Jordan

59

[ 2025-03-28 20:52:15 ]
[ 2025-03-28 20:52:15 ]

60

[ 2025-03-28 20:52:38 ]
[ 2025-03-28 20:52:38 ]

61

[ 2025-03-28 20:52:58 ]
[ 2025-03-28 20:52:58 ]

62

[ 2025-03-28 20:53:40 ]
[ 2025-03-28 20:53:40 ]

63

[ 2025-03-28 20:55:39 ]
[ 2025-03-28 20:55:39 ]

64

Craig Tennant
Craig Tennant

65

[ 2025-03-28 20:53:58 ]
[ 2025-03-28 20:53:58 ]

66

[ 2025-03-28 20:54:38 ]
[ 2025-03-28 20:54:38 ]

67

[ 2025-03-28 20:54:55 ]
[ 2025-03-28 20:54:55 ]

68

[ 2025-03-28 20:55:10 ]
[ 2025-03-28 20:55:10 ]

69

[ 2025-03-28 20:56:15 ]
[ 2025-03-28 20:56:15 ]

70

[ 2025-03-28 20:57:31 ]
[ 2025-03-28 20:57:31 ]

71

[ 2024-08-13 18:56:24 ]
[ 2024-08-13 18:56:24 ]

72

Robert Motherwell [ 2024-08-13 18:56:45 ]
Robert Motherwell [ 2024-08-13 18:56:45 ]

73

[ 2024-08-13 18:57:16 ]
[ 2024-08-13 18:57:16 ]

74

Richard Serra
Richard Serra

75

[ 2024-08-13 18:58:05 ]
[ 2024-08-13 18:58:05 ]

76

[ 2024-08-13 18:59:40 ]
[ 2024-08-13 18:59:40 ]

77

Damien Hirst - All You Need is Love, Love, Love, 2009
Damien Hirst - All You Need is Love, Love, Love, 2009

78

[ 2024-08-13 19:00:28 ]
[ 2024-08-13 19:00:28 ]

79

[ 2024-08-13 19:01:18 ]
[ 2024-08-13 19:01:18 ]

80

[ 2024-08-13 19:01:52 ]
[ 2024-08-13 19:01:52 ]

81

[ 2024-08-13 19:02:18 ]
[ 2024-08-13 19:02:18 ]

82

[ 2024-08-13 19:02:50 ]
[ 2024-08-13 19:02:50 ]

83

[ 2024-08-13 19:03:09 ]
[ 2024-08-13 19:03:09 ]

84

[ 2024-08-13 19:03:34 ]
[ 2024-08-13 19:03:34 ]

[ 2025-09-02 22:16:07 ]

Image 1 of 84 | e600 | i38809 | 4032x3024px
[ 2025-09-02 22:16:07 ]

[ 2025-09-02 22:16:07 ]

0
0

[ 2025-09-02 22:18:20 ]

Image 2 of 84 | e600 | i38810 | 4032x3024px
[ 2025-09-02 22:18:20 ]

[ 2025-09-02 22:18:20 ]

0
0

[ 2025-09-02 22:15:47 ]

Image 3 of 84 | e600 | i38808 | 3024x4032px
[ 2025-09-02 22:15:47 ]

[ 2025-09-02 22:15:47 ]

0
0

[ 2025-09-02 22:15:28 ]

Image 4 of 84 | e600 | i38807 | 4032x3024px
[ 2025-09-02 22:15:28 ]

[ 2025-09-02 22:15:28 ]

0
0

[ 2025-09-02 22:15:12 ]

Image 5 of 84 | e600 | i38806 | 3024x4032px
[ 2025-09-02 22:15:12 ]

[ 2025-09-02 22:15:12 ]

0
0

[ 2025-09-02 22:14:34 ]

Image 6 of 84 | e600 | i38805 | 3024x4032px
[ 2025-09-02 22:14:34 ]

[ 2025-09-02 22:14:34 ]

0
0

[ 2025-09-02 22:13:59 ]

Image 7 of 84 | e600 | i38804 | 4032x3024px
[ 2025-09-02 22:13:59 ]

[ 2025-09-02 22:13:59 ]

0
0

[ 2025-09-02 22:13:18 ]

Image 8 of 84 | e600 | i38803 | 3024x4032px
[ 2025-09-02 22:13:18 ]

[ 2025-09-02 22:13:18 ]

0
0

[ 2025-09-02 22:12:54 ]

Image 9 of 84 | e600 | i38802 | 4032x3024px
[ 2025-09-02 22:12:54 ]

[ 2025-09-02 22:12:54 ]

0
0

[ 2025-09-02 22:12:32 ]

Image 10 of 84 | e600 | i38801 | 4032x3024px
[ 2025-09-02 22:12:32 ]

[ 2025-09-02 22:12:32 ]

0
0

[ 2025-09-02 22:12:14 ]

Image 11 of 84 | e600 | i38800 | 4032x3024px
[ 2025-09-02 22:12:14 ]

[ 2025-09-02 22:12:14 ]

0
0

[ 2025-09-02 22:11:59 ]

Image 12 of 84 | e600 | i38799 | 4032x3024px
[ 2025-09-02 22:11:59 ]

[ 2025-09-02 22:11:59 ]

0
0

[ 2025-07-25 00:03:27 ]

Image 13 of 84 | e600 | i37343 | 2316x3088px
[ 2025-07-25 00:03:27 ]

[ 2025-07-25 00:03:27 ]

0
0

[ 2025-07-25 00:02:58 ]

Image 14 of 84 | e600 | i37342 | 4032x3024px
[ 2025-07-25 00:02:58 ]

[ 2025-07-25 00:02:58 ]

0
0

[ 2025-07-25 00:02:18 ]

Image 15 of 84 | e600 | i37341 | 3024x4032px
[ 2025-07-25 00:02:18 ]

[ 2025-07-25 00:02:18 ]

0
0

[ 2025-07-25 00:01:06 ]

Image 16 of 84 | e600 | i37340 | 3024x4032px
[ 2025-07-25 00:01:06 ]

[ 2025-07-25 00:01:06 ]

0
0

[ 2025-07-25 00:00:06 ]

Image 17 of 84 | e600 | i37339 | 3024x4032px
[ 2025-07-25 00:00:06 ]

[ 2025-07-25 00:00:06 ]

0
0

[ 2025-07-24 23:59:09 ]

Image 18 of 84 | e600 | i37338 | 4032x3024px
[ 2025-07-24 23:59:09 ]

[ 2025-07-24 23:59:09 ]

0
0

[ 2025-07-24 23:58:11 ]

Image 19 of 84 | e600 | i37337 | 4032x3024px
[ 2025-07-24 23:58:11 ]

[ 2025-07-24 23:58:11 ]

0
0

[ 2025-07-24 23:53:24 ]

