[ 2025-06-09 00:36:27 ]

sethdembar.art | instagram-Seth Dembar | instagram-bicycle post | Perplexity bio on Dembar

Seth Dembar about “Bicycle”
Wait, wait, wait, wait, wait, wait, wait, I'm actually into curating art, so that's actually my thing. I have a website called Pixum and I'm all about. I'm Pixian and I'm all about curating, so I wanna, I wanna, if you wouldn't mind it doesn't, my wife was telling me it doesn't come across, so I have to explain it. That's why I say to people those are stitched, and they're like, oh, what does that mean? Yeah, OK, so yeah. So, so this is the studio. Yeah, yeah, I'm good. I'm going. The pieces are made the same way where I paint the background and I paint the foreground and a set and I bring the physical object in whatever it might be, and then I paint the physical object to match the background so that it disappears kind of. So this, see this red line, how the bicycle tire is painted, but I have to come back and forth to the camera like 100 times to get the lineup right. So the camera's fixed on the tripod and I'm just coming back hitting it with color, coming back, hitting the object with color, the bicycle with color. The bike is painted red there. See this, see this line? Look at this line. huge And that's the bike painted. That's the wall painted is the floor painted. That's the wheel painted. You see the light coming through the wheel and the spokes were the hardest. Like, look can I see a mistake anywhere? There's probably a mistake. I'm sure there's a mistake, but then I was telling your wife that there's some lines that I paint after it's printed, so this line here, it's, yeah, and then the metal doesn't come through, but here the shadow of the metal comes through, so you can see that it's painted on the. Pedal, let's say see the pedal, you can see it through there anyway. I want you know you explain it to someone else. Well, we're going to give this to her. So, so, OK, so hold on just a second, all right.

Letter from Seth Dembar to Anne Paper
Now this is to my sister Anne. So can you talk to my sister Ann and say, Anne, she's a bicyclist. No, no, no, the set is painted the wall and the floor, and then the object, the bicycle in this case is set in front of the wall, and then the pattern that's painted on the wall is painted on the bicycle. So they look seamless, and then after it's printed, I add additional lines to make it more complicated. And this is Seth Den Denbar, and this is for my sister Anne Paper, who's a bicyclist, and I'm a bicyclist too, so enjoy your rides, wear your helmet. OK. All right, now wait.

Artist Statement by Seth Dembar
This is Seth. This is Seth Den Denbar, artist from Brooklyn. Tell me a couple of things about yourself, Seth. I've been making art my whole life and I raised a family. I was a contractor for a while. Because art sales were a little bit you can't raise a family on $20,000 a year. So when my kids went off to college, it was time for me to make art again once the college was paid for, so I'm just an art bum now. I love it. I wouldn't be here without Derek. Derrick Lynch. Derrick Lynch. You did construction together also business partner. OK, all right, yeah, so he he invited me. You went to high school together. Yeah, I was with Keith and he was 3 years before after me, so he was like working for Keith. I stretched every painting Keith did for 5 years. I stretched tons of stuff for him, worked for them. The best Warhol show. You know that the show I'm talking about Bosquet Warhol the box office. Oh yeah, yeah, yeah, yeah, I was the one who bought the gloves, bought the shorts, was at the shoot. There were 5 guys, and then I hung the show. OK, all right, awesome. Thank you.

Perplexity 

Seth Dembar is a contemporary artist based in Brooklyn, New York, known for his dynamic contributions to the local art scene. Dembar’s work has been featured in numerous group exhibitions, including the recent show Flotsam and Jetsam at 490 Atlantic Gallery in Brooklyn, which ran from April 19 to May 18, 20253. His inclusion alongside other notable artists such as René Pierre Allain and Sasha Chavchavadze highlights his active engagement with the vibrant Brooklyn arts community.

Dembar’s curatorial experience is also notable; in 1994, he curated The Black Sheep Exhibit at 612 Metropolitan in Brooklyn, demonstrating his longstanding commitment to fostering artistic dialogue and supporting fellow artists1. While specific details about his artistic style and medium are limited in the available sources, his sustained presence in both exhibiting and curatorial roles suggests a versatile practice and a deep-rooted investment in collaborative and community-oriented projects.

Through his exhibitions and curatorial projects, Seth Dembar has established himself as a respected figure in Brooklyn’s contemporary art landscape, continually contributing to its evolution and vitality13.

Citations:

1. http://madelinefan.info/menu
2. https://www.augustusgoertz.com/about-augustus-goertz/
3. https://twocoatsofpaint.com/2025/04/nyc-selected-gallery-guide-april-2025.html
4. http://www.57w57arts.com/currentonview-60
5. https://www.invaluable.com/artist/dembar-seth-asnnjoj38f/
6. https://besthistorysites.net/name/seth-dembar
7. https://library.abrehot.org.et/by_subject_/New%20York%20(State)

Answer from Perplexity: https://www.perplexity.ai/search/write-a-200-word-biography-of-IgQeb9jzRuWtBzkrB0qamQ?utm_source=copy_output

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