San Francisco Chinatown - Board of Supervisors - 1885
0
0
0
0
73
Eating Genetically Modified Fruit - Jon Parr - 2001
0
0
0
0
74
Street Map Person - 1
0
0
0
0
75
Street Map Person - 2
0
0
0
0
76
Street Map Person - 3
0
0
0
0
77
Street Map Person - 4
0
0
0
0
78
Street Map Person - 5
0
0
0
0
79
Street Map Person - 6
0
0
0
0
80
Plants Over Skeleton - Ray Gonzalez
0
0
3
3
81
Embrace - by Megan Bigelow
0
0
0
0
82
[ 2024-11-16 00:13:34 ]
Paper-Bigelow Residence
Image 1 of 82 | e205 | i30811 | 4284x5712px
Paper-Bigelow Residence
Welcome to the Paper-Bigelow art collection. We love art and maps, but, more than that, we love the artists who created all of these works. We love their stories and their inspiration. We also love our story about how we came to know about each artist, each piece of their work, and how their art inspired us.
Eleanor met Jann Pollard in San Mateo, CA, in the 1970's when Jann and her family moved across the street. This piece is titled "Venice Textures." The original was painted in watercolor. Jann published 95 archival limited edition IRIS giclee prints on Arches Cold Press paper. Each print was inspected and signed by Jann. This is print number 37/95.
June 2024 - Eleanor and I bought this piece at an art span event at the JCC a couple months ago. We are delighted by how colorful it is and how it reminds us of our home and that we love it so much. Seven hearts in a bit of a treasure hunt are on this map which we encourage people to touch. Miriam encourage us to touch it so we will encourage our guests to our home to touch it as well.
Map of the Seven Rabbits - San Francisco Bay - La Perousse - 1798
Image 8 of 82 | e205 | i5275 | 8558x12294px
Map of the Seven Rabbits - San Francisco Bay - La Perousse - 1798
“This is the earliest obtainable map of San Francisco Bay. The map may seem a little hard to decipher by modern standards. It is oriented to the Northeast, the peninsula emerging from the right is the location of the modern urban center of modern Francisco, with the Golden Gate being the tiny entrance into he larger bay. The general form of San Pablo Bay, which leads into Suisun Bay is evident at the top of the map. The greater part of San Francisco Bay, extending towards the right side of the map is significantly truncated. The map identifies 21 place names, including Alcatraz, the Presidio, Merced, the Mission of San Francisco, and other landmarks, alphanumerically via a table integrated into the title cartouche...La Perouse did not personally survey the Bay, instead he most likely obtained the data for this map from the Spanish pilot Francisco Antonio Mourelle de la Rúa (1750-1820) in Manilla...La Perouse died tragically on a shipwreck near the Solomon Islands. His journals were shipped back to Europe from Australia before the shipwreck and posthumously published in 1797, along with an accompanying atlas volume, from which this map was drawn, Atlas du voyage de La Perouse.” geographicus.com
One of our earlier purchases. A very basic platted map. Shows streets as if they were developed. Truth was that at the time of this map, the Sunset was sand dunes and Golden Gate Park did not exist.
Striking example of Waldseemüller 's Ptolemaic world map, from the important 1513 Strasbourg edition of Ptolemy's Geographia. In his landmark catalog of world maps, Rodney Shirley called this map "one of the most attractive Ptolemaic maps ever produced” (Shirley, map 34).
The Strasbourg edition is widely considered the most important edition of Ptolemy's Geographia. The whirling wings surround the world as it was known to Ptolemy, the oikumene. The basic cartography of the map follows Ptolemy, although Waldseemüller does open up the Indian Ocean in the East and also eliminates the land to the south of the Indian Ocean which appeared in earlier maps. There is a very early use of longitude and latitude lines, along with notes on the climates in the left margin beyond the map.
Waldseemüller likely began work on the Geographia map in ca. 1505, when he was a professor of cosmography in St.-Dié. Waldseemüller worked on the Ptolemy with Matthias Ringmann, who collated the texts, while Waldseemüller compiled the maps. However, when their patron René II died in 1508, the St.-Dié Press closed down. Ringmann died in 1511. These events stalled the project and it was only in 1513 that the Ptolemy appeared, printed by Waldseemüller’s friend Johann Schott. Raremaps.com
“The Psalter map is an English map from the thirteenth century that includes much information within it's small area Like many medieval maps, this world map subjectively presents Jerusalem, as enlarged and at the center, as Jesus overlooks the world. The map also contains many indicators of the materiality of the Middle Ages, including buildings, boats, "monstrous" human races (along the right-hand side) and the wind. Thus, the map acts as a record of how people experienced the world during this time period.” History Fine Prints (on etsy)
“Psalter World Map is the name historiography gave to a medieval world map that has been found in a psalter. This mappa mundi is now conserved at the British Library in London. The small map (c. 9.5 cm or 3.7 in high) shows a lot of detail. It was written around 1260; the author is unknown. According to historian Anna-Dorothee von den Brincken, it looks like a small version of the Ebstorf Map from Northern Germany. It is a typical mappa mundi that does not only show the geographical and historical knowledge, but also puts it into the frame of salvation history. Jesus Christ appears in the East (i.e. "above"), as the maps of Christian Middle Ages have East above, not North, giving a blessing with his right hand.” wikipedia
“A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the later medieval emergence of the book of hours, psalters were the books most widely owned by wealthy lay persons and were commonly used for learning to read. Many Psalters were richly illuminated and they include some of the most spectacular surviving examples of medieval book art.” wikipedia
This rather sinister image is one of the biggest mysteries in the history of western cartography. Most often referred to simply as the Fool’s Cap Map of the World, it is unknown why, when, where and by whom it was made. The only thing that can be said about it with some certainty is that it dates from ca. 1580-1590. But sources even differ as to the type of projection used, some referring to it as ptolemaic (i.e. equidistant conic), others claiming it owes more to the techniques of Mercator and/or Ortelius (and being an enthusiast rather than a specialist, I’m not one to call this). The map shows the world ‘dressed up’ in the traditional garb of a court jester: the double-peaked, bell-tipped cap (1) and the jester’s staff (2). The face is hidden (or replaced) by the map, giving the whole image an ominous, threatening quality that feels anachronistically modern. The archetype of the Fool, presented here in his incarnation as the court jester, is a first indicator of the map’s deeper meaning. In previous ages, the Fool was a court figure allowed to mock majesty and to speak truth to power. These were rare and useful correctives to the corrupting absolutism of the monarchies of the day. But criticism of this sort was only possible if it was de-fanged by the grotesque appearance of the Fool - preferably a hunchbacked, slightly loopy-headed dwarf, i.e. someone not to be taken too seriously. The Big Think