Image 20 of 84 | e600 | i37336 | 3024x4032px
[ 2025-07-24 23:53:24 ]

[ 2025-07-24 23:53:24 ]

0
0

[ 2025-07-24 23:52:59 ]

Image 21 of 84 | e600 | i37335 | 4032x3024px
[ 2025-07-24 23:52:59 ]

[ 2025-07-24 23:52:59 ]

0
0

[ 2025-07-24 23:52:37 ]

Image 22 of 84 | e600 | i37334 | 4032x3024px
[ 2025-07-24 23:52:37 ]

[ 2025-07-24 23:52:37 ]

0
0

[ 2025-07-24 23:52:02 ]

Image 23 of 84 | e600 | i37333 | 3024x4032px
[ 2025-07-24 23:52:02 ]

[ 2025-07-24 23:52:02 ]

0
0

[ 2025-07-24 23:50:36 ]

Image 24 of 84 | e600 | i37332 | 3024x4032px
[ 2025-07-24 23:50:36 ]

[ 2025-07-24 23:50:36 ]

0
0

[ 2025-07-24 23:48:49 ]

Image 25 of 84 | e600 | i37331 | 4032x3024px
[ 2025-07-24 23:48:49 ]

[ 2025-07-24 23:48:49 ]

0
0

[ 2025-07-24 23:47:30 ]

Image 26 of 84 | e600 | i37330 | 4032x3024px
[ 2025-07-24 23:47:30 ]

[ 2025-07-24 23:47:30 ]

0
0

[ 2025-07-24 23:47:04 ]

Image 27 of 84 | e600 | i37329 | 4032x3024px
[ 2025-07-24 23:47:04 ]

[ 2025-07-24 23:47:04 ]

0
0

[ 2025-07-24 23:45:58 ]

Image 28 of 84 | e600 | i37328 | 4032x3024px
[ 2025-07-24 23:45:58 ]

[ 2025-07-24 23:45:58 ]

0
0

[ 2025-07-24 23:45:02 ]

Image 29 of 84 | e600 | i37327 | 4284x5712px
[ 2025-07-24 23:45:02 ]

[ 2025-07-24 23:45:02 ]

0
0

[ 2025-06-25 17:52:18 ]

Image 30 of 84 | e600 | i36755 | 4032x3024px
[ 2025-06-25 17:52:18 ]

[ 2025-06-25 17:52:18 ]

0
0

[ 2025-06-25 17:51:57 ]

Image 31 of 84 | e600 | i36754 | 3024x4032px
[ 2025-06-25 17:51:57 ]

[ 2025-06-25 17:51:57 ]

0
0

[ 2025-06-25 17:51:31 ]

Image 32 of 84 | e600 | i36753 | 3024x4032px
[ 2025-06-25 17:51:31 ]

[ 2025-06-25 17:51:31 ]

0
0

The exhibit is gone, the day after I saw it!

Image 33 of 84 | e600 | i36558 | 4032x3024px
The exhibit is gone, the day after I saw it!

[ 2025-06-07 18:36:38 ]

0
0

The exhibit is gone, the day after I saw it!

Image 34 of 84 | e600 | i36557 | 5712x4284px
The exhibit is gone, the day after I saw it!

[ 2025-06-07 18:36:11 ]

0
0

The exhibit is gone, the day after I saw it!

Image 35 of 84 | e600 | i36556 | 5712x4284px
The exhibit is gone, the day after I saw it!

[ 2025-06-07 18:35:12 ]

0
0

[ 2025-06-05 17:41:00 ]

Image 36 of 84 | e600 | i36549 | 4032x3024px
[ 2025-06-05 17:41:00 ]

[ 2025-06-05 17:41:00 ]

0
0

[ 2025-06-05 17:40:38 ]

Image 37 of 84 | e600 | i36548 | 4032x3024px
[ 2025-06-05 17:40:38 ]

[ 2025-06-05 17:40:38 ]

0
0

Joan Miro

Image 38 of 84 | e600 | i36547 | 4032x3024px
Joan Miro

mutualart.com | 

0
0

Robert Motherwell, Untitled (Blue), from London Series I, 1971

Image 39 of 84 | e600 | i36546 | 3024x4032px
Robert Motherwell, Untitled (Blue), from London Series I, 1971

artsy.net

[ 2025-06-05 17:39:56 ]

0
0

DAVID HOCKNEY (b. 1937), Amaryllis in a Vase, from: Moving Focus

Image 40 of 84 | e600 | i36545 | 3024x4032px
DAVID HOCKNEY (b. 1937), Amaryllis in a Vase, from: Moving Focus

christies.com
[ 2025-06-05 17:39:33 ]

0
0

[ 2025-06-05 17:39:18 ]

Image 41 of 84 | e600 | i36544 | 3024x4032px
[ 2025-06-05 17:39:18 ]

artsy.net |

[ 2025-06-05 17:39:18 ]

0
0

[ 2025-06-05 17:38:35 ]

Image 42 of 84 | e600 | i36543 | 4032x3024px
[ 2025-06-05 17:38:35 ]

[ 2025-06-05 17:38:35 ]

0
0

Blue Curve - Ellsworth Kelly

Image 43 of 84 | e600 | i36542 | 4032x3024px
Blue Curve - Ellsworth Kelly

Perplexity | mutualart |

Blue Curve (State II) by Ellsworth Kelly: History and Significance

Ellsworth Kelly’s Blue Curve (State II), created between 1987 and 1988, serves as a striking illustration of Kelly’s mature approach to abstraction, color, and spatial exploration. This large lithograph—measuring over 95cm by 213cm—features a sweeping, singular blue curve rendered on Arches 88 wove paper. Published by the famed Gemini G.E.L. studio in Los Angeles, the work represents Kelly’s ongoing collaboration with master printers and his dedication to expanding the possibilities of printmaking1.

Blue Curve (State II) is part of a lineage in Kelly’s oeuvre that investigates the expressive potential of the curve—a form he continually revisited across painting, sculpture, and print. Here, the gentle arc and saturated blue epitomize Kelly’s minimalist desire to distill art to its essential visual elements: color, form, and edge. Rather than depicting objects, the composition becomes an autonomous presence: the bold curve both defines and energizes the surrounding white space.

This print exemplifies Kelly’s commitment to shaped forms and the liberation of color outside traditional rectangular boundaries. By foregrounding a single color and a single gestural movement, Kelly creates a composition that blurs the line between painting, sculpture, and print—placing emphasis on the viewer’s direct perceptual experience. Within his body of work, Blue Curve (State II) stands as a hallmark of Kelly’s minimal yet expressive vocabulary, demonstrating how clarity and restraint can yield a profound visual impact12.

