Exhibits contain tag : 19th-century
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Smith's Geography - 1845
8/13/24Roswell C. Smith's "Geography" was an influential textbook published in the 19th century for use in American schools, academies, and families[1][3]. First published in 1836, the book was printed in Philadelphia by W. Marshall & Co. and in Hartford by D. Burgess & Co[1].Key FeaturesFormat and Content: Smith's Geography followed the standard question-and-answer format common in educational texts of the time[3]. It contained 274 pages and included illustrations, making it more engaging for students[1][4].Maps and Illustrations: Unlike some earlier geography textbooks, Smith's work featured maps and illustrations, providing visual aids to enhance learning[4]. These visual elements helped students better understand geographical concepts and locations.Cultural Information: The book went beyond mere geographical facts, offering information about countries and cultures around the world[4]. However, it's worth noting that these descriptions often included stereotypical images of different cultures, reflecting the perspectives of the time.Productive System: The full title of one edition was "Geography on the Productive System for Schools, Academies, and Families," indicating Smith's educational approach[3].Editions and VariationsSmith's Geography was published in multiple editions and formats over the years:1. The original 1836 edition was 17 cm in size and included a frontispiece[1].2. "Smith's First Book in Geography: An Introductory Geography" was likely a simplified version for younger students[2].3. "Smith's Atlas of Modern and Ancient Geography" was a companion volume, featuring both contemporary and historical maps[5].Smith's Geography became a popular textbook in American schools during the 19th century, contributing to the geographical education of many students across the country.Source: Perplexity.ai-- Gabrielle Ly
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Lectures on Architecture and Painting - John Ruskin - 1854
8/13/24John Ruskin was a prominent English intellectual and polymath of the Victorian era who lived from 1819 to 1900[1][2]. He was a multifaceted individual who made significant contributions in various fields:Art Critic and TheoristRuskin first gained widespread recognition with his work "Modern Painters" (1843), a passionate defense of J.M.W. Turner's paintings[1]. He championed the idea that the principal role of an artist is "truth to nature"[1]. His art criticism was influential in shaping 19th-century English painting and art criticism, bringing Romantic ideas to the forefront[2].Writer and ScholarRuskin was a prolific writer who authored works on diverse subjects including:- Art history- Architecture- Geology- Botany- Literature- Political economyHis writing style evolved from elaborate prose to plainer language to communicate his ideas more effectively[1].Social ReformerIn the latter part of his career, Ruskin's focus shifted towards social and political issues[1]. He critiqued modern industrial society and championed the value of craftsmanship and the relationship between laborers and their work[4]. His ideas influenced the Arts and Crafts movement led by William Morris[4].Educator and ConservationistRuskin became the first Slade Professor of Fine Art at Oxford University in 1869[1]. He was also a pioneering conservationist who foresaw environmental issues like the greenhouse effect over a century ago[3].ArtistThough an amateur, Ruskin was a skilled draftsman and watercolorist. He created numerous sketches and paintings of nature, architecture, and ornamental details[4].Ruskin's influence extended well beyond his lifetime, with his ideas on art, society, and nature continuing to resonate in fields such as environmentalism, sustainability, and craft[1][3].Source: Perplexity.ai--Gabrielle Lykeyword: 19thCentury,
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