”Planisphaeri coeleste, 1680, a celestial planisphere featuring the constellations of the northern and southern hemispheres with traditional representations of the signs of the Zodiac and constellations, including Draco, Serpens and Hydra. Astronomy and celestial star chart map by the Dutch cartographer family Frederik de Wit. A star chart or star map is a map of the night sky. Astronomers divide these into grids to use them more easily. They are used to identify and locate astronomical objects such as stars, constellations and galaxies. They have been used for human navigation since time immemorial. A planisphere is a type of star chart. The Atlas Coelestis is a star atlas published posthumously in 1729, based on observations made by the First Astronomer Royal, John Flamsteed.” alamy.com
Hendrik Hondius (1573 - 1650) was a Dutch Golden Age engraver, cartographer and publisher. This wonderful and very detailed map was first published around 1630, in his famous atlas Atlantis Maioris. It was the first dated map published in an atlas, and therefore the first widely available map, to show any part of Australia. The map is within decorative border, with portraits of Julius Caesar, Ptolomey, Gerhard Mercator and Jodocus Hondius and tableaus depicting the 4 elements - Earth, Air, Fire and Water. Terra Incognita Maps
Nova Totius Terrarum Orbis Geographica ac Hydrographica Tabula is a map of the world created by Hendrik Hondius in 1630, and published the following year at Amsterdam, in the atlas Atlantis Maioris Appendix. Illustrations of the four elements of fire, air, water, and land are included. In the four corners, there are portraits of Julius Caesar, Claudius Ptolemy, and the atlas's first two publishers, Gerard Mercator and Jodocus Hondius, the father of Hendrik.[39] Among its claims to notability is the fact that it was the first dated map published in an atlas, and therefore the first widely available map, to show any part of Australia, the only previous map to do so being Hessel Gerritsz' 1627 Caert van't Landt van d'Eendracht ("Chart of the Land of Eendracht"), which was not widely distributed or recognised. The Australian coastline shown is part of the west coast of Cape York Peninsula, discovered by Jan Carstensz in 1623. Curiously, the map does not show the west coast features shown in Gerritsz' Caert. Wikipedia
Wikipedia Engelbert Kaempfer (September 16, 1651 – November 2, 1716) was a German naturalist, physician, and explorer writer known for his tour of Russia, Persia, India, South-East Asia, and Japan between 1683 and 1693. He wrote two books about his travels. Amoenitatum exoticarum, published in 1712, is important for its medical observations and the first extensive description of Japanese plants (Flora Japonica). His History of Japan, published posthumously in 1727, was the chief source of Western knowledge about the country throughout the 18th and mid-19th centuries when it was closed to foreigners. Wikipedia
Engraving after a drawing by Engelbert Kaempfer (1651-1716) showing Japan with inset maps of the Tsugaru-Kaikyo and of the Kamchatka Peninsula (now part of Russia). Also depicted are Daoist deities, Buddhist rosaries, and a Japanese compass. From Kaempfer’s 'The History of Japan' (1727). Kaempfer was a German physician working at the Dutch trading post in Japan from 1690-1692, where he assembled a large collection. On returning to Europe he wrote 'The History of Japan', which records many aspects of the country in the Genroku period (1688-1704). Getty Images
Mercator 1569 world map. Modern climate scientists are looking hard at historic Arctic maps. As winter sea ice shrinks and cracks appear, they try to understand the reasons for these changes, and determine what we should expect in the future. Centuries ago, though, when people tried to map the Arctic, they weren't too concerned with what was happening to it, they just wanted to know what the heck was up there. And, if they didn't know, they pretty much made it up. Such was the case with the first known map of the Arctic: the Septentrionalium Terrarum, which is filled with magnetic stones, strange whirlpools, and other colorful guesses. The map's creator, the Flemish cartographer Gerardus Mercator, is best known for the "Mercator projection," the now-famed method of taking the curved lines of the Earth and transforming them into straight ones that can be used on a flat map. The Mercator projection was invented for sailors, who, thanks to its design, could use it to plot a straight-line course from their point of origin to their destination. In 1569, Mercator came out with a map of the world based on this principal. Etsy
This is the second edition of Gerard Mercator's map of the North Pole or Arctic, one of the great cartographer's most interesting and important maps. Mercator's Arctic projection has its roots in his magnificent 1569 wall map of the world in which Mercator first introduces his revolutionary projection. As regards the Arctic, the difficulty with the Mercator Projection is that to accurately depict the Polar Regions, his map would have to be infinitely tall. Mercator compensated for this by including a polar projection, very similar to the map shown here, in the lower-left hand corner of his great map. This may rightly be considered to be the world's first specific map of the North Pole. Mercator later reissued this map in an expanded format for his 1595 atlas. Following a number of important expeditions to the Arctic in subsequent 10 years, Mercator's successor Jodocus Hondius reissued the original 1595 map with a number of revolutionary and highly significant changes. Geographicus
Homann was born in Oberkammlach near Kammlach in the Electorate of Bavaria. Although educated at a Jesuit school, and preparing for an ecclesiastical career, he eventually converted to Protestantism and from 1687 worked as a civil law notary in Nuremberg. He soon turned to engraving and cartography; in 1702 he founded his own publishing house.
Homann acquired renown as a leading German cartographer, and in 1715 was appointed Imperial Geographer by Emperor Charles VI. Giving such privileges to individuals was an added right that the Holy Roman Emperor enjoyed. In the same year he was also named a member of the Prussian Academy of Sciences in Berlin. Of particular significance to cartography were the imperial printing privileges (Latin: privilegia impressoria). These protected for a time the authors in all scientific fields such as printers, copper engravers, map makers and publishers. They were also very important as a recommendation for potential customers.
In 1716 Homann published his masterpiece Grosser Atlas ueber die ganze Welt (Grand Atlas of all the World). Numerous maps were drawn up in cooperation with the engraver Christoph Weigel the Elder, who also published Siebmachers Wappenbuch.