  • 1987–88, lithograph in blue on Arches 88 paper
  • Dimensions: 95.2 x 213.1cm
  • Publisher: Gemini G.E.L., Los Angeles
  • Example of Kelly’s minimalist and hard-edge abstraction12

By focusing only on the essentials—curve and color—Blue Curve (State II) highlights Ellsworth Kelly’s pioneering role in post-war abstraction, continuing his project of redefining the boundaries and possibilities of visual art12.

  1. https://www.nga.gov/artworks/72453-blue-curve-state-ii
  2. https://www.myartbroker.com/artist-ellsworth-kelly/guides/sellers-guide-to-ellsworth-kelly
  3. https://drupal-prod.nga.gov/artworks/72453-blue-curve-state-ii
  4. https://www.guggenheim.org/artwork/2075
  5. https://www.composition.gallery/art/ellsworth-kelly-untitled-blue-curve/
  6. https://app.smartify.org/en-GB/objects/blue-panel-ii
  7. https://artspiel.org/re-evaluating-ellsworth-kelly-at-100/
  8. https://matthewmarks.com/online/ellsworth-kelly/ek-483-reference-01/
  9. https://www.metmuseum.org/art/collection/search/484636
  10. https://www.theartstory.org/artist/kelly-ellsworth/
  11. https://www.reddit.com/r/delusionalartists/comments/bg68fw/took_this_pic_at_the_met_titled_blue_panel_ii/
  12. https://www.sothebys.com/en/auctions/ecatalogue/2017/contemporary-art-evening-auction-n09713/lot.42.html
  13. https://research.library.fordham.edu/cgi/viewcontent.cgi?article=1038&context=phil_research
  14. http://www.dreamideamachine.com/?p=102215
  15. https://www.christies.com/en/lot/lot-2056201
  16. https://ellsworthkelly.org/exhibition/ellsworth-kelly-4/
  17. https://www.composition.gallery/art/ellsworth-kelly-blue-with-black-ii-1/
  18. https://ellsworthkelly.org/chronology/
  19. https://www.sothebys.com/en/buy/auction/2020/important-prints-multiples/ellsworth-kelly-blue-curve-green-curve-black-curve
  20. https://www.themodern.org/collection/1202



[ 2025-06-05 17:38:14 ]

0
0

[ 2025-06-05 17:37:30 ]

Image 44 of 84 | e600 | i36541 | 4032x3024px
[ 2025-06-05 17:37:30 ]

[ 2025-06-05 17:37:30 ]

0
0

[ 2025-06-05 17:37:06 ]

Image 45 of 84 | e600 | i36540 | 3024x4032px
[ 2025-06-05 17:37:06 ]

[ 2025-06-05 17:37:06 ]

0
0

[ 2025-06-05 17:36:21 ]

Image 46 of 84 | e600 | i36539 | 4032x3024px
[ 2025-06-05 17:36:21 ]

[ 2025-06-05 17:36:21 ]

0
0

[ 2025-06-05 17:35:27 ]

Image 47 of 84 | e600 | i36538 | 4032x3024px
[ 2025-06-05 17:35:27 ]

[ 2025-06-05 17:35:27 ]

0
0

[ 2025-06-05 17:34:35 ]

Image 48 of 84 | e600 | i36537 | 3024x4032px
[ 2025-06-05 17:34:35 ]

[ 2025-06-05 17:34:35 ]

0
0

[ 2025-06-05 17:34:04 ]

Image 49 of 84 | e600 | i36536 | 3024x4032px
[ 2025-06-05 17:34:04 ]

[ 2025-06-05 17:34:04 ]

0
0

[ 2025-06-05 17:33:38 ]

Image 50 of 84 | e600 | i36535 | 3024x4032px
[ 2025-06-05 17:33:38 ]

[ 2025-06-05 17:33:38 ]

0
0

[ 2025-06-05 17:33:19 ]

Image 51 of 84 | e600 | i36534 | 3024x4032px
[ 2025-06-05 17:33:19 ]

[ 2025-06-05 17:33:19 ]

0
0

[ 2025-06-05 17:32:35 ]

Image 52 of 84 | e600 | i36533 | 4032x3024px
[ 2025-06-05 17:32:35 ]

[ 2025-06-05 17:32:35 ]

0
0

[ 2025-06-05 17:32:18 ]

Image 53 of 84 | e600 | i36532 | 4032x3024px
[ 2025-06-05 17:32:18 ]

[ 2025-06-05 17:32:18 ]

0
0

[ 2025-06-05 17:31:54 ]

Image 54 of 84 | e600 | i36531 | 4032x3024px
[ 2025-06-05 17:31:54 ]

[ 2025-06-05 17:31:54 ]

0
0

Card Game - Richard Diebenkorn - 1981

Image 55 of 84 | e600 | i36530 | 4032x3024px
Card Game - Richard Diebenkorn - 1981

MutualArt | 

[ 2025-06-05 17:31:34 ]

0
0

[ 2025-06-05 17:31:07 ]

Image 56 of 84 | e600 | i36529 | 3024x4032px
[ 2025-06-05 17:31:07 ]

[ 2025-06-05 17:31:07 ]

0
0

Visit to Bonham’s - 3/28/25

Image 57 of 84 | e600 | i34718 | 4032x3024px
Visit to Bonham’s - 3/28/25


[ 2025-03-28 20:58:09 ]

0
0

Jerry Jordan

Image 58 of 84 | e600 | i34719 | 1667x979px
Jerry Jordan

Perplexity | 

Jerry Jordan is a modern impressionist painter deeply rooted in the artistic traditions of Taos, New Mexico. Born in 1944 to a farming family in west Texas, Jordan's artistic journey began with early exposure to local artist W.R. Thrasher. His first forays into art involved completing paint-by-numbers sets, which soon led to creating original works. In 1963, Jordan visited Taos, where he was captivated by the landscapes and early 20th-century Taos painters. This marked the beginning of his lifelong connection with the area.

Jordan's path was not linear; he took a decade-long hiatus from painting to pursue a career in music and comedy, winning the "Comic of the Year" award in 1976. He returned to painting in the 1980s, influenced by Taos artists like Victor Higgins and Ernest Blumenschein. His work is characterized by vibrant colors and textures, often capturing the essence of Pueblo life and landscapes. Each painting is signed with "T.A.O.S.," symbolizing "Together Always Our Spirit." Jordan views painting as a spiritual act, aiming to channel a higher dimension through his art. Today, he resides in Taos, continuing to draw inspiration from its unique culture and landscapes124.