Homann died in Nuremberg in 1724. He was succeeded by his son Johann Christoph (1703-1730). The company carried on upon his death as Homann heirs company, managed by Johann Michael Franz and Johann Georg Ebersberger. After subsequent changes in management the company folded in 1852.[1] The company was known as "Homann Erben", "Homanniani Heredes", or "Heritiers de Homann" abroad. Wikipedia
The praying skeleton image you’re inquiring about has an interesting history that connects to the work of William Cheselden, a prominent 18th-century British surgeon and anatomist. Here’s a detailed account of its origins and significance: Origins in Cheselden’s Osteographia The original praying skeleton illustration was created for William Cheselden’s masterpiece “Osteographia, or the Anatomy of the Bones,” published in 1733. This work was a groundbreaking anatomical atlas that set new standards for accuracy and artistic beauty in medical illustration. Innovative Techniques Cheselden employed innovative techniques to ensure the utmost accuracy in his skeletal depictions: 1. Camera Obscura: He had his artists, Gerard Vandergucht and Jacob Schijnvoet, use a camera obscura to create initial drawings, which was revolutionary for its time. 2. Active Involvement: Cheselden personally chose the poses for the skeletons and oversaw each stage of production, often making corrections to both drawings and copper plates. The Praying Skeleton The praying skeleton illustration was inspired by the meditative skeletons of Vesalius, an earlier anatomist. Cheselden chose this pose for a specific reason: • It allowed him to “represent the figure in a larger scale” while still fitting it within the page constraints. • The lateral view of the kneeling skeleton offered a unique perspective for anatomical study. Later Adaptations The popularity and influence of Cheselden’s work led to various adaptations: 1. Anatomy Textbook: In 1740, Cheselden adapted the praying skeleton figure for his “Anatomy of the Human Body,” where it appeared with arms tied behind its back. 2. 19th Century Reproduction: The 1830-1835 ink and watercolor version you’re referring to is likely a reproduction or adaptation of Cheselden’s original 1733 illustration. Significance Cheselden’s “Osteographia” and its illustrations, including the praying skeleton, were significant for several reasons: • Scientific Accuracy: The use of the camera obscura and Cheselden’s meticulous oversight ensured unprecedented anatomical accuracy. • Artistic Beauty: The illustrations were praised for their aesthetic quality as well as their scientific value. • Educational Impact: The work became an essential study source for medical students for nearly a century. The 1830-1835 ink and watercolor version represents the enduring influence of Cheselden’s work, demonstrating how his illustrations continued to be referenced and reproduced nearly a century after their original creation. This longevity speaks to the quality and importance of Cheselden’s contributions to both medical science and anatomical illustration. Source: Perplexity
I am a 74 year-old self-taught artist. I have been showing and selling my work since 2005. I’ve exhibited my work at the New York City Outsider Art Fair, the Kentucky Museum of Art & Craft, the Kentucky Folk Art Center, Craft(s) Gallery & Mercantile, Edenside Gallery, Gallery Hertz, Swanson Contemporary, the Good Folk Fest and other venues. I have been fortunate to have my work travel beyond the Louisville metro area. The University of Kentucky has five of my pieces displayed in their newest residence hall. Two of my pieces were purchased from a 4-person show in Nashville coordinated by the Kentucky Folk Art Center. I have also sold work in Dallas, San Francisco, Phoenix, Ann Arbor, Lexington, Georgetown, CT, South Carolina and one to Scotland!
Bot 6/22/2024 at Upstairs Art Gallery which is inside of Levin & Company bookstore in Healdsburg. Link to Gail Morgan artist website here. Link to Upstairs Art / Levin & Company
00:00 Okay, hi, gale. We just met Gail Morgan, and I'm gonna be buying this piece called Really And tell me about this, um.
00:09 And really is a portrait torso up of a woman with her hand against her head thinking.
00:18 And it is done. It's a monotype, but done with a subtractive method.
00:25 So of ink to plate with black, and then I've wiped away to create the image in it, wiped away the light spots.
00:33 And this one in particular, I think I was channeling a good friend who lives in Ivy Beach, mexico, um, who I communicate with often.
00:43 She's a very interesting lady with an interesting life. She seemed wise to me, very wise.
00:49 And she is a writer, um, and a translator, and fascinating.
00:56 She's lovely. And the title is, really, is she skeptical? Or Yes.
01:01 Well, in in our communications, we often talk about the news, and we go, really, that's great.
Speculum Orbis Terrae ("Mirror of the World") was an atlas published by Cornelis de Jode in Antwerp in 1593. The atlas was largely a continuation of unfinished works of his father, Gerard de Jode, who died in 1591. Contemporary scholars consider many of de Jode's maps to be superior, both in detail and style, to those of the competing atlas of the time, Theatrum Orbis Terrarum, by Ortelius. However, de Jode's atlas never sold well. After de Jode's death in 1600, the engraving plates were sold to J. B. Vrients (who also owned the Ortelius plates), and the complete work was not published again. Wikipedia
Cornelis de Jode (1568 – 17 October 1600) was a cartographer, engraver and publisher from Antwerp. He was the son of Gerard de Jode, also a cartographer. Cornelis studied science at Academy of Douai. When his father died in 1591, Cornelis de Jode took over the work on his father's uncompleted atlas, which he eventually published in 1593 as Speculum Orbis Terrae. Despite that contemporary scholars consider many of de Jode's maps to be copies of both Portuguese and Spanish cartographers in detail and style of atlas of the time Theatrum Orbis Terrarum by Ortelius. Wikipedia
We bought this piece of art in November 2023 at an exhibition of lilies work that was held at the birdcage in San Francisco a gallery at the corner of Sutter and Jones. I think. It is across the street from where Steve Bazant used to live. I love the intensity of the image. And despite the over anger, the bunny years tell me that it’s OK or maybe a better way to say it is that the bunny ears balance the anger.
I also thought it’s fun and a little ironic that I placed this work in between my children’s bedrooms.
Eleanor and I bought this piece during open studios in October 2024. We visited Gordon and his wife Barbara at their South of Market home, which is also their studio. They were so very welcoming and kind. https://www.gordonsizelove.com/
When I asked the artist, Babs Early, about this piece and what was motivating her when she created it, she said “I was in a mood.” I believe it was her birthday on the day that we bought it.
00:00 Eleanor, and I bought this piece from Glenn Bachman at the Open Studios on October I think it was sixth.
00:09 And Glenn, the frame of this collage, if you will, is from David Romsey.
00:17 Glen is the main photographer who shoots in David romsey's studio in his garage.
00:24 She suits maps for David Romsey.
00:27 This piece was developed by Glen at the at the urging or request of someone who is doing a show about, I think it was nature and man or nature and the machines.