Citations:

  1. https://pdw.nationalcowboymuseum.org/artist/jerry-jordan/
  2. https://www.jerryjordantaos.com
  3. https://legacygallery.com/artist/jerry-jordan/
  4. http://www.vintagetexaspaintings.com/artists/1007-jerry-jordan-paintings
  5. https://www.askart.com/artist/artist/107069/artist.aspx
  6. https://www.instagram.com/jerryjordantaos/p/C9BNuxKOjS-/
  7. https://www.jerryjordantaos.com/art-book/p/jerry-jordan-together-always-our-spirit
  8. https://www.parsonsart.com/parsonswest/jerry_jordan/jordan
  9. https://www.instagram.com/jerryjordantaos/
  10. https://www.southwestart.com/articles-interviews/featured-artists/scenes_of_old_taos
  11. https://briscoenightofartists.org/collections/jordan-jerry
  12. https://images.squarespace-cdn.com/content/v1/5f29904c7ed4865ea1b7964e/1606679557100-AIHAZF2SPPMQOMI045IA/JERRY+BIO.png?sa=X&ved=2ahUKEwj88rHc0a6MAxU58MkDHToELjEQ_B16BAgLEAI
  13. https://www.unmpress.com/9781934491881/jerry-jordan/
  14. https://www.invaluable.com/artist/jordan-jerry-ycq05mc4mr/sold-at-auction-prices/

Answer from Perplexity: https://www.perplexity.ai/search/write-a-200-word-biography-of-IFOxilnETICusIapqm6rwA?utm_source=copy_output



[ 2025-03-29 06:13:23 ]

0
0

[ 2025-03-28 20:52:15 ]

Image 59 of 84 | e600 | i34707 | 4032x3024px
[ 2025-03-28 20:52:15 ]

[ 2025-03-28 20:52:15 ]

0
0

[ 2025-03-28 20:52:38 ]

Image 60 of 84 | e600 | i34708 | 3024x4032px
[ 2025-03-28 20:52:38 ]

[ 2025-03-28 20:52:38 ]

0
0

[ 2025-03-28 20:52:58 ]

Image 61 of 84 | e600 | i34709 | 4032x3024px
[ 2025-03-28 20:52:58 ]

[ 2025-03-28 20:52:58 ]

0
0

[ 2025-03-28 20:53:40 ]

Image 62 of 84 | e600 | i34710 | 4032x3024px
[ 2025-03-28 20:53:40 ]

[ 2025-03-28 20:53:40 ]

0
0

[ 2025-03-28 20:55:39 ]

Image 63 of 84 | e600 | i34715 | 3024x4032px
[ 2025-03-28 20:55:39 ]

[ 2025-03-28 20:55:39 ]

0
0

Craig Tennant

Image 64 of 84 | e600 | i34794 | 300x234px
Craig Tennant

Perplexity | craigtennantart.com

Craig Tennant, born in 1946 in New Jersey, is a prominent American artist celebrated for his western oil paintings. He began his career in 1967 as an advertising illustrator at Grey Advertising in New York City, quickly advancing to Assistant Art Director for the Kool-Aid account. By 1970, he joined BBD&O, working on major campaigns for brands like Campbell’s Soup and Dodge Chrysler. Over the next two decades, Tennant freelanced for notable clients such as PepsiCo and Sports Illustrated, receiving a Silver Medal from the New York Society of Illustrators in 1981[1][3].

In 1989, seeking a new direction, Tennant moved to Colorado to focus on western art. His commitment to authenticity in depicting western themes led him to establish Cheyenne Press in 1994 to promote his work. His paintings gained national recognition, with U.S. Art Magazine ranking him among the top print artists in 1994[2][3]. A Master Signature Member of Oil Painters of America, Tennant has received numerous accolades, including the Frederic Remington Painting Award at the National Cowboy and Western Heritage Museum[4][6].

Today, he continues to create from his studio in Golden, Colorado, where his works are characterized by dynamic brushwork and a deep connection to western culture[2][4].

Citations:
[1] https://www.askart.com/artist_pubs/Craig_Tennant/104358/Craig_Tennant.aspx
[2] https://crazycoyotegallery.com/Craig%20Tennant.html
[3] https://www.craigtennantart.com/biography-craig-tennant/
[4] https://www.southwestart.com/articles-interviews/featured-artists/craig_tennant
[5] https://www.craigtennantart.com/envira/sold-paintings/
[6] https://highnoon.com/bios/bios_detail_view.php?bioid=Bio0727
[7] https://karenspentopaper.com/articles/picture-perfect-painting/
[8] https://artusa.com/product/defiant-one/
[9] https://www.lelandlittle.com/items/499857/craig-tennant-american-b-1946-i-you-too-curly-i/
[10] https://www.thelion.fm/rare-craig-tennant-lost-in-colorado-vintage-signed-numbered-print-RkNCF01dV1ReWloY
[11] https://www.askart.com/artist/Craig_Tennant/104358/Craig_Tennant.aspx
[12] https://artcloud.market/art/blue-coats-by-craig-tennant
[13] https://coorswesternart.com/artist/craig-tennant/
[14] https://trackart.co.za/rare-craig-tennant-who-s-hunting-whom-vintage-s-n-print-with-hidden-images-RUZXUVhVS0IaU1sf
[15] https://www.mutualart.com/Artist/Craig-Tennant/381E4DB808FF0DAD/Biography
[16] https://www.oilpaintersofamerica.com/2013/12/opa-2013-eastern-exhibition-winner-spotlight/
[17] https://www.mutualart.com/Artist/Craig-Tennant/381E4DB808FF0DAD
[18] https://www.worthpoint.com/worthopedia/craig-tennant-four-directions-signed-1721762555
[19] https://www.invaluable.com/artist/tennant-craig-ovxcan1vrr/sold-at-auction-prices/
[20] https://www.oldwestmuseum.org/cfdproducts/he-goes-where-i-go-by-craig-tennant

---
Answer from Perplexity: https://www.perplexity.ai/search/write-a-200-word-biography-of-4V0L3BR7Rx2oKJb9Fe7KtQ?utm_source=copy_output 


[ 2025-04-01 13:41:08 ]

0
0

[ 2025-03-28 20:53:58 ]

Image 65 of 84 | e600 | i34711 | 3024x4032px
[ 2025-03-28 20:53:58 ]

[ 2025-03-28 20:53:58 ]

0
0

[ 2025-03-28 20:54:38 ]

Image 66 of 84 | e600 | i34712 | 4032x3024px
[ 2025-03-28 20:54:38 ]

[ 2025-03-28 20:54:38 ]

0
0

[ 2025-03-28 20:54:55 ]

Image 67 of 84 | e600 | i34713 | 4032x3024px
[ 2025-03-28 20:54:55 ]

[ 2025-03-28 20:54:55 ]

0
0

[ 2025-03-28 20:55:10 ]

Image 68 of 84 | e600 | i34714 | 4032x3024px
[ 2025-03-28 20:55:10 ]

[ 2025-03-28 20:55:10 ]

0
0

[ 2025-03-28 20:56:15 ]