00:43 And this is what Glenn sort of came up with. I love it.
00:47 It's called The Early Adopters Log.
00:52 Um, a nice play on, sort of these logs that we've seen that show the the what happened at each ring in the tree, and him showing these whimsical, whimsical, um, images.
01:08 It's not a dark piece at all. It's whimsical and fun.
01:12 And I would have thought that machine and nature would have begot something a little darker.
01:19 But, but I think it's great.
01:22 It's really fun.
01:25 Get smart. The old cell phone. I don't know what the woman with the shower is, I guess not.
01:30 So that she doesn't get her hair wet.
01:33 And then the guy who looks like with it with the gas over his face, he's hilarious.
01:40 Um.
01:42 So it was really fun to see Glen and, and we're glad that we could support, support him.
This was a favorite piece of Eleanor’s dad, Tom Bigelow, who loved trains.
John Robert Weaver, also known as “Bob” Weaver, was a notable American artist with a diverse portfolio spanning illustrations, paintings, drawings, and prints. Born on September 9, 1935, Weaver pursued his artistic education at the University of Nebraska-Lincoln (UNL), where he received his Master of Fine Arts degree in 1968. This academic achievement laid the foundation for his future career in the arts.
One of my first map purchases, in 2018, bought at the San Francisco Map Fair. Jim Schein framed this for me, after a considerable effort on his part because I wanted the map to be visible on both sides. It ultimately wasn’t do-able, so he had the map put onto a linen backing and then he framed it in plexi. I love it and gaze into it periodically.
Bot in 2023 during show of Alp’s work at Jewish home on/near Post Street and Scott/Pierce.
“Alp Ozberker is an internationally recognized artist. He has been a regular feature at California art festivals for decades. Over the last 30 years Alp has become a virtual institution in San Francisco's parks and plazas, where he regularily shows in the warmer months.
Alp's trademark etchings are weird, whimsical and highly accessible. His works are popular with conference goers (from psychologists to software engineers), locals and international tourists. Alp's diverse body of work covers themes from travel to deep sea vents with an instantly recognizable style.”
Philip Hua is one of Eleanor’s favorite artists. We met him at an ArtSpan opening in 2024. Eleanor was like a kid meeting her favorite rock star. The cranes (and other creatures) in his work signify beauty and nature while the numbers overlayed signify the drive for commerce. https://www.philliphua.com/
Eleanor bought this watercolor from Jann directly. Jann's subtle use and wide range of color (from purple to yellow to blue) creates a cool, realistic and inviting scene in nature.
Philip Hua is one of Eleanor’s favorite artists. We met him at an ArtSpan opening in 2024. Eleanor was like a kid meeting her favorite rock star. The cranes (and other creatures) in his work signify beauty and nature while the numbers overlayed signify the drive for commerce.
San Francisco Chinatown - Board of Supervisors - 1885
Image 72 of 82 | e205 | i5285 | 7054x2878px
San Francisco Chinatown - Board of Supervisors - 1885
I remember being flabbergasted when I first saw this map. I couldn’t believe that I, who’d lived in San Francisco for 10 years, didn’t know about this ultra-racist chapter of oh-so-politically-correct San Francisco. This map shows those racist and bigoted genes in technicolor.
“This map reflects the pervasive bias against the Chinese in California and in turn further fostered the hysteria. It was published as part of an official report of a Special Committee established by the San Francisco Board of Supervisors "on the Condition of the Chinese Quarter." The Report resulted from a dramatic increase in hostility to the Chinese, particularly because many Chinese laborers had been driven out of other Western states by vigilantes and sought safety in San Francisco...From the report: "The Chinese brought here with them and have successfully maintained and perpetuated the grossest habits of bestiality practiced by the human race." The map highlights the Committee's points, particularly the pervasiveness of gambling, prostitution and opium use. The Report concludes with a recommendation that the Chinese be driven out of the City by stern enforcement of the law.” PJ Mode Collection at Cornell
Eating Genetically Modified Fruit - Jon Parr - 2001
Image 73 of 82 | e205 | i5309 | 8628x9678px
Eating Genetically Modified Fruit - Jon Parr - 2001
Eleanor and Tom met Jon Parr through his wife, Marin Thurber. We attended his California College of the Arts graduation exhibit in 2001 and bought this piece which we thought was his best work. We call it "eating genetically modified fruit." Marin was his model for this piece. Jon now lives in LA with his family and is a commercial artist.
We bought this group of six people on maps on the street in New York in roughly 2023. We don’t know the artist. In the style of Gunther Temech. See Perplexity.
We bought this group of six people on maps on the street in New York in roughly 2023. We don’t know the artist. In the style of Gunther Temech. See Perplexity.
We bought this group of six people on maps on the street in New York in roughly 2023. We don’t know the artist. In the style of Gunther Temech. See Perplexity.
We bought this group of six people on maps on the street in New York in roughly 2023. We don’t know the artist. In the style of Gunther Temech. See Perplexity.
We bought this group of six people on maps on the street in New York in roughly 2023. We don’t know the artist. In the style of Gunther Temech. See Perplexity.
We bought this group of six people on maps on the street in New York in roughly 2023. We don’t know the artist. In the style of Gunther Temech. See Perplexity.
Welcome to the Paper-Bigelow art collection. We love art and maps, but, more than that, we love the artists who created all of these works. We love their stories and their inspiration. We also love our story about how we came to know about each artist, each piece of their work, and how their art inspired us.
Eleanor met Jann Pollard in San Mateo, CA, in the 1970's when Jann and her family moved across the street. This piece is titled "Venice Textures." The original was painted in watercolor. Jann published 95 archival limited edition IRIS giclee prints on Arches Cold Press paper. Each print was inspected and signed by Jann. This is print number 37/95.
June 2024 - Eleanor and I bought this piece at an art span event at the JCC a couple months ago. We are delighted by how colorful it is and how it reminds us of our home and that we love it so much. Seven hearts in a bit of a treasure hunt are on this map which we encourage people to touch. Miriam encourage us to touch it so we will encourage our guests to our home to touch it as well.
Map of the Seven Rabbits - San Francisco Bay - La Perousse - 1798
“This is the earliest obtainable map of San Francisco Bay. The map may seem a little hard to decipher by modern standards. It is oriented to the Northeast, the peninsula emerging from the right is the location of the modern urban center of modern Francisco, with the Golden Gate being the tiny entrance into he larger bay. The general form of San Pablo Bay, which leads into Suisun Bay is evident at the top of the map. The greater part of San Francisco Bay, extending towards the right side of the map is significantly truncated. The map identifies 21 place names, including Alcatraz, the Presidio, Merced, the Mission of San Francisco, and other landmarks, alphanumerically via a table integrated into the title cartouche...La Perouse did not personally survey the Bay, instead he most likely obtained the data for this map from the Spanish pilot Francisco Antonio Mourelle de la Rúa (1750-1820) in Manilla...La Perouse died tragically on a shipwreck near the Solomon Islands. His journals were shipped back to Europe from Australia before the shipwreck and posthumously published in 1797, along with an accompanying atlas volume, from which this map was drawn, Atlas du voyage de La Perouse.” geographicus.com
One of our earlier purchases. A very basic platted map. Shows streets as if they were developed. Truth was that at the time of this map, the Sunset was sand dunes and Golden Gate Park did not exist.
Striking example of Waldseemüller 's Ptolemaic world map, from the important 1513 Strasbourg edition of Ptolemy's Geographia. In his landmark catalog of world maps, Rodney Shirley called this map "one of the most attractive Ptolemaic maps ever produced” (Shirley, map 34).
The Strasbourg edition is widely considered the most important edition of Ptolemy's Geographia. The whirling wings surround the world as it was known to Ptolemy, the oikumene. The basic cartography of the map follows Ptolemy, although Waldseemüller does open up the Indian Ocean in the East and also eliminates the land to the south of the Indian Ocean which appeared in earlier maps. There is a very early use of longitude and latitude lines, along with notes on the climates in the left margin beyond the map.
Waldseemüller likely began work on the Geographia map in ca. 1505, when he was a professor of cosmography in St.-Dié. Waldseemüller worked on the Ptolemy with Matthias Ringmann, who collated the texts, while Waldseemüller compiled the maps. However, when their patron René II died in 1508, the St.-Dié Press closed down. Ringmann died in 1511. These events stalled the project and it was only in 1513 that the Ptolemy appeared, printed by Waldseemüller’s friend Johann Schott. Raremaps.com
“The Psalter map is an English map from the thirteenth century that includes much information within it's small area Like many medieval maps, this world map subjectively presents Jerusalem, as enlarged and at the center, as Jesus overlooks the world. The map also contains many indicators of the materiality of the Middle Ages, including buildings, boats, "monstrous" human races (along the right-hand side) and the wind. Thus, the map acts as a record of how people experienced the world during this time period.” History Fine Prints (on etsy)
“Psalter World Map is the name historiography gave to a medieval world map that has been found in a psalter. This mappa mundi is now conserved at the British Library in London. The small map (c. 9.5 cm or 3.7 in high) shows a lot of detail. It was written around 1260; the author is unknown. According to historian Anna-Dorothee von den Brincken, it looks like a small version of the Ebstorf Map from Northern Germany. It is a typical mappa mundi that does not only show the geographical and historical knowledge, but also puts it into the frame of salvation history. Jesus Christ appears in the East (i.e. "above"), as the maps of Christian Middle Ages have East above, not North, giving a blessing with his right hand.” wikipedia
“A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the later medieval emergence of the book of hours, psalters were the books most widely owned by wealthy lay persons and were commonly used for learning to read. Many Psalters were richly illuminated and they include some of the most spectacular surviving examples of medieval book art.” wikipedia
This rather sinister image is one of the biggest mysteries in the history of western cartography. Most often referred to simply as the Fool’s Cap Map of the World, it is unknown why, when, where and by whom it was made. The only thing that can be said about it with some certainty is that it dates from ca. 1580-1590. But sources even differ as to the type of projection used, some referring to it as ptolemaic (i.e. equidistant conic), others claiming it owes more to the techniques of Mercator and/or Ortelius (and being an enthusiast rather than a specialist, I’m not one to call this). The map shows the world ‘dressed up’ in the traditional garb of a court jester: the double-peaked, bell-tipped cap (1) and the jester’s staff (2). The face is hidden (or replaced) by the map, giving the whole image an ominous, threatening quality that feels anachronistically modern. The archetype of the Fool, presented here in his incarnation as the court jester, is a first indicator of the map’s deeper meaning. In previous ages, the Fool was a court figure allowed to mock majesty and to speak truth to power. These were rare and useful correctives to the corrupting absolutism of the monarchies of the day. But criticism of this sort was only possible if it was de-fanged by the grotesque appearance of the Fool - preferably a hunchbacked, slightly loopy-headed dwarf, i.e. someone not to be taken too seriously. The Big Think
”Planisphaeri coeleste, 1680, a celestial planisphere featuring the constellations of the northern and southern hemispheres with traditional representations of the signs of the Zodiac and constellations, including Draco, Serpens and Hydra. Astronomy and celestial star chart map by the Dutch cartographer family Frederik de Wit. A star chart or star map is a map of the night sky. Astronomers divide these into grids to use them more easily. They are used to identify and locate astronomical objects such as stars, constellations and galaxies. They have been used for human navigation since time immemorial. A planisphere is a type of star chart. The Atlas Coelestis is a star atlas published posthumously in 1729, based on observations made by the First Astronomer Royal, John Flamsteed.” alamy.com
Hendrik Hondius (1573 - 1650) was a Dutch Golden Age engraver, cartographer and publisher. This wonderful and very detailed map was first published around 1630, in his famous atlas Atlantis Maioris. It was the first dated map published in an atlas, and therefore the first widely available map, to show any part of Australia. The map is within decorative border, with portraits of Julius Caesar, Ptolomey, Gerhard Mercator and Jodocus Hondius and tableaus depicting the 4 elements - Earth, Air, Fire and Water. Terra Incognita Maps
Nova Totius Terrarum Orbis Geographica ac Hydrographica Tabula is a map of the world created by Hendrik Hondius in 1630, and published the following year at Amsterdam, in the atlas Atlantis Maioris Appendix. Illustrations of the four elements of fire, air, water, and land are included. In the four corners, there are portraits of Julius Caesar, Claudius Ptolemy, and the atlas's first two publishers, Gerard Mercator and Jodocus Hondius, the father of Hendrik.[39] Among its claims to notability is the fact that it was the first dated map published in an atlas, and therefore the first widely available map, to show any part of Australia, the only previous map to do so being Hessel Gerritsz' 1627 Caert van't Landt van d'Eendracht ("Chart of the Land of Eendracht"), which was not widely distributed or recognised. The Australian coastline shown is part of the west coast of Cape York Peninsula, discovered by Jan Carstensz in 1623. Curiously, the map does not show the west coast features shown in Gerritsz' Caert. Wikipedia