Image 69 of 84 | e600 | i34716 | 4032x3024px
[ 2025-03-28 20:56:15 ]

[ 2025-03-28 20:56:15 ]

0
0

[ 2025-03-28 20:57:31 ]

Image 70 of 84 | e600 | i34717 | 4032x3024px
[ 2025-03-28 20:57:31 ]

[ 2025-03-28 20:57:31 ]

0
0

[ 2024-08-13 18:56:24 ]

Image 71 of 84 | e600 | i28220 | 3024x4032px
[ 2024-08-13 18:56:24 ]

https://onlineonly.christies.com.cn/s/contemporary-edition/robert-rauschenberg-1925-2008-82/157209
[ 2024-08-13 18:56:24 ]

0
0

Robert Motherwell [ 2024-08-13 18:56:45 ]

Image 72 of 84 | e600 | i28221 | 3024x4032px
Robert Motherwell [ 2024-08-13 18:56:45 ]

https://www.bonhams.com/auction/26740/lot/188/robert-motherwell-1915-1991-beau-geste-i-iii-2-works/ 

[ 2024-08-13 18:56:45 ]

0
0

[ 2024-08-13 18:57:16 ]

Image 73 of 84 | e600 | i28222 | 4032x3024px
[ 2024-08-13 18:57:16 ]

[ 2024-08-13 18:57:16 ]

0
0

Richard Serra

Image 74 of 84 | e600 | i28223 | 3024x4032px
Richard Serra

https://whitney.org/collection/works/41729 

[ 2024-08-13 18:57:45 ]

0
0

[ 2024-08-13 18:58:05 ]

Image 75 of 84 | e600 | i28224 | 3024x4032px
[ 2024-08-13 18:58:05 ]

[ 2024-08-13 18:58:05 ]

0
0

[ 2024-08-13 18:59:40 ]

Image 76 of 84 | e600 | i28225 | 4032x3024px
[ 2024-08-13 18:59:40 ]

[ 2024-08-13 18:59:40 ]

0
0

Damien Hirst - All You Need is Love, Love, Love, 2009

Image 77 of 84 | e600 | i28226 | 4032x3024px
Damien Hirst - All You Need is Love, Love, Love, 2009

[ 2024-08-13 19:00:00 ]

0
0

[ 2024-08-13 19:00:28 ]

Image 78 of 84 | e600 | i28227 | 4032x3024px
[ 2024-08-13 19:00:28 ]

[ 2024-08-13 19:00:28 ]

0
0

[ 2024-08-13 19:01:18 ]

Image 79 of 84 | e600 | i28228 | 3024x4032px
[ 2024-08-13 19:01:18 ]

[ 2024-08-13 19:01:18 ]

0
0

[ 2024-08-13 19:01:52 ]

Image 80 of 84 | e600 | i28229 | 3024x4032px
[ 2024-08-13 19:01:52 ]

[ 2024-08-13 19:01:52 ]

0
0

[ 2024-08-13 19:02:18 ]

Image 81 of 84 | e600 | i28230 | 4032x3024px
[ 2024-08-13 19:02:18 ]

[ 2024-08-13 19:02:18 ]

0
0

[ 2024-08-13 19:02:50 ]

Image 82 of 84 | e600 | i28231 | 4032x3024px
[ 2024-08-13 19:02:50 ]

[ 2024-08-13 19:02:50 ]

0
0

[ 2024-08-13 19:03:09 ]

Image 83 of 84 | e600 | i28232 | 3024x4032px
[ 2024-08-13 19:03:09 ]

[ 2024-08-13 19:03:09 ]

0
0

[ 2024-08-13 19:03:34 ]

Image 84 of 84 | e600 | i28233 | 4032x3024px
[ 2024-08-13 19:03:34 ]

[ 2024-08-13 19:03:34 ]

0
0

[ 2025-09-02 22:16:07 ]

[ 2025-09-02 22:16:07 ]

Image 1 of 84
e600
i38809
4032x3024px
0

[ 2025-09-02 22:18:20 ]

[ 2025-09-02 22:18:20 ]

Image 2 of 84
e600
i38810
4032x3024px
0

[ 2025-09-02 22:15:47 ]

[ 2025-09-02 22:15:47 ]

Image 3 of 84
e600
i38808
3024x4032px
0

[ 2025-09-02 22:15:28 ]

[ 2025-09-02 22:15:28 ]

Image 4 of 84
e600
i38807
4032x3024px
0

[ 2025-09-02 22:15:12 ]

[ 2025-09-02 22:15:12 ]

Image 5 of 84
e600
i38806
3024x4032px
0

[ 2025-09-02 22:14:34 ]

[ 2025-09-02 22:14:34 ]

Image 6 of 84
e600
i38805
3024x4032px
0

[ 2025-09-02 22:13:59 ]

[ 2025-09-02 22:13:59 ]

Image 7 of 84
e600
i38804
4032x3024px
0

[ 2025-09-02 22:13:18 ]

[ 2025-09-02 22:13:18 ]

Image 8 of 84
e600
i38803
3024x4032px
0

[ 2025-09-02 22:12:54 ]

[ 2025-09-02 22:12:54 ]

Image 9 of 84
e600
i38802
4032x3024px
0

[ 2025-09-02 22:12:32 ]

[ 2025-09-02 22:12:32 ]

Image 10 of 84
e600
i38801
4032x3024px
0

[ 2025-09-02 22:12:14 ]

[ 2025-09-02 22:12:14 ]

Image 11 of 84
e600
i38800
4032x3024px
0

[ 2025-09-02 22:11:59 ]

[ 2025-09-02 22:11:59 ]

Image 12 of 84
e600
i38799
4032x3024px
0

[ 2025-07-25 00:03:27 ]

[ 2025-07-25 00:03:27 ]

Image 13 of 84
e600
i37343
2316x3088px
0

[ 2025-07-25 00:02:58 ]

[ 2025-07-25 00:02:58 ]

Image 14 of 84
e600
i37342
4032x3024px
0

[ 2025-07-25 00:02:18 ]

[ 2025-07-25 00:02:18 ]

Image 15 of 84
e600
i37341
3024x4032px
0

[ 2025-07-25 00:01:06 ]

[ 2025-07-25 00:01:06 ]

Image 16 of 84
e600
i37340
3024x4032px
0

[ 2025-07-25 00:00:06 ]

[ 2025-07-25 00:00:06 ]

Image 17 of 84
e600
i37339
3024x4032px
0

[ 2025-07-24 23:59:09 ]

[ 2025-07-24 23:59:09 ]

Image 18 of 84
e600
i37338
4032x3024px
0

[ 2025-07-24 23:58:11 ]

[ 2025-07-24 23:58:11 ]

Image 19 of 84
e600
i37337
4032x3024px
0

[ 2025-07-24 23:53:24 ]