Wikipedia Engelbert Kaempfer (September 16, 1651 – November 2, 1716) was a German naturalist, physician, and explorer writer known for his tour of Russia, Persia, India, South-East Asia, and Japan between 1683 and 1693. He wrote two books about his travels. Amoenitatum exoticarum, published in 1712, is important for its medical observations and the first extensive description of Japanese plants (Flora Japonica). His History of Japan, published posthumously in 1727, was the chief source of Western knowledge about the country throughout the 18th and mid-19th centuries when it was closed to foreigners. Wikipedia
Engraving after a drawing by Engelbert Kaempfer (1651-1716) showing Japan with inset maps of the Tsugaru-Kaikyo and of the Kamchatka Peninsula (now part of Russia). Also depicted are Daoist deities, Buddhist rosaries, and a Japanese compass. From Kaempfer’s 'The History of Japan' (1727). Kaempfer was a German physician working at the Dutch trading post in Japan from 1690-1692, where he assembled a large collection. On returning to Europe he wrote 'The History of Japan', which records many aspects of the country in the Genroku period (1688-1704). Getty Images
Mercator 1569 world map. Modern climate scientists are looking hard at historic Arctic maps. As winter sea ice shrinks and cracks appear, they try to understand the reasons for these changes, and determine what we should expect in the future. Centuries ago, though, when people tried to map the Arctic, they weren't too concerned with what was happening to it, they just wanted to know what the heck was up there. And, if they didn't know, they pretty much made it up. Such was the case with the first known map of the Arctic: the Septentrionalium Terrarum, which is filled with magnetic stones, strange whirlpools, and other colorful guesses. The map's creator, the Flemish cartographer Gerardus Mercator, is best known for the "Mercator projection," the now-famed method of taking the curved lines of the Earth and transforming them into straight ones that can be used on a flat map. The Mercator projection was invented for sailors, who, thanks to its design, could use it to plot a straight-line course from their point of origin to their destination. In 1569, Mercator came out with a map of the world based on this principal. Etsy
This is the second edition of Gerard Mercator's map of the North Pole or Arctic, one of the great cartographer's most interesting and important maps. Mercator's Arctic projection has its roots in his magnificent 1569 wall map of the world in which Mercator first introduces his revolutionary projection. As regards the Arctic, the difficulty with the Mercator Projection is that to accurately depict the Polar Regions, his map would have to be infinitely tall. Mercator compensated for this by including a polar projection, very similar to the map shown here, in the lower-left hand corner of his great map. This may rightly be considered to be the world's first specific map of the North Pole. Mercator later reissued this map in an expanded format for his 1595 atlas. Following a number of important expeditions to the Arctic in subsequent 10 years, Mercator's successor Jodocus Hondius reissued the original 1595 map with a number of revolutionary and highly significant changes. Geographicus
Homann was born in Oberkammlach near Kammlach in the Electorate of Bavaria. Although educated at a Jesuit school, and preparing for an ecclesiastical career, he eventually converted to Protestantism and from 1687 worked as a civil law notary in Nuremberg. He soon turned to engraving and cartography; in 1702 he founded his own publishing house.
Homann acquired renown as a leading German cartographer, and in 1715 was appointed Imperial Geographer by Emperor Charles VI. Giving such privileges to individuals was an added right that the Holy Roman Emperor enjoyed. In the same year he was also named a member of the Prussian Academy of Sciences in Berlin. Of particular significance to cartography were the imperial printing privileges (Latin: privilegia impressoria). These protected for a time the authors in all scientific fields such as printers, copper engravers, map makers and publishers. They were also very important as a recommendation for potential customers.
In 1716 Homann published his masterpiece Grosser Atlas ueber die ganze Welt (Grand Atlas of all the World). Numerous maps were drawn up in cooperation with the engraver Christoph Weigel the Elder, who also published Siebmachers Wappenbuch.
Homann died in Nuremberg in 1724. He was succeeded by his son Johann Christoph (1703-1730). The company carried on upon his death as Homann heirs company, managed by Johann Michael Franz and Johann Georg Ebersberger. After subsequent changes in management the company folded in 1852.[1] The company was known as "Homann Erben", "Homanniani Heredes", or "Heritiers de Homann" abroad. Wikipedia
The praying skeleton image you’re inquiring about has an interesting history that connects to the work of William Cheselden, a prominent 18th-century British surgeon and anatomist. Here’s a detailed account of its origins and significance: Origins in Cheselden’s Osteographia The original praying skeleton illustration was created for William Cheselden’s masterpiece “Osteographia, or the Anatomy of the Bones,” published in 1733. This work was a groundbreaking anatomical atlas that set new standards for accuracy and artistic beauty in medical illustration. Innovative Techniques Cheselden employed innovative techniques to ensure the utmost accuracy in his skeletal depictions: 1. Camera Obscura: He had his artists, Gerard Vandergucht and Jacob Schijnvoet, use a camera obscura to create initial drawings, which was revolutionary for its time. 2. Active Involvement: Cheselden personally chose the poses for the skeletons and oversaw each stage of production, often making corrections to both drawings and copper plates. The Praying Skeleton The praying skeleton illustration was inspired by the meditative skeletons of Vesalius, an earlier anatomist. Cheselden chose this pose for a specific reason: • It allowed him to “represent the figure in a larger scale” while still fitting it within the page constraints. • The lateral view of the kneeling skeleton offered a unique perspective for anatomical study. Later Adaptations The popularity and influence of Cheselden’s work led to various adaptations: 1. Anatomy Textbook: In 1740, Cheselden adapted the praying skeleton figure for his “Anatomy of the Human Body,” where it appeared with arms tied behind its back. 2. 19th Century Reproduction: The 1830-1835 ink and watercolor version you’re referring to is likely a reproduction or adaptation of Cheselden’s original 1733 illustration. Significance Cheselden’s “Osteographia” and its illustrations, including the praying skeleton, were significant for several reasons: • Scientific Accuracy: The use of the camera obscura and Cheselden’s meticulous oversight ensured unprecedented anatomical accuracy. • Artistic Beauty: The illustrations were praised for their aesthetic quality as well as their scientific value. • Educational Impact: The work became an essential study source for medical students for nearly a century. The 1830-1835 ink and watercolor version represents the enduring influence of Cheselden’s work, demonstrating how his illustrations continued to be referenced and reproduced nearly a century after their original creation. This longevity speaks to the quality and importance of Cheselden’s contributions to both medical science and anatomical illustration. Source: Perplexity
I am a 74 year-old self-taught artist. I have been showing and selling my work since 2005. I’ve exhibited my work at the New York City Outsider Art Fair, the Kentucky Museum of Art & Craft, the Kentucky Folk Art Center, Craft(s) Gallery & Mercantile, Edenside Gallery, Gallery Hertz, Swanson Contemporary, the Good Folk Fest and other venues. I have been fortunate to have my work travel beyond the Louisville metro area. The University of Kentucky has five of my pieces displayed in their newest residence hall. Two of my pieces were purchased from a 4-person show in Nashville coordinated by the Kentucky Folk Art Center. I have also sold work in Dallas, San Francisco, Phoenix, Ann Arbor, Lexington, Georgetown, CT, South Carolina and one to Scotland!
Bot 6/22/2024 at Upstairs Art Gallery which is inside of Levin & Company bookstore in Healdsburg. Link to Gail Morgan artist website here. Link to Upstairs Art / Levin & Company
00:00 Okay, hi, gale. We just met Gail Morgan, and I'm gonna be buying this piece called Really And tell me about this, um.
00:09 And really is a portrait torso up of a woman with her hand against her head thinking.
00:18 And it is done. It's a monotype, but done with a subtractive method.
00:25 So of ink to plate with black, and then I've wiped away to create the image in it, wiped away the light spots.
00:33 And this one in particular, I think I was channeling a good friend who lives in Ivy Beach, mexico, um, who I communicate with often.
00:43 She's a very interesting lady with an interesting life. She seemed wise to me, very wise.
00:49 And she is a writer, um, and a translator, and fascinating.
00:56 She's lovely. And the title is, really, is she skeptical? Or Yes.
01:01 Well, in in our communications, we often talk about the news, and we go, really, that's great.
Speculum Orbis Terrae ("Mirror of the World") was an atlas published by Cornelis de Jode in Antwerp in 1593. The atlas was largely a continuation of unfinished works of his father, Gerard de Jode, who died in 1591. Contemporary scholars consider many of de Jode's maps to be superior, both in detail and style, to those of the competing atlas of the time, Theatrum Orbis Terrarum, by Ortelius. However, de Jode's atlas never sold well. After de Jode's death in 1600, the engraving plates were sold to J. B. Vrients (who also owned the Ortelius plates), and the complete work was not published again. Wikipedia
Cornelis de Jode (1568 – 17 October 1600) was a cartographer, engraver and publisher from Antwerp. He was the son of Gerard de Jode, also a cartographer. Cornelis studied science at Academy of Douai. When his father died in 1591, Cornelis de Jode took over the work on his father's uncompleted atlas, which he eventually published in 1593 as Speculum Orbis Terrae. Despite that contemporary scholars consider many of de Jode's maps to be copies of both Portuguese and Spanish cartographers in detail and style of atlas of the time Theatrum Orbis Terrarum by Ortelius. Wikipedia
We bought this piece of art in November 2023 at an exhibition of lilies work that was held at the birdcage in San Francisco a gallery at the corner of Sutter and Jones. I think. It is across the street from where Steve Bazant used to live. I love the intensity of the image. And despite the over anger, the bunny years tell me that it’s OK or maybe a better way to say it is that the bunny ears balance the anger.
I also thought it’s fun and a little ironic that I placed this work in between my children’s bedrooms.
Eleanor and I bought this piece during open studios in October 2024. We visited Gordon and his wife Barbara at their South of Market home, which is also their studio. They were so very welcoming and kind. https://www.gordonsizelove.com/
When I asked the artist, Babs Early, about this piece and what was motivating her when she created it, she said “I was in a mood.” I believe it was her birthday on the day that we bought it.
00:00 Eleanor, and I bought this piece from Glenn Bachman at the Open Studios on October I think it was sixth.
00:09 And Glenn, the frame of this collage, if you will, is from David Romsey.
00:17 Glen is the main photographer who shoots in David romsey's studio in his garage.
00:24 She suits maps for David Romsey.
00:27 This piece was developed by Glen at the at the urging or request of someone who is doing a show about, I think it was nature and man or nature and the machines.
00:43 And this is what Glenn sort of came up with. I love it.
00:47 It's called The Early Adopters Log.
00:52 Um, a nice play on, sort of these logs that we've seen that show the the what happened at each ring in the tree, and him showing these whimsical, whimsical, um, images.
01:08 It's not a dark piece at all. It's whimsical and fun.
01:12 And I would have thought that machine and nature would have begot something a little darker.
01:19 But, but I think it's great.
01:22 It's really fun.
01:25 Get smart. The old cell phone. I don't know what the woman with the shower is, I guess not.
01:30 So that she doesn't get her hair wet.
01:33 And then the guy who looks like with it with the gas over his face, he's hilarious.
01:40 Um.
01:42 So it was really fun to see Glen and, and we're glad that we could support, support him.
This was a favorite piece of Eleanor’s dad, Tom Bigelow, who loved trains.
John Robert Weaver, also known as “Bob” Weaver, was a notable American artist with a diverse portfolio spanning illustrations, paintings, drawings, and prints. Born on September 9, 1935, Weaver pursued his artistic education at the University of Nebraska-Lincoln (UNL), where he received his Master of Fine Arts degree in 1968. This academic achievement laid the foundation for his future career in the arts.
One of my first map purchases, in 2018, bought at the San Francisco Map Fair. Jim Schein framed this for me, after a considerable effort on his part because I wanted the map to be visible on both sides. It ultimately wasn’t do-able, so he had the map put onto a linen backing and then he framed it in plexi. I love it and gaze into it periodically.
Bot in 2023 during show of Alp’s work at Jewish home on/near Post Street and Scott/Pierce.
“Alp Ozberker is an internationally recognized artist. He has been a regular feature at California art festivals for decades. Over the last 30 years Alp has become a virtual institution in San Francisco's parks and plazas, where he regularily shows in the warmer months.
Alp's trademark etchings are weird, whimsical and highly accessible. His works are popular with conference goers (from psychologists to software engineers), locals and international tourists. Alp's diverse body of work covers themes from travel to deep sea vents with an instantly recognizable style.”