[ 2025-07-24 23:53:24 ]

Image 20 of 84
e600
i37336
3024x4032px
0

[ 2025-07-24 23:52:59 ]

[ 2025-07-24 23:52:59 ]

Image 21 of 84
e600
i37335
4032x3024px
0

[ 2025-07-24 23:52:37 ]

[ 2025-07-24 23:52:37 ]

Image 22 of 84
e600
i37334
4032x3024px
0

[ 2025-07-24 23:52:02 ]

[ 2025-07-24 23:52:02 ]

Image 23 of 84
e600
i37333
3024x4032px
0

[ 2025-07-24 23:50:36 ]

[ 2025-07-24 23:50:36 ]

Image 24 of 84
e600
i37332
3024x4032px
0

[ 2025-07-24 23:48:49 ]

[ 2025-07-24 23:48:49 ]

Image 25 of 84
e600
i37331
4032x3024px
0

[ 2025-07-24 23:47:30 ]

[ 2025-07-24 23:47:30 ]

Image 26 of 84
e600
i37330
4032x3024px
0

[ 2025-07-24 23:47:04 ]

[ 2025-07-24 23:47:04 ]

Image 27 of 84
e600
i37329
4032x3024px
0

[ 2025-07-24 23:45:58 ]

[ 2025-07-24 23:45:58 ]

Image 28 of 84
e600
i37328
4032x3024px
0

[ 2025-07-24 23:45:02 ]

[ 2025-07-24 23:45:02 ]

Image 29 of 84
e600
i37327
4284x5712px
0

[ 2025-06-25 17:52:18 ]

[ 2025-06-25 17:52:18 ]

Image 30 of 84
e600
i36755
4032x3024px
0

[ 2025-06-25 17:51:57 ]

[ 2025-06-25 17:51:57 ]

Image 31 of 84
e600
i36754
3024x4032px
0

[ 2025-06-25 17:51:31 ]

[ 2025-06-25 17:51:31 ]

Image 32 of 84
e600
i36753
3024x4032px
0

The exhibit is gone, the day after I saw it!

[ 2025-06-07 18:36:38 ]

Image 33 of 84
e600
i36558
4032x3024px
0

The exhibit is gone, the day after I saw it!

[ 2025-06-07 18:36:11 ]

Image 34 of 84
e600
i36557
5712x4284px
0

The exhibit is gone, the day after I saw it!

[ 2025-06-07 18:35:12 ]

Image 35 of 84
e600
i36556
5712x4284px
0

[ 2025-06-05 17:41:00 ]

[ 2025-06-05 17:41:00 ]

Image 36 of 84
e600
i36549
4032x3024px
0

[ 2025-06-05 17:40:38 ]

[ 2025-06-05 17:40:38 ]

Image 37 of 84
e600
i36548
4032x3024px
0

Joan Miro

mutualart.com | 

Image 38 of 84
e600
i36547
4032x3024px
0

Robert Motherwell, Untitled (Blue), from London Series I, 1971

artsy.net

[ 2025-06-05 17:39:56 ]

Image 39 of 84
e600
i36546
3024x4032px
0

DAVID HOCKNEY (b. 1937), Amaryllis in a Vase, from: Moving Focus

christies.com
[ 2025-06-05 17:39:33 ]

Image 40 of 84
e600
i36545
3024x4032px
0

[ 2025-06-05 17:39:18 ]

artsy.net |

[ 2025-06-05 17:39:18 ]

Image 41 of 84
e600
i36544
3024x4032px
0

[ 2025-06-05 17:38:35 ]

[ 2025-06-05 17:38:35 ]

Image 42 of 84
e600
i36543
4032x3024px
0

Blue Curve - Ellsworth Kelly

Perplexity | mutualart |

Blue Curve (State II) by Ellsworth Kelly: History and Significance

Ellsworth Kelly’s Blue Curve (State II), created between 1987 and 1988, serves as a striking illustration of Kelly’s mature approach to abstraction, color, and spatial exploration. This large lithograph—measuring over 95cm by 213cm—features a sweeping, singular blue curve rendered on Arches 88 wove paper. Published by the famed Gemini G.E.L. studio in Los Angeles, the work represents Kelly’s ongoing collaboration with master printers and his dedication to expanding the possibilities of printmaking1.

Blue Curve (State II) is part of a lineage in Kelly’s oeuvre that investigates the expressive potential of the curve—a form he continually revisited across painting, sculpture, and print. Here, the gentle arc and saturated blue epitomize Kelly’s minimalist desire to distill art to its essential visual elements: color, form, and edge. Rather than depicting objects, the composition becomes an autonomous presence: the bold curve both defines and energizes the surrounding white space.

This print exemplifies Kelly’s commitment to shaped forms and the liberation of color outside traditional rectangular boundaries. By foregrounding a single color and a single gestural movement, Kelly creates a composition that blurs the line between painting, sculpture, and print—placing emphasis on the viewer’s direct perceptual experience. Within his body of work, Blue Curve (State II) stands as a hallmark of Kelly’s minimal yet expressive vocabulary, demonstrating how clarity and restraint can yield a profound visual impact12.

  • 1987–88, lithograph in blue on Arches 88 paper
  • Dimensions: 95.2 x 213.1cm
  • Publisher: Gemini G.E.L., Los Angeles
  • Example of Kelly’s minimalist and hard-edge abstraction12

By focusing only on the essentials—curve and color—Blue Curve (State II) highlights Ellsworth Kelly’s pioneering role in post-war abstraction, continuing his project of redefining the boundaries and possibilities of visual art12.

  1. https://www.nga.gov/artworks/72453-blue-curve-state-ii
  2. https://www.myartbroker.com/artist-ellsworth-kelly/guides/sellers-guide-to-ellsworth-kelly
  3. https://drupal-prod.nga.gov/artworks/72453-blue-curve-state-ii
  4. https://www.guggenheim.org/artwork/2075
  5. https://www.composition.gallery/art/ellsworth-kelly-untitled-blue-curve/
  6. https://app.smartify.org/en-GB/objects/blue-panel-ii
  7. https://artspiel.org/re-evaluating-ellsworth-kelly-at-100/
  8. https://matthewmarks.com/online/ellsworth-kelly/ek-483-reference-01/
  9. https://www.metmuseum.org/art/collection/search/484636
  10. https://www.theartstory.org/artist/kelly-ellsworth/
  11. https://www.reddit.com/r/delusionalartists/comments/bg68fw/took_this_pic_at_the_met_titled_blue_panel_ii/
  12. https://www.sothebys.com/en/auctions/ecatalogue/2017/contemporary-art-evening-auction-n09713/lot.42.html
  13. https://research.library.fordham.edu/cgi/viewcontent.cgi?article=1038&context=phil_research
  14. http://www.dreamideamachine.com/?p=102215
  15. https://www.christies.com/en/lot/lot-2056201
  16. https://ellsworthkelly.org/exhibition/ellsworth-kelly-4/
  17. https://www.composition.gallery/art/ellsworth-kelly-blue-with-black-ii-1/
  18. https://ellsworthkelly.org/chronology/
  19. https://www.sothebys.com/en/buy/auction/2020/important-prints-multiples/ellsworth-kelly-blue-curve-green-curve-black-curve
  20. https://www.themodern.org/collection/1202