Philip Hua is one of Eleanor’s favorite artists. We met him at an ArtSpan opening in 2024. Eleanor was like a kid meeting her favorite rock star. The cranes (and other creatures) in his work signify beauty and nature while the numbers overlayed signify the drive for commerce. https://www.philliphua.com/
Eleanor bought this watercolor from Jann directly. Jann's subtle use and wide range of color (from purple to yellow to blue) creates a cool, realistic and inviting scene in nature.
Philip Hua is one of Eleanor’s favorite artists. We met him at an ArtSpan opening in 2024. Eleanor was like a kid meeting her favorite rock star. The cranes (and other creatures) in his work signify beauty and nature while the numbers overlayed signify the drive for commerce.
San Francisco Chinatown - Board of Supervisors - 1885
I remember being flabbergasted when I first saw this map. I couldn’t believe that I, who’d lived in San Francisco for 10 years, didn’t know about this ultra-racist chapter of oh-so-politically-correct San Francisco. This map shows those racist and bigoted genes in technicolor.
“This map reflects the pervasive bias against the Chinese in California and in turn further fostered the hysteria. It was published as part of an official report of a Special Committee established by the San Francisco Board of Supervisors "on the Condition of the Chinese Quarter." The Report resulted from a dramatic increase in hostility to the Chinese, particularly because many Chinese laborers had been driven out of other Western states by vigilantes and sought safety in San Francisco...From the report: "The Chinese brought here with them and have successfully maintained and perpetuated the grossest habits of bestiality practiced by the human race." The map highlights the Committee's points, particularly the pervasiveness of gambling, prostitution and opium use. The Report concludes with a recommendation that the Chinese be driven out of the City by stern enforcement of the law.” PJ Mode Collection at Cornell
Eating Genetically Modified Fruit - Jon Parr - 2001
Eleanor and Tom met Jon Parr through his wife, Marin Thurber. We attended his California College of the Arts graduation exhibit in 2001 and bought this piece which we thought was his best work. We call it "eating genetically modified fruit." Marin was his model for this piece. Jon now lives in LA with his family and is a commercial artist.
We bought this group of six people on maps on the street in New York in roughly 2023. We don’t know the artist. In the style of Gunther Temech. See Perplexity.
We bought this group of six people on maps on the street in New York in roughly 2023. We don’t know the artist. In the style of Gunther Temech. See Perplexity.
We bought this group of six people on maps on the street in New York in roughly 2023. We don’t know the artist. In the style of Gunther Temech. See Perplexity.
We bought this group of six people on maps on the street in New York in roughly 2023. We don’t know the artist. In the style of Gunther Temech. See Perplexity.
We bought this group of six people on maps on the street in New York in roughly 2023. We don’t know the artist. In the style of Gunther Temech. See Perplexity.
We bought this group of six people on maps on the street in New York in roughly 2023. We don’t know the artist. In the style of Gunther Temech. See Perplexity.
Welcome to the Paper-Bigelow art collection. We love art and maps, but, more than that, we love the artists who created all of these works. We love their stories and their inspiration. We also love our story about how we came to know about each artist, each piece of their work, and how their art inspired us.
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
12
Dot stories
1
tomadmin
(@tomadmin)
Nov 24 2023
0.15
0.55
One of the first maps I bought, from Chuck Ashman of Nautical Charts. My friend and map dealer Jim Schein calls this “the map of the seven rabbits.”
The map was made in the 1780s by Compte La Pérouse, the commander of a French naval expedition in the Pacific. La Perouse made the map in a hurry and he never made it back to France…but the map did.
The orientation of the map is not the traditional north at the top. Instead, the map is aligned with the straights of water that is the Golden Gate.
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
3
Dot stories
1
tomadmin
(@tomadmin)
Aug 14 2024
0.53
0.84
Eleanor and I love this piece by Lily Shanahan that we commissioned a while back; was it just after Covid started?
2
tomadmin
(@tomadmin)
Aug 14 2024
0.49
1.93
I love this piece because it is symmetrical and beautiful and fractal-like, not only does each flower have repeating but slightly different patterns, but each of the three images have self-similarity.
3
tomadmin
(@tomadmin)
Aug 14 2024
0.49
1.22
I also love the variety of things that Lily has created and the fact that her work challenges the way that I think. See examples below, about gender, big game hunting, human fierceness and fun, and good intentions.
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
4
Dot stories
1
tomadmin
(@tomadmin)
Aug 15 2024
0.48
0.12
Eleanor and I met Alp Ozberker for the first time in 2023 at a show of his work in San Francisco. Alp is a larger than life character, he's originally from Istanbul and has lived and worked all over the world.
2
tomadmin
(@tomadmin)
Aug 15 2024
0.57
0.35
I love Alp’s art because it is intricate and beautiful. He encourages people to get lost in his work and also not too read too much into his titles, but that’s hard for me. This piece is called “At The Deli.”
3
tomadmin
(@tomadmin)
Aug 15 2024
0.48
0.67
This piece is called “Go Into Orbit.”
4
tomadmin
(@tomadmin)
Aug 15 2024
0.52
0.99
This one is called “The Sphinx.”
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
0
No dots yet
Dots count
3
Dot stories
1
tomadmin
(@tomadmin)
Aug 16 2024
0.52
0.19
Megan Bigelow is my sister-in-law and she is an amazing artist.
2
tomadmin
(@tomadmin)
Aug 16 2024
0.43
0.42
I love this pencil drawing based on Rodin's The Kiss.
3
tomadmin
(@tomadmin)
Aug 16 2024
0.54
0.74
Megan is a fine artist specializing in painting, drawing and photography. She graduated from UCLA with a BA in design, focusing on fine arts.
Dots count
0
No dots yet
1
1
2
3
4
5
6
7
8
9
10
11
12
1
2
3
1
2
3
4
1
2
3
Exhibit ID:205
0
0
23
82
30
Paper-Bigelow Art Collection
Paper-Bigelow Art Collection
This is Tom Paper and Eleanor Bigelow's art and map collection
![[ 2024-10-30 01:21:49 ]](https://pxpbstrg.s3.us-west-1.amazonaws.com/images/thumbs/1731821323.jpg)
![Barbara Sizelove - [ 2024-10-22 11:59:58 ]](https://pxpbstrg.s3.us-west-1.amazonaws.com/images/thumbs/1731721258.jpg)
![[ 2024-11-03 19:11:36 ]](https://pxpbstrg.s3.us-west-1.amazonaws.com/images/thumbs/1731720541.jpg)
![[ 2024-11-16 00:13:34 ]](https://pxpbstrg.s3.us-west-1.amazonaws.com/images/thumbs/1731716039.jpg)