[ 2025-06-05 17:38:14 ]

Image 43 of 84
e600
i36542
4032x3024px
0

[ 2025-06-05 17:37:30 ]

[ 2025-06-05 17:37:30 ]

Image 44 of 84
e600
i36541
4032x3024px
0

[ 2025-06-05 17:37:06 ]

[ 2025-06-05 17:37:06 ]

Image 45 of 84
e600
i36540
3024x4032px
0

[ 2025-06-05 17:36:21 ]

[ 2025-06-05 17:36:21 ]

Image 46 of 84
e600
i36539
4032x3024px
0

[ 2025-06-05 17:35:27 ]

[ 2025-06-05 17:35:27 ]

Image 47 of 84
e600
i36538
4032x3024px
0

[ 2025-06-05 17:34:35 ]

[ 2025-06-05 17:34:35 ]

Image 48 of 84
e600
i36537
3024x4032px
0

[ 2025-06-05 17:34:04 ]

[ 2025-06-05 17:34:04 ]

Image 49 of 84
e600
i36536
3024x4032px
0

[ 2025-06-05 17:33:38 ]

[ 2025-06-05 17:33:38 ]

Image 50 of 84
e600
i36535
3024x4032px
0

[ 2025-06-05 17:33:19 ]

[ 2025-06-05 17:33:19 ]

Image 51 of 84
e600
i36534
3024x4032px
0

[ 2025-06-05 17:32:35 ]

[ 2025-06-05 17:32:35 ]

Image 52 of 84
e600
i36533
4032x3024px
0

[ 2025-06-05 17:32:18 ]

[ 2025-06-05 17:32:18 ]

Image 53 of 84
e600
i36532
4032x3024px
0

[ 2025-06-05 17:31:54 ]

[ 2025-06-05 17:31:54 ]

Image 54 of 84
e600
i36531
4032x3024px
0

Card Game - Richard Diebenkorn - 1981

MutualArt | 

[ 2025-06-05 17:31:34 ]

Image 55 of 84
e600
i36530
4032x3024px
0

[ 2025-06-05 17:31:07 ]

[ 2025-06-05 17:31:07 ]

Image 56 of 84
e600
i36529
3024x4032px
0

Visit to Bonham’s - 3/28/25


[ 2025-03-28 20:58:09 ]

Image 57 of 84
e600
i34718
4032x3024px
0

Jerry Jordan

Perplexity | 

Jerry Jordan is a modern impressionist painter deeply rooted in the artistic traditions of Taos, New Mexico. Born in 1944 to a farming family in west Texas, Jordan's artistic journey began with early exposure to local artist W.R. Thrasher. His first forays into art involved completing paint-by-numbers sets, which soon led to creating original works. In 1963, Jordan visited Taos, where he was captivated by the landscapes and early 20th-century Taos painters. This marked the beginning of his lifelong connection with the area.

Jordan's path was not linear; he took a decade-long hiatus from painting to pursue a career in music and comedy, winning the "Comic of the Year" award in 1976. He returned to painting in the 1980s, influenced by Taos artists like Victor Higgins and Ernest Blumenschein. His work is characterized by vibrant colors and textures, often capturing the essence of Pueblo life and landscapes. Each painting is signed with "T.A.O.S.," symbolizing "Together Always Our Spirit." Jordan views painting as a spiritual act, aiming to channel a higher dimension through his art. Today, he resides in Taos, continuing to draw inspiration from its unique culture and landscapes124.

Citations:

  1. https://pdw.nationalcowboymuseum.org/artist/jerry-jordan/
  2. https://www.jerryjordantaos.com
  3. https://legacygallery.com/artist/jerry-jordan/
  4. http://www.vintagetexaspaintings.com/artists/1007-jerry-jordan-paintings
  5. https://www.askart.com/artist/artist/107069/artist.aspx
  6. https://www.instagram.com/jerryjordantaos/p/C9BNuxKOjS-/
  7. https://www.jerryjordantaos.com/art-book/p/jerry-jordan-together-always-our-spirit
  8. https://www.parsonsart.com/parsonswest/jerry_jordan/jordan
  9. https://www.instagram.com/jerryjordantaos/
  10. https://www.southwestart.com/articles-interviews/featured-artists/scenes_of_old_taos
  11. https://briscoenightofartists.org/collections/jordan-jerry
  12. https://images.squarespace-cdn.com/content/v1/5f29904c7ed4865ea1b7964e/1606679557100-AIHAZF2SPPMQOMI045IA/JERRY+BIO.png?sa=X&ved=2ahUKEwj88rHc0a6MAxU58MkDHToELjEQ_B16BAgLEAI
  13. https://www.unmpress.com/9781934491881/jerry-jordan/
  14. https://www.invaluable.com/artist/jordan-jerry-ycq05mc4mr/sold-at-auction-prices/

Answer from Perplexity: https://www.perplexity.ai/search/write-a-200-word-biography-of-IFOxilnETICusIapqm6rwA?utm_source=copy_output



[ 2025-03-29 06:13:23 ]

Image 58 of 84
e600
i34719
1667x979px
0

[ 2025-03-28 20:52:15 ]

[ 2025-03-28 20:52:15 ]

Image 59 of 84
e600
i34707
4032x3024px
0

[ 2025-03-28 20:52:38 ]

[ 2025-03-28 20:52:38 ]

Image 60 of 84
e600
i34708
3024x4032px
0

[ 2025-03-28 20:52:58 ]

[ 2025-03-28 20:52:58 ]

Image 61 of 84
e600
i34709
4032x3024px
0

[ 2025-03-28 20:53:40 ]

[ 2025-03-28 20:53:40 ]

Image 62 of 84
e600
i34710
4032x3024px
0

[ 2025-03-28 20:55:39 ]

[ 2025-03-28 20:55:39 ]

Image 63 of 84
e600
i34715
3024x4032px
0

Craig Tennant

Perplexity | craigtennantart.com

Craig Tennant, born in 1946 in New Jersey, is a prominent American artist celebrated for his western oil paintings. He began his career in 1967 as an advertising illustrator at Grey Advertising in New York City, quickly advancing to Assistant Art Director for the Kool-Aid account. By 1970, he joined BBD&O, working on major campaigns for brands like Campbell’s Soup and Dodge Chrysler. Over the next two decades, Tennant freelanced for notable clients such as PepsiCo and Sports Illustrated, receiving a Silver Medal from the New York Society of Illustrators in 1981[1][3].

In 1989, seeking a new direction, Tennant moved to Colorado to focus on western art. His commitment to authenticity in depicting western themes led him to establish Cheyenne Press in 1994 to promote his work. His paintings gained national recognition, with U.S. Art Magazine ranking him among the top print artists in 1994[2][3]. A Master Signature Member of Oil Painters of America, Tennant has received numerous accolades, including the Frederic Remington Painting Award at the National Cowboy and Western Heritage Museum[4][6].

Today, he continues to create from his studio in Golden, Colorado, where his works are characterized by dynamic brushwork and a deep connection to western culture[2][4].

Citations:
[1] https://www.askart.com/artist_pubs/Craig_Tennant/104358/Craig_Tennant.aspx
[2] https://crazycoyotegallery.com/Craig%20Tennant.html
[3] https://www.craigtennantart.com/biography-craig-tennant/
[4] https://www.southwestart.com/articles-interviews/featured-artists/craig_tennant
[5] https://www.craigtennantart.com/envira/sold-paintings/
[6] https://highnoon.com/bios/bios_detail_view.php?bioid=Bio0727
[7] https://karenspentopaper.com/articles/picture-perfect-painting/
[8] https://artusa.com/product/defiant-one/
[9] https://www.lelandlittle.com/items/499857/craig-tennant-american-b-1946-i-you-too-curly-i/
[10] https://www.thelion.fm/rare-craig-tennant-lost-in-colorado-vintage-signed-numbered-print-RkNCF01dV1ReWloY
[11] https://www.askart.com/artist/Craig_Tennant/104358/Craig_Tennant.aspx
[12] https://artcloud.market/art/blue-coats-by-craig-tennant
[13] https://coorswesternart.com/artist/craig-tennant/
[14] https://trackart.co.za/rare-craig-tennant-who-s-hunting-whom-vintage-s-n-print-with-hidden-images-RUZXUVhVS0IaU1sf
[15] https://www.mutualart.com/Artist/Craig-Tennant/381E4DB808FF0DAD/Biography
[16] https://www.oilpaintersofamerica.com/2013/12/opa-2013-eastern-exhibition-winner-spotlight/
[17] https://www.mutualart.com/Artist/Craig-Tennant/381E4DB808FF0DAD
[18] https://www.worthpoint.com/worthopedia/craig-tennant-four-directions-signed-1721762555
[19] https://www.invaluable.com/artist/tennant-craig-ovxcan1vrr/sold-at-auction-prices/
[20] https://www.oldwestmuseum.org/cfdproducts/he-goes-where-i-go-by-craig-tennant

---
Answer from Perplexity: https://www.perplexity.ai/search/write-a-200-word-biography-of-4V0L3BR7Rx2oKJb9Fe7KtQ?utm_source=copy_output 


[ 2025-04-01 13:41:08 ]

Image 64 of 84
e600
i34794
300x234px
0

[ 2025-03-28 20:53:58 ]

[ 2025-03-28 20:53:58 ]

Image 65 of 84
e600
i34711
3024x4032px
0

[ 2025-03-28 20:54:38 ]

[ 2025-03-28 20:54:38 ]

Image 66 of 84
e600
i34712
4032x3024px
0

[ 2025-03-28 20:54:55 ]

[ 2025-03-28 20:54:55 ]

Image 67 of 84
e600
i34713
4032x3024px
0

[ 2025-03-28 20:55:10 ]

[ 2025-03-28 20:55:10 ]

Image 68 of 84
e600
i34714
4032x3024px
0

[ 2025-03-28 20:56:15 ]

[ 2025-03-28 20:56:15 ]

Image 69 of 84
e600
i34716
4032x3024px
0

[ 2025-03-28 20:57:31 ]

[ 2025-03-28 20:57:31 ]

Image 70 of 84
e600
i34717
4032x3024px
0

[ 2024-08-13 18:56:24 ]

https://onlineonly.christies.com.cn/s/contemporary-edition/robert-rauschenberg-1925-2008-82/157209
[ 2024-08-13 18:56:24 ]

Image 71 of 84
e600
i28220
3024x4032px
0

Robert Motherwell [ 2024-08-13 18:56:45 ]

https://www.bonhams.com/auction/26740/lot/188/robert-motherwell-1915-1991-beau-geste-i-iii-2-works/ 

[ 2024-08-13 18:56:45 ]

Image 72 of 84
e600
i28221
3024x4032px
0

[ 2024-08-13 18:57:16 ]

[ 2024-08-13 18:57:16 ]

Image 73 of 84
e600
i28222
4032x3024px
0

Richard Serra

https://whitney.org/collection/works/41729 

[ 2024-08-13 18:57:45 ]

Image 74 of 84
e600
i28223
3024x4032px
0

[ 2024-08-13 18:58:05 ]

[ 2024-08-13 18:58:05 ]

Image 75 of 84
e600
i28224
3024x4032px
0

[ 2024-08-13 18:59:40 ]

[ 2024-08-13 18:59:40 ]

Image 76 of 84
e600
i28225
4032x3024px
0

Damien Hirst - All You Need is Love, Love, Love, 2009

[ 2024-08-13 19:00:00 ]

Image 77 of 84
e600
i28226
4032x3024px
0

[ 2024-08-13 19:00:28 ]

[ 2024-08-13 19:00:28 ]

Image 78 of 84
e600
i28227
4032x3024px
0

[ 2024-08-13 19:01:18 ]

[ 2024-08-13 19:01:18 ]

Image 79 of 84
e600
i28228
3024x4032px
0

[ 2024-08-13 19:01:52 ]

[ 2024-08-13 19:01:52 ]

Image 80 of 84
e600
i28229
3024x4032px
0

[ 2024-08-13 19:02:18 ]

[ 2024-08-13 19:02:18 ]

Image 81 of 84
e600
i28230
4032x3024px
0

[ 2024-08-13 19:02:50 ]

[ 2024-08-13 19:02:50 ]

Image 82 of 84
e600
i28231
4032x3024px
0

[ 2024-08-13 19:03:09 ]

[ 2024-08-13 19:03:09 ]

Image 83 of 84
e600
i28232
3024x4032px
0

[ 2024-08-13 19:03:34 ]

[ 2024-08-13 19:03:34 ]

Image 84 of 84
e600
i28233
4032x3024px
0
Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
1
1
tomadmin
(@tomadmin)
Jul 25 2025
0.58
0.57

This is Maynard Dixon per Aaron Bastian at Bonham’s.
Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

Dots count
0

No dots yet

1

Place a DOT on the